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Materials & Techniques wove paper

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Period 18th century

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Subject Terms sky

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George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake The Three Fatal Sisters (Design 67)
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
William Blake Introduction (Plate 34)
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
William Blake Help! Help! (Plate 12)
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
William Blake I Want! I Want! (Plate 11)
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake Fame (Design 93)
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
Nicholas Pocock The River Avon: with Passing Vessels
Nicholas Pocock, 1740–1821
The River Avon: with Passing Vessels
1785
Nicholas Pocock The Ranger, Private Ship of War, with her Prizes
Nicholas Pocock, 1740–1821
The Ranger, Private Ship of War, with her Prizes
1780
Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
Willey Reveley Views in the Levant: Temple Ruins at Paestum
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
Paul Sandby A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
Paul Sandby, 1731–1809
A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
1794
Thomas Rowlandson Embarkation at Southampton, June 20th 1794
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Anthony Cardon Credulity
Print made by Anthony Cardon, 1772–1813
Credulity
1796
John Dixon Mrs. Blake as Juno
Print made by John Dixon, ca. 1740–1811
Mrs. Blake as Juno
1771
Thomas Girtin Pluscardine Abbey, Elgin
Thomas Girtin, 1775–1802
Pluscardine Abbey, Elgin
ca. 1793
Thomas Girtin Pevensey Castle, Sussex
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
Thomas Girtin The Tithe Barn at Abbotsbury with the Abbey on the hill...
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
Thomas Girtin Kirkstall Abbey from the N.W.
Thomas Girtin, 1775–1802
Kirkstall Abbey from the N.W
ca. 1792
Thomas Girtin Rievaulx Abbey, Yorkshire
Thomas Girtin, 1775–1802
Rievaulx Abbey, Yorkshire
ca. 1796
Thomas Girtin Denbigh Castle
Thomas Girtin, 1775–1802
Denbigh Castle
ca. 1793
John Warwick Smith Bay Scene in Moonlight
John Warwick Smith, 1749–1831
Bay Scene in Moonlight
1787
John Warwick Smith The Northern Boundary of St. Bride's Bay
John Warwick Smith, 1749–1831
The Northern Boundary of St. Bride's Bay
1792
Thomas Gainsborough Country Lane with Gypsies Resting
Thomas Gainsborough, 1727–1788
Country Lane with Gypsies Resting
between 1760 and 1765
John Warwick Smith Approach to Belle Grange Park
John Warwick Smith, 1749–1831
Approach to Belle Grange Park
1789
John Warwick Smith A View of Tivoli Looking Towards Rome
John Warwick Smith, 1749–1831
A View of Tivoli Looking Towards Rome
ca. 1781