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Collection
Prints and Drawings
35
Creator
Blake, William, 1757–1827
31
Cruikshank, Robert Isaac, 1789–1856
2
Hullmandel, Charles Joseph, 1789–1850
1
Unknown artist
1
Vulliamy, Lewis, 1791–1871
1
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1834
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38
1804
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1811
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1896
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1955
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On-site Access
Accessible by appointment in the Study Room
35
Image Use
Free to Use
35
Image Available
Available
35
Classification
Prints
32
Drawings & Watercolors
2
Drawing & Watercolors-Architectural
1
Creator Gender
male
35
unknown
1
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
31
Period
19th century
35
Materials & Techniques
wove paper
[remove]
35
watercolor
32
black ink
31
relief etching
31
gold
4
graphite
3
brown ink
1
chine collé
1
gray wash
1
lithography
1
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34
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42
Work Type
drawing
34
watercolor
33
relief print
31
planographic print
1
Genre
literary theme
31
religious and mythological subject
31
figure study
2
architectural subject
1
landscape
1
Subject Terms
literary theme
31
religious and mythological subject
31
text
31
men
18
vines
17
nudes
16
women
11
roots
8
flames
7
sun
7
fire
6
leaf
6
sky
6
birds
5
vegetation
5
stars
4
wings
4
branches
3
clouds
3
moon
3
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Associated Places
England
1
Hawes Bridge
1
Kendal
1
Kent
1
United Kingdom
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
31
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
31
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
5
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
4
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
2
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
2
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Deluge (Yale Center for British Art, 2018-12-18 - 2019-03-24)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
35
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Materials & Techniques
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1804
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1
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
2
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
3
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
4
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
5
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
6
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
7
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
8
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
9
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
10
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
11
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
12
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
13
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
14
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
15
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
16
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
17
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
18
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
19
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
20
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
21
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
22
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
23
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
24
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
25
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
26
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
27
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
28
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
29
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
30
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
31
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
32
Print made by unknown artist
Hawes Bridge near Kendal
undated
33
Lewis Vulliamy, 1791–1871
Perspective View of a Fanciful Acropolis Complex
undated
34
Robert Isaac Cruikshank, 1789–1856
An Unconventional Visit
undated
35
Robert Isaac Cruikshank, 1789–1856
Public Refreshment in High Society
undated