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Materials & Techniques wove paper

Period 18th century

Height [cm] 41

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

Johann Jacobus Haid S. Jacobus Major

Print made by Johann Jacobus Haid, 1704–1767

S. Jacobus Major

undated

Johann Jacobus Haid S. Ionnes

Print made by Johann Jacobus Haid, 1704–1767

S. Ionnes

undated

Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Peltro W. Tomkins, 1760–1840

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

1792

unknown artist The Tenant's Daughter

Print made by unknown artist

The Tenant's Daughter

1798

Caroline Kirkley Sir Joshua Reynolds

Print made by Caroline Kirkley, active 1796–1797

Sir Joshua Reynolds

1795

Joseph Grozer Shepherdess (Miss Mary Palmer as the Young Shepherdess)

Joseph Grozer, ca. 1755–1798

Shepherdess (Miss Mary Palmer as the Young Shepherdess)

1799

Henry Swinburne Theatre of Sagunto, Spain

Henry Swinburne, 1743–1803

Theatre of Sagunto, Spain

1775 to 1776

Henry Swinburne A Waterfall

Henry Swinburne, 1743–1803

A Waterfall

undated

Henry Swinburne Landscape with Figure, Standing on Large Rock

Henry Swinburne, 1743–1803

Landscape with Figure, Standing on Large Rock

undated

Henry Swinburne Mountain Landscape View of a River Flowing through a Town

Henry Swinburne, 1743–1803

Mountain Landscape View of a River Flowing through a Town

undated

Henry Swinburne View of the Plains on Both Sides of the Ofanto River, Where the Battle of Cannae was Fought

Henry Swinburne, 1743–1803

View of the Plains on Both Sides of the Ofanto River, Where the Battle of Cannae was Fought

1777 to 1778

Henry Swinburne Leoben, Austria

Henry Swinburne, 1743–1803

Leoben, Austria

1779

Henry Swinburne Sketch of a Villiage Set in in Hilly Landscape

Henry Swinburne, 1743–1803

Sketch of a Villiage Set in in Hilly Landscape

undated

Henry Swinburne Sketch of a Walled City

Henry Swinburne, 1743–1803

Sketch of a Walled City

undated

Henry Swinburne Paladi Pontine da Velletri

Henry Swinburne, 1743–1803

Paladi Pontine da Velletri

1777 to 1778

Henry Swinburne Brindisi from the HIll South of the New Channel

Henry Swinburne, 1743–1803

Brindisi from the HIll South of the New Channel

1777 to 1780

Henry Swinburne Isle of Capri Seen on the South

Henry Swinburne, 1743–1803

Isle of Capri Seen on the South

1777 to 1778

Henry Swinburne Capuchins of Our Lady of Médoux

Henry Swinburne, 1743–1803

Capuchins of Our Lady of Médoux

undated

Henry Swinburne Bay of Naples

Henry Swinburne, 1743–1803

Bay of Naples

1777 to 1778

Henry Swinburne Castle of Elmo &c.

