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Materials & Techniques wove paper

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Period 19th century

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Subject Terms agriculture

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1. Sunset

Sunset
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1861
Materials & Techniques:
Watercolor, gouache, gum, and graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 5/8 x 15 1/4 inches (27 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ivy Cottage, Shoreham
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor, gouache, and pen and brown ink ; verso: graphite and white chalk on thick, slightly textured, blue wove paper
Dimensions:
Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dagnall Lane, St. Albans
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 11 5/8 inches (23.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Partridge Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Manse and Church of Cults, the Birthplace of Wilkie
Creator:
John Cousen, 1804–1880
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Patie and Peggy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Madge and Bauldy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Returning from the Spring. Virginia.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 11 5/16 inches (15 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Belle of the Village
Creator:
Print made by George Baxter, 1804–1867
Date:
1854
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on moderately thick, slightly textured, cream wove paper laid on contemporary mount made of thick cream card
Dimensions:
Mount: 12 3/8 x 10 3/8 inches (31.4 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tysoe Windmill and Church, Warwickshire
Creator:
William Turner of Oxford, 1789–1862
Date:
1849
Materials & Techniques:
Watercolor over graphite on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 8 3/8 x 14 7/8 inches (21.3 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Children with Pig at a Doorway in Ballynahinch, Ireland
Creator:
Sir David Wilkie, 1785–1841
Date:
1835
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valle Crucis Abbey, Denbighshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1828
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Distant View of Saint-Wulfran, Abbeville
Creator:
John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 x 10 1/8 inches (17.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
Cottage and Two Cows Being Milked
Creator:
Print formerly attributed to Thomas Girtin, 1775–1802
Date:
1805
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/4 × 9 13/16 inches (15.8 × 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Glaud and Symon
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Scene with Cart
Creator:
Frank Meadow Sutcliffe, 1853–1941
Date:
1871
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

17. A Study

A Study
Creator:
Frank Meadow Sutcliffe, 1853–1941
Date:
1871
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 1/4 × 4 inches (13.3 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro