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Collection
Prints and Drawings
95
Creator
Varley, John, 1778–1842
36
Blake, William, 1757–1827
24
Cockburn, James Pattison, 1779–1847
16
Alexander, William, 1767–1816
3
Harraden, Richard Banks, 1778–1862
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Unknown artist
2
Chalon, John James, 1778–1854
1
Cozens, John Robert, 1752–1797
1
Edwards, Edward, 1738–1806
1
Ellice, Jane Lady, 1813–1864
1
Girtin, Thomas, 1775–1802
1
Hand, Thomas, died 1804
1
Harley, George, 1791–1871
1
Howitt, Samuel, 1756–1822
1
Pyne, William Henry, 1769–1843
1
Schetky, John Christian, 1778–1874
1
Smith, John, 1749–1831
1
Smith, Joseph Clarendon, 1778–1810
1
Ward, James, 1769–1859
1
Date
1791
703
1800
335
1867
317
1802
228
1832
186
1772
180
1814
147
1794
146
1804
145
1797
140
1771
124
1799
105
1820
105
1801
101
1825
98
1793
[remove]
95
1789
94
1818
91
1790
88
1792
85
1839
85
1830
84
1836
84
1784
83
1835
79
1775
78
1817
78
1795
76
1796
74
0
69
1815
61
1807
58
1798
55
1827
55
1700
53
1745
53
1812
53
1805
52
1855
51
1834
49
1803
48
1828
48
1810
47
1774
46
1819
46
1821
46
1840
46
1811
45
1808
44
1823
42
1787
38
1861
37
1809
36
1813
36
1826
36
1768
33
1780
33
1782
32
1785
32
1837
32
1843
32
1764
31
1844
31
1857
31
1770
29
1816
29
1781
28
1831
28
1838
28
1841
27
1848
27
1829
26
1863
26
1806
25
1822
25
1833
25
1845
25
1851
25
1758
24
1777
23
1783
22
1850
21
1854
20
1866
20
1842
19
1874
19
1824
18
1759
17
1788
17
1864
17
1846
16
1761
15
1778
15
1755
14
1776
14
1786
14
1865
14
1920
14
1717
13
1740
13
On-site Access
Accessible by appointment in the Study Room
95
Image Use
Free to Use
95
Image Available
Available
95
Classification
Drawings & Watercolors
71
Prints
24
Creator Gender
male
95
unknown
2
female
1
Collective Title
America. A Prophecy, Copy M
18
Visions of the Daughters of Albion, Copy I
6
The Costume of China
1
Views in the Province of Kiang Nan, China
1
Period
18th century-19th century
57
18th century
36
Materials & Techniques
wove paper
[remove]
95
watercolor
80
graphite
41
black ink
31
relief etching
24
brown ink
14
brown wash
14
color printing
10
gouache
7
pens
7
gray wash
4
scratching out
3
black chalk
2
board
2
gray ink
2
laid paper
2
gum arabic
1
pen
1
sepia
1
wash
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
51
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
71
Work Type
watercolor
[remove]
95
drawing
91
relief print
24
frontispiece
2
Genre
landscape
43
architectural subject
27
religious and mythological subject
18
genre subject
15
cityscape
9
literary theme
7
marine art
7
sporting art
1
Subject Terms
landscape
41
trees
41
architectural subject
27
men
27
clouds
26
text
22
nudes
19
religious and mythological subject
18
figures
16
hills
16
river
14
women
14
boats
12
houses
12
mountains
12
genre subject
9
rocks (landforms)
9
buildings
8
cityscape
8
water
8
more
Subject Terms
»
Associated Places
United Kingdom
27
England
20
Europe
14
Wales
7
Cymru
6
Thames
5
Asia
3
Cambridge
3
Cambridgeshire
3
China
3
Barnard Castle
2
Battersea
2
Clare College
2
Durham
2
Greater London
2
London
2
Norwich
2
University of Cambridge
2
Badajoz
1
Bamburgh Castle
1
more
Associated Places
»
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
19
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
18
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
11
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
11
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
Art in Focus : Blue (Yale Center for British Art, 2019-04-05 - 2019-08-11)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
91
Yale Center for British Art, Bequest of Richard L. Purdy
2
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
Yale Center for British Art, Paul Mellon Fund
1
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Materials & Techniques
wove paper
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Date
1793
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watercolor
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1
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
2
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
3
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
4
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
5
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
6
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
7
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
8
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
9
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
10
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
11
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
12
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
13
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
14
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
15
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
16
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
17
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
