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Collection
Prints and Drawings
37
Creator
Blake, William, 1757–1827
33
Edwards, Richard, active 1796–1797
33
Young, Edward, 1683–1765
33
Cotman, John Sell, 1782–1842
2
Burke, Thomas, 1749–1815
1
Gainsborough, Thomas, 1727–1788
1
Kauffmann, Angelica, 1741–1807
1
Macklin, Thomas, active 1779–1793
1
Date
1791
622
1797
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37
1833
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On-site Access
Accessible by appointment in the Study Room
37
Image Use
Free to Use
37
Image Available
Available
37
Classification
Prints
35
Drawings & Watercolors
2
Creator Gender
male
37
female
1
Collective Title
Young's Night Thoughts
33
Period
18th century
35
18th century-19th century
2
Materials & Techniques
wove paper
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37
etching (printing process)
33
line engraving
33
watercolor
33
graphite
2
aquatint
1
brown wash
1
colored ink
1
soft-ground etching
1
stipple engraving
1
Height [cm]
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52
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Work Type
intaglio print
35
watercolor
33
drawing
2
Genre
literary theme
33
religious and mythological subject
33
genre subject
2
landscape
2
animal art
1
portrait
1
Subject Terms
literary theme
33
religious and mythological subject
33
text
30
men
23
women
17
man
11
nudes
11
beard
8
nude
8
angels
7
grass
7
children
6
clouds
6
trees
6
wings
6
angel
5
vines
5
bed
4
gown
4
pointing
4
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Subject Terms
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Associated People
Rebecca, Lady Northwick (nee Bowles, married Sir John Rushout; d. 1818)
1
Rushout, Anne (d. 1849)
1
angel
1
Exhibition History
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
1
Thomas Gainsborough (Tate) (Musée du Louvre, 1981-02-07 - 1981-04-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
37
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Materials & Techniques
wove paper
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Date
1797
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1
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
2
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
3
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
4
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
5
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
6
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
7
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
8
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
9
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
10
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
11
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
12
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
13
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
14
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
15
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
16
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
17
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
18
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
19
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
20
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
21
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
22
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
23
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
24
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
25
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
26
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
27
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
28
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
29
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
30
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
31
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
32
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
33
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
34
John Sell Cotman, 1782–1842
Horse Loaded with Artist’s Paraphernalia
undated
35
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
36
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
37
pupil of John Sell Cotman, 1782–1842
Study of Trees
undated