Materials & Techniques: wove paper / Period: 18th century / Height [cm]: 45

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

Scawen, active 1770s

Honourable George, Lord Pigot

undated

Joseph Grozer, ca. 1755–1798

Shepherdess (Miss Mary Palmer as the Young Shepherdess)

1799

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

William Ward, 1766–1826

Compassionate Children

1793

Edward Rooker, 1724–1774

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Paul Sandby, 1731–1809

Bothwell Castle, from the South

ca. 1777

George Barret, ca. 1728/32–1784

Landscape with Trees and Sheep (Park Landscape with Sheep)

undated

Print made by Francesco Bartolozzi, 1728–1815

The Cottagers

1794

Print made by William Dickinson, 1746–1823

Lady Charles Spencer

1776

Print made by William Dickinson, 1746–1823

A Lady and Children

1780

Print made by Edward Fisher, 1722–1785

The Ladies Amabel and Mary Jemina Yorke

1762

Valentine Green, 1739–1813

Sir Joshua Reynolds

1780

Alexander van Haecken, 1701–1758

In Her Love-Darting Eyes Awakes the Fires

between 1735 and 1757

William Ward, 1766–1826

Selling Rabbits

1796

George Townly Stubbs, 1748–1815

Children Dancing

1798

Samuel Davis, 1760–1819

Rocky River Scene with Sepoys

undated

Thomas Daniell, 1749–1840

Tremal Naig's Choultry, Madura

1792

George Vertue, 1684–1756

Procession of Queen Elizabeth

1742

Print made by John Dean, 1754–1798

Elizabeth, Countess of Derby

1780

Print made by Richard Earlom, 1743–1822

Mordecai

1787

James Wyatt, 1746–1813

Five Designs for a House in the Gothic Style: Plan of the Chamber Story

1791

Print made by Johnson, active 1766

The Italian Bird Catcher

1766

Thomas Daniell, 1749–1840

Rohtas Garh, Bihar

undated

Thomas Daniell, 1749–1840

An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

July 1795

unknown artist

Peter Oliver, A Celebrated Painter in the Reign of James I and Charles I

ca. 1765

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

Print made by Francesco Bartolozzi, 1728–1815

Juvenis auscultans seni de divinis admonenti

1764

William Ward, 1766–1826

The Citizens Retreat

1796

Victor Marie Picot, 1744–1805

Winter

1794

Print made by George Vertue, 1684–1756

Francis Earl of Bedford

1737

Print made by John Collins, active ca. 1682

The North Prospect of Westminster Abbey

between 1680 and 1710

Thomas Gaugain Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Print made by Thomas Gaugain, 1748–1812

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

1796

Thomas Daniell, 1749–1840

Boats near a Dutch Folly Fort, Canton

ca. 1785

Samuel Davis, 1760–1819

Madeira

1779

John Robert Cozens, 1752–1797

The Bay of Naples from Capodimonte

1790

John Robert Cozens, 1752–1797

The Lake of Albano and Castle Gandolfo

ca. 1779

William Mason, 1724–1797

Interior of an Inn

undated

Thomas Malton, 1726–1801

The Great Courtyard of Carlton House

undated

Print made by Joseph Grozer, ca. 1755–1798

Lady Charlotte Legge

1794

Valentine Green, 1739–1813

Sir Joshua Reynolds

1780

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Materials & Techniques wove paper

Period 18th century

Height [cm] 45

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Materials & Techniques wove paper

Period 18th century

Height [cm] 45

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