18
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
19
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
20
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
21
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
22
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
23
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
24
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
25
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
26
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
27
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
28
John Varley, 1778–1842
Barnard Castle, County Durham
undated
29
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
30
imitator of John Varley, 1778–1842
Landscape by Moonlight
undated
31
pupil of John Varley, 1778–1842
A Village Street
undated
32
John Varley, 1778–1842
London from the Thames
undated
33
John Christian Schetky, 1778–1874
Boat Sailing to the Right with Mountains in the Background
undated
34
John Varley, 1778–1842
Norwich
undated
35
John Varley, 1778–1842
Romantic Composition
undated
36
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
37
John Varley, 1778–1842
Romatic Landscape with a Castle and a Tree on the Right
undated
38
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
39
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
40
pupil of John Varley, 1778–1842
Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
undated
41
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
42
James Pattison Cockburn, 1779–1847
Bishop's Bridge, Norwich
undated
43
James Pattison Cockburn, 1779–1847
Raftered Hall with Figures in 16th Century Dress
undated
44
John Varley, 1778–1842
Seashore with Two Figures and a Distant Town
undated
45
James Pattison Cockburn, 1779–1847
Tapestry-hung Room in Gothic Mansion
undated
46
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
47
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
48
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
49
John Varley, 1778–1842
Merida, Spain
undated
50
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
51
imitator of John Varley, 1778–1842
River Landscape
undated
52
John Varley, 1778–1842
River Landscape with Figures
undated
53
John Varley, 1778–1842
A Romantic Landscape
undated
54
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
55
John Varley, 1778–1842
Ludlow, Shropshire
undated
56
John Varley, 1778–1842
Landscape with a Distant Tower
undated
57
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
58
pupil of John Varley, 1778–1842
On the Thames
undated
59
John Varley, 1778–1842
View of York
undated
60
James Ward, 1769–1859
Mother and Infant
ca. 1798
61
John Varley, 1778–1842
Farm House with a Well
undated
62
John Varley, 1778–1842
Cattle Watering at Sunset
undated
63
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
64
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
65
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
66
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
67
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
68
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
69
John Varley, 1778–1842
A Castle at the Waterside
undated
70
John Varley, 1778–1842
On the Thames
undated
71
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
72
John Varley, 1778–1842
A Welsh Landscape a Lay-in'
undated
73
John Varley, 1778–1842
Carnarvon Castle
undated
74
John Varley, 1778–1842
The Castle on the Hill
undated
75
John Varley, 1778–1842
Castle
undated
76
John James Chalon, 1778–1854
Skating in the Park
undated
77
John Varley, 1778–1842
Trees and Cottages at the Bend of a River
undated
78
John Warwick Smith, 1749–1831
Hafod: Upper Part of Cascade
1793
79
unknown artist
A Barge on the Thames near Fulton
undated
80
James Pattison Cockburn, 1779–1847
Calvary Resting
undated
81
James Pattison Cockburn, 1779–1847
Figures by a Tomb
undated
82
James Pattison Cockburn, 1779–1847
Observers on a Hill Overlooking the Sea
undated
83
James Pattison Cockburn, 1779–1847
Constructing a Fort
undated
84
James Pattison Cockburn, 1779–1847
Family Walking in a Wood: Child Being Helped to Clamber up a Bank
undated
85
William Alexander, 1767–1816
Fisherpeople on a Junk
1793
86
William Alexander, 1767–1816
View in the Province of Kiang-nan, China, Taken from Nature
1793
87
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
88
James Pattison Cockburn, 1779–1847
Cavalry Exercising
undated
89
James Pattison Cockburn, 1779–1847
Procession in a Church
undated
90
James Pattison Cockburn, 1779–1847
Coastal scene with Figures, Boats, Lighthouse, etc
undated
91
James Pattison Cockburn, 1779–1847
Constructing a Fort
undated
92
James Pattison Cockburn, 1779–1847
An Italian Fete: Figures on Terrace of a Palazzo
undated
93
James Pattison Cockburn, 1779–1847
Medieval Figures in a Crypt
undated
94
James Pattison Cockburn, 1779–1847
Footbridge over Hilly Stream
undated
95
Edward Edwards, 1738–1806
Barn Elmes
1793