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Materials & Techniques wove paper

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Date 1842

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Topic subjectplace ss London

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James Basire II Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
G.F. Storm Vol. 6, Plate XXVIII
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
James Basire II Vol. 6, Plate XXVII: The Painted Chamber
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
James Basire II Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
James Basire II Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
James Basire II Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
James Basire II Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
G.F. Storm Vol. 6, Plate XXIX
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
James Basire II Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
James Basire II Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
James Basire II Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
James Basire II Vol. 6, Plate XXXII: The Story of Hezekiah.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
James Basire II Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1842
Thomas Cundy Design for Grosvenor House, London: Elevation towards Grosvenor Street
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Elevation towards Grosvenor Street
1842
William James Muller Pines on Hampstead Heath
William James Muller, 1812–1845
Pines on Hampstead Heath
1842
Thomas Cundy Design for Grosvenor House, London: Plan for the New Entrance to Grosvenor House
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan for the New Entrance to Grosvenor House
1842