Henry Swinburne, 1743–1803

Castle of Elmo &c

1777 to 1778

Henry Swinburne Málaga

Henry Swinburne, 1743–1803

Málaga

1775 to 1776

Henry Swinburne View of an Inn

Henry Swinburne, 1743–1803

View of an Inn

undated

Henry Swinburne Palestrina, Italy

Henry Swinburne, 1743–1803

Palestrina, Italy

1777 to 1778

Henry Swinburne Ruins of a Circular Stone Keep

Henry Swinburne, 1743–1803

Ruins of a Circular Stone Keep

undated

Henry Swinburne Personalized Design

Henry Swinburne, 1743–1803

Personalized Design

1776

Henry Swinburne Landscape, with River and Church in the Distance

Henry Swinburne, 1743–1803

Landscape, with River and Church in the Distance

undated

Henry Swinburne Lang House Farm

Henry Swinburne, 1743–1803

Lang House Farm

undated

Henry Swinburne Court of the Lions in the Alhambra of Granada

Henry Swinburne, 1743–1803

Court of the Lions in the Alhambra of Granada

1775 to 1776

Henry Swinburne Gates of the Alhambra: Puerta de los Siete Suelos

Henry Swinburne, 1743–1803

Gates of the Alhambra: Puerta de los Siete Suelos

1775 to 1776

Henry Swinburne Landscape of Buildings Along a Cliff

Henry Swinburne, 1743–1803

Landscape of Buildings Along a Cliff

undated

Henry Swinburne Near Guadix

Henry Swinburne, 1743–1803

Near Guadix

1775 to 1776

Henry Swinburne Albano

Henry Swinburne, 1743–1803

Albano

1777 to 1778

Henry Swinburne Tynemouth Castle and Priory, England

Henry Swinburne, 1743–1803

Tynemouth Castle and Priory, England

undated

Henry Swinburne Mürzzuschlag, Austria

Henry Swinburne, 1743–1803

Mürzzuschlag, Austria

1779

Henry Swinburne Carmona

Henry Swinburne, 1743–1803

Carmona

1775 to 1776

Henry Swinburne Valencia, Spain

Henry Swinburne, 1743–1803

Valencia, Spain

1775 to 1776

Henry Swinburne Villeneuve-lès-Maguelone, France

Henry Swinburne, 1743–1803

Villeneuve-lès-Maguelone, France

undated

Thomas Malton the Younger The Great Court and Chapel of Trinity College in the University of Cambridge

Thomas Malton the Younger, 1748–1804

The Great Court and Chapel of Trinity College in the University of Cambridge

1798

Sutton Nicholls Southampton or Bloomsbury Square

Sutton Nicholls, active 1725

Southampton or Bloomsbury Square

1754

William S. Leney Taming the Shrew, Act III, Scene II

William S. Leney, 1769–1831

Taming the Shrew, Act III, Scene II

1793

Robert Mitchell Meadows Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

Robert Mitchell Meadows, Died before 1812

Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

1794

Robert Marris Waterfall near Lynton

Robert Marris, 1750–1827

Waterfall near Lynton

1780

Charles Wilkin The Right Honourable Lady Charlotte Duncombe

Print made by Charles Wilkin, 1750–1814

The Right Honourable Lady Charlotte Duncombe

1797

E. J. Dumée Connubial Happiness

Print made by E. J. Dumée, active 1790

Connubial Happiness

1786

Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Johann Jacobus Haid S. Andreas

Print made by Johann Jacobus Haid, 1704–1767

S. Andreas

undated

Johann Jacobus Haid S. Philippus

Print made by Johann Jacobus Haid, 1704–1767

S. Philippus

undated

Johann Jacobus Haid S. Bartholomaeus

Print made by Johann Jacobus Haid, 1704–1767

S. Bartholomaeus

undated

Thomas Malton Lleweney Bleach Works

Thomas Malton, 1726–1801

Lleweney Bleach Works

1798

Benjamin West The Three Marys

Benjamin West, 1738–1820

The Three Marys

1783

Henry Swinburne Stone Bridge

Henry Swinburne, 1743–1803

Stone Bridge

undated

Henry Swinburne Krieglach, Austria

Henry Swinburne, 1743–1803

Krieglach, Austria

1779

Henry Swinburne Château de Chaumont

Henry Swinburne, 1743–1803

Château de Chaumont

undated

Edward Rooker The Magicians Marching off After the Success of their Incantations

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Edward Rooker, 1724–1774

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

unknown artist The Landlord's Daughter

Print made by unknown artist

The Landlord's Daughter

1798

Johann Jacobus Haid Man Wearing a Hat

Print made by Johann Jacobus Haid, 1704–1767

Man Wearing a Hat

undated

William Ward Jack in the Bilboes

William Ward, 1766–1826

Jack in the Bilboes

1790

Thomas Malton the Younger Kings College, the Chapel and Clare Hall in the University of Cambridge

Thomas Malton the Younger, 1748–1804

Kings College, the Chapel and Clare Hall in the University of Cambridge

1799

Thomas Malton the Younger Cambridge University: Emmanuel College

Thomas Malton the Younger, 1748–1804

Cambridge University: Emmanuel College

1799

Thomas Malton the Younger South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

Thomas Malton the Younger, 1748–1804

South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

1799

unknown artist North Front of the Bank

unknown artist

North Front of the Bank

1797

Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Print made by Francesco Bartolozzi, 1728–1815

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

before 1797