Design for the Mechanics' Institution, Basingstoke: Elevation
undated
6
Robert Smirke, 1752–1845
Viola and Olivia
1822
7
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
8
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
9
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
10
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
11
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
12
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
13
Print made by W. R. Smith, active 1819–1851
Heriot's Hospital
1822
14
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
15
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1822
16
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
17
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
18
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
19
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1822
20
Print made by George Cooke, 1781–1834
Crichton Castle
1822
21
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
22
Print made by Henry Le Keux, 1787–1868
Heriot's Hospital
1822
23
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
24
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
ca. 1827
25
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
26
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
27
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
28
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
29
unknown artist
A Ground Plan of Bermondsey Abbey
1822
30
Bartholomew Howlett, 1767–1827
North Front of Bedford House, Bloomsbury Square
1822
31
unknown artist
View of the Bank of England
1822
32
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
33
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1822
34
unknown artist
Heidelberg
1822
35
Anker Smith, 1759–1819
Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action
1822
36
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1822
37
Print made by Henry Le Keux, 1787–1868
Heriot's Hospital
1822
38
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
39
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
40
Joseph Nash, 1808–1878
Street Activity
ca. 1827
41
Aaron Edwin Penley, 1807–1870
River Landscape
undated
42
Aaron Edwin Penley, 1807–1870
Sheet of Studies of Deer, Figures and Landscape
undated
43
Henry Morton, ca. 1807–1825
The Fish Ponds
undated
44
Aaron Edwin Penley, 1807–1870
Cloud Study
undated
45
James Ward, 1769–1859
A Stunted Oak
1822
46
Henry Morton, ca. 1807–1825
Winchelsea Castle
undated
47
Henry Morton, ca. 1807–1825
Bodiam Castle
undated
48
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
49
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
50
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
51
John Buckler FSA, 1770–1851
South West View of Thornbury Castle, Gloucestershire
1822
52
John Buckler FSA, 1770–1851
North View of Thornbury Castle, Gloucestershire
1822
53
John Buckler FSA, 1770–1851
South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart
1822
54
John Buckler FSA, 1770–1851
South View of Thornbury Castle, Gloucestershire
1822
55
John Buckler FSA, 1770–1851
West Front of Thornbury Catle, Gloucestershire
1822
56
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
57
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
58
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
59
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
60
Henry Thomas Alken, 1785–1851
Foxhunting: The Start
1822
61
Henry Thomas Alken, 1785–1851
Foxhunting: The Meet
1822
62
John Buckler FSA, 1770–1851
South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart
1822
63
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
64
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
65
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
66
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
67
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
68
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
69
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
70
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
71
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
72
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
73
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
74
unknown artist
Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P
1822
75
Robert Smirke, 1752–1845
Olivia and Maria
1822
76
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
77
Print made by William Tombleson, ca.1795–1835
Frauen Capelle, Haupt Markt
1822
78
Print made by William Woolnoth, active 1806–1830
Ulm Cathedral
1822
79
Print made by William Tombleson, ca.1795–1835
St. Stephan's Dom-Kirche, Vienna
1822
80
Print made by Josiah Henshall, 1806–1869
St. Stephan's Dom-Kirche, from Stock Am Eisen, Vienna
1822
81
Print made by Samuel Howitt, 1756–1822
Fallow Deer
1822
82
Print made by unknown artist
Illustration for 'Spenser'
1822
83
Print made by unknown artist
Winding Silk
1822
84
George Chinnery, 1774–1852
An Elephant
1822
85
John Sell Cotman, 1782–1842
Caverns Excavated in the Rock within the Castle of Château Gaillard, near Andelys, Normandy
1822
86
Published by Rudolf Ackermann, 1764–1834
The Castle of Isola, Italy
1822
87
Print made by H. Winkles, Active 1834–1840
Imperial Riding School, St. Michael's Platz, Vienna
1822
88
Sir George Hayter, 1792–1871
Sir George Hayter
1822
89
John Sell Cotman, 1782–1842
Round Tower, Castle of Lillebonne, Normandy
1822
90
imitator of John Sell Cotman, 1782–1842
Coast Scene with a Castle
ca. 1827
91
Richard Corbould, 1757–1831
Design for a Monument for the North British Insurance Company
ca. 1827
92
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
93
Print made by William Heath, 1795–1840
The New Petty Coat Administration
ca. 1827
94
Print made by William Heath, 1795–1840
Druming Out. Or Making an Example of a Mutineer
ca. 1827
95
Print made by William Heath, 1795–1840
Sailors on Shore at Navarino
ca. 1827
96
Thomas Henry Wyatt, 1807–1880
Design for St. David, Pantasaph, Flintshire. East Elevation