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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
21
Creator
Basire, James, 1769–1822
11
Stothard, Charles Alfred, 1786–1821
10
CUNDY, Thomas, 1790–1867
3
Mackenzie, Frederick, 1788–1854
3
Brandard, Robert, 1805–1862
2
Storm, G.F., active mid–19th century
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Callow, William, 1812–1908
1
Capon, William, 1757–1827
1
Jones, Horace, Sir, 1819–1887
1
Muller, William James, 1812–1845
1
Date
1796
288
1814
126
1800
64
1825
57
1834
55
1818
52
1827
44
1790
41
1815
40
1812
38
1820
38
1795
36
1772
35
1810
35
1811
35
1835
34
1817
33
1823
33
1830
32
1792
30
1799
29
1912
29
1793
28
1836
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1813
26
1785
25
1819
25
1829
25
1791
24
1804
24
1806
23
1821
23
1822
23
1831
23
1805
22
1807
22
1842
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21
1797
20
1845
20
1784
19
1816
18
1798
17
1808
17
1794
16
1860
16
1809
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1832
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1837
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1782
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1759
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1802
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1863
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1890
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1717
9
1761
9
1789
9
1840
9
1843
9
1861
9
1786
8
1801
8
1803
8
1844
8
1852
8
1859
8
1880
8
1788
7
1871
7
1700
6
1762
6
1767
6
1870
6
2004
6
1754
5
1774
5
1778
5
1847
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1857
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1893
5
1739
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1765
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1769
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1777
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1781
4
1787
4
1848
4
1855
4
1858
4
1746
3
1755
3
1760
3
On-site Access
Accessible by appointment in the Study Room
21
Image Use
Free to Use
21
Image Available
Available
20
Unavailable
1
Classification
Prints
15
Drawing & Watercolors-Architectural
3
Drawings & Watercolors
3
Creator Gender
male
21
Collective Title
"Vetusta Monumenta", Society of Antiquaries of London, 1747-1906
10
Vetusta Monumenta
3
Period
19th century
21
Materials & Techniques
wove paper
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21
line engraving
12
hand coloring
8
graphite
6
black ink
4
etching (printing process)
4
pen
4
wash
3
chine collé
1
engraver's proof
1
engraving (printing process)
1
gouache
1
gray ink
1
gray wash
1
touched proof
1
watercolor
1
Height [cm]
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77
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64
Work Type
intaglio print
15
drawing
6
watercolor
2
Genre
architectural subject
18
religious and mythological subject
7
landscape
5
genre subject
2
historical subject
1
Subject Terms
architectural subject
18
religious and mythological subject
7
design
3
house
3
landscape
3
Plan
2
genre subject
2
landscape (representation)
2
bay (body of water)
1
boats
1
castle
1
cattle
1
church
1
citadel
1
cliffs
1
clouds
1
coronations
1
exterior view
1
flag
1
fort
1
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Subject Terms
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Associated Places
England
21
United Kingdom
21
London
17
City of Westminster
13
Palace of Westminster
13
Europe
4
Devon
3
Tamar
3
House of Commons
2
St. Stephen's Chapel, Palace of Westminster
2
Hampstead
1
Plym
1
Plymouth
1
Plymouth Sound
1
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
20
Yale Center for British Art, Paul Mellon Fund
1
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Materials & Techniques
wove paper
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Date
1842
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England
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1
Sir Horace Jones, 1819–1887
Part of Goodrich Castle
1842
2
William James Muller, 1812–1845
Pines on Hampstead Heath
1842
3
William Callow, 1812–1908
The Royal Citadel and Cattewater, Plymouth
1842
4
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1842
5
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
6
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
7
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
8
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
9
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
10
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
11
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
12
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
13
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
14
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1842
15
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
16
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
17
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
18
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
19
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Elevation towards Grosvenor Street
1842
20
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1842
21
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan for the New Entrance to Grosvenor House
1842