Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
3
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
4
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
5
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
6
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
7
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
8
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
9
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
10
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
11
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
12
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
13
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
14
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
15
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
16
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
17
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
18
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
19
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
20
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
21
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
22
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
23
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
24
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
25
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
26
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
27
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
28
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
29
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
30
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
31
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
32
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
33
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
34
Julius Caesar Ibbetson, 1759–1817
Robbing the Mail
ca. 1790
35
Thomas Trotter, ca. 1750–1803
Lord Morpeth
1787
36
Francis David Soiron, Born 1764
St. James's Park
1790
37
George Moutard Woodward, ca. 1760–1809
The Royal Rush Light
1798
38
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
39
Francis David Soiron, Born 1764
The Promenade in St. Jame's Park
1793
40
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
41
unknown artist
L'Orient 1776: Map of the Port of Orient
1776
42
Print made by unknown artist
Salvator Mundi
undated
43
Print made by unknown artist
The Country Ballad Singers
1794
44
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Man wearing a Cap
early 1750s
45
Print made by Johann Jacobus Haid, 1704–1767
S. Simon
undated
46
James Bruce, 1730–1794
Plate XV Back of Temple at Sheitla [sic]
undated
47
Thomas Major, 1714–1799
South East View of tLand-Guard Fort, in Suffolk
1754
48
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
49
Print made by unknown artist
Fortune
1796
50
Print made by unknown artist
The Moralist
1795
51
Print made by unknown artist
The Cherry Girl
1796
52
Paul Sandby Munn, 1773–1845
Shanklin Chine, Isle of Wight
1797
53
Thomas Malton the Younger, 1748–1804
Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge
1798
54
Thomas Malton the Younger, 1748–1804
The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
1799
55
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
56
Print made by Francesco Bartolozzi, 1728–1815
Juvenis auscultans seni de divinis admonenti
1764
57
Thomas Daniell, 1749–1840
Palace Ruins, Pillar and Temple Gateway, Madurai, Tamil Nadu
July 1792
58
Thomas Daniell, 1749–1840
An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri
July 1795
59
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
60
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
61
Print made by James Mason, 1710–1783
A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
1778
62
J. Wellis, active 1799
To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed
1799
63
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792
64
Isaac Johnson, 1754–1835
Survey of Tunstall Marshes
1753
65
Samuel Scott, 1701/2–1772
A View of the Estate at Esholt Hall, Yorkshire
undated
66
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
67
Thomas Rowlandson, 1756–1827
Unloading the Shipping
1799
68
Print made by Caroline Watson, 1760–1814
The Right Honourable. James Harris, 1st Earl of Malmesbury
1797
69
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches a Penny Primroses, Two Bunches a Penny