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Collection
Prints and Drawings
170
Creator
Varley, John, 1778–1842
43
Hastings, Thomas Capt., 1778–1854
41
Blake, William, 1757–1827
22
Cockburn, James Pattison, 1779–1847
16
Girtin, Thomas, 1775–1802
9
Alexander, William, 1767–1816
4
Romney, George, 1734–1802
4
Carter, John, 1748–1817
3
Moore, James, 1762–1799
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Daniell, Thomas, 1749–1840
2
Daniell, William, 1769–1837
2
Farington, Joseph, 1747–1821
2
Jackson, John, 1778–1831
2
Morland, George, 1763–1804
2
Unknown artist
2
Chalon, John James, 1778–1854
1
Constable, John, 1776–1837
1
Copley, John Singleton, 1738–1815
1
Cozens, John Robert, 1752–1797
1
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Creator
»
Date
1791
725
1800
506
1796
359
1802
356
1771
328
1867
326
1832
254
1804
246
1826
229
1795
214
1772
208
1749
184
1945
183
1814
171
1793
[remove]
170
1792
168
1799
160
1784
156
1827
155
1818
153
1820
151
1764
149
1836
147
1775
142
1870
133
1797
128
1789
124
1825
120
1817
117
1968
116
1790
113
1835
112
1830
110
1758
105
1855
105
1807
104
1854
99
1801
97
1794
95
1805
92
1846
91
0
90
1768
90
1815
89
1839
89
1819
88
1834
84
1877
81
1813
80
1841
80
1811
77
1831
76
1868
74
1700
72
1823
72
1808
71
1798
69
1812
69
1829
69
1828
67
1745
66
1785
66
1748
65
1833
65
1869
65
1810
64
1910
64
1803
62
1821
60
1840
59
1777
58
1781
57
1843
53
1774
52
1822
52
1806
50
1780
49
1788
49
1838
48
1845
48
1770
46
1809
46
1848
45
1893
44
1857
42
1861
41
1782
40
1787
39
1912
38
1816
37
1844
37
1851
35
1786
34
1875
33
1919
32
1842
31
1837
29
1964
29
1863
28
1779
26
On-site Access
Accessible by appointment in the Study Room
170
Image Use
Free to Use
170
Image Available
Available
170
Classification
Drawings & Watercolors
148
Prints
22
Creator Gender
male
170
unknown
2
female
1
Collective Title
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
36
America. A Prophecy, Copy M
18
Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.
5
Visions of the Daughters of Albion, Copy I
4
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
3
The Costume of China
1
Views in the Province of Kiang Nan, China
1
Period
18th century-19th century
66
18th century
62
19th century
42
Materials & Techniques
wove paper
[remove]
170
graphite
114
watercolor
78
black ink
36
relief etching
22
brown wash
19
brown ink
16
gray wash
11
color printing
10
pens
10
gouache
7
laid paper
5
gray ink
4
pen
4
scratching out
3
black chalk
2
black wash
2
board
2
white chalk
2
blue wash
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
51
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
7
to
71
Work Type
drawing
[remove]
170
watercolor
91
relief print
22
frontispiece
2
Genre
landscape
82
architectural subject
44
genre subject
27
religious and mythological subject
19
cityscape
11
marine art
10
figure study
8
literary theme
6
portrait
5
animal art
1
historical subject
1
sporting art
1
still life
1
Subject Terms
landscape
50
trees
48
architectural subject
41
men
26
clouds
24
text
20
figures
19
religious and mythological subject
19
river
19
genre subject
18
nudes
17
hills
16
boats
14
mountains
13
women
13
buildings
12
houses
12
cityscape
9
rocks (landforms)
9
water
9
more
Subject Terms
»
Associated Places
United Kingdom
32
England
25
Europe
16
Wales
8
Cymru
7
London
5
Thames
5
Asia
4
China
3
City of Westminster
3
Palace of Westminster
3
Barnard Castle
2
Battersea
2
Clare College
2
Durham
2
Greater London
2
Kent
2
Norwich
2
University of Cambridge
2
York
2
more
Associated Places
»
Associated People
Frederick Howard
1
Henry VIII (1491–1547), king of England and Ireland
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
19
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
18
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
9
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
9
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
9
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
Art in Focus : Blue (Yale Center for British Art, 2019-04-05 - 2019-08-11)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
160
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Bequest of Richard L. Purdy
2
Yale Center for British Art, Gift of Paul F. Walter
2
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
2
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
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Materials & Techniques
wove paper
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Date
1793
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drawing
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1
John Constable, 1776–1837
Flowers in a Pitcher
undated
2
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
3
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
4
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
5
George Romney, 1734–1802
Figure Composition Study 4
1793
6
George Romney, 1734–1802
Figure Composition Study 48
1793
7
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
8
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
9
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
10
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
11
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
12
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
13
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
14
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
15
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
16
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
17
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
18
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
19
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
20
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
21
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
22
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
23
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
24
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
25
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
26
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
27
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
28
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
29
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
30
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
31
John Varley, 1778–1842
Merida, Spain
undated
32
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
33
pupil of John Varley, 1778–1842
A Village Street
undated
34
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
35
James Ward, 1769–1859
Mother and Infant
ca. 1798
36
John Varley, 1778–1842
River Landscape with Two Figures, Lake and Distant Mountains
undated
37
John Varley, 1778–1842
River, Trees and Distant Town
undated
38
John Varley, 1778–1842
Farm House with a Well
undated
39
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
40
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
41
pupil of John Varley, 1778–1842
Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
undated
42
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
43
John Varley, 1778–1842
Romatic Landscape with a Castle and a Tree on the Right
undated
44
pupil of John Varley, 1778–1842
On the Thames
undated
45
John Varley, 1778–1842
View of York
undated
46
John Varley, 1778–1842
Romantic Composition
undated
47
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
48
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
49
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
50
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
51
George Morland, 1763–1804
Two Men on a Country Road
1793
52
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
53
John Varley, 1778–1842
Barnard Castle, County Durham
undated
54
imitator of John Varley, 1778–1842
River Landscape
undated
55
John Varley, 1778–1842
London from the Thames
undated
56
John Varley, 1778–1842
Trees Overhanging a River
undated
57
imitator of John Varley, 1778–1842
Landscape by Moonlight
undated
58
John Varley, 1778–1842
The Fisherman
undated
59
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
60
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
61
John Varley, 1778–1842
Carnarvon Castle
undated
62
John James Chalon, 1778–1854
Skating in the Park
undated
63
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
64
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
65
Thomas Girtin, 1775–1802
Figure Costume Study: Persian Lady in 1568
between 1793 and 1795
66
James Moore, 1762–1799
Tonbridge Castle, Kent, England
1793
67
James Moore, 1762–1799
Duff House, Scotland
1793
68
James Moore, 1762–1799
Duff House, Scotland
1793
69
Thomas Girtin, 1775–1802
Figure Costume Study: French Lady of Quality in 1501
between 1793 and 1795
70
Thomas Girtin, 1775–1802
Figure Costume Study: Noble Virgin of Bologna
between 1793 and 1795
71
Thomas Girtin, 1775–1802
Figure Costume Study of Henry VIII
between 1793 and 1795
72
Thomas Girtin, 1775–1802
Figure Costume Study of Edward VI in 1550
between 1793 and 1795
73
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
74
Thomas Girtin, 1775–1802
Flint Castle
ca. 1798
75
Thomas Girtin, 1775–1802
Harewood House, Yorkshire
ca. 1798
76
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
77
John Varley, 1778–1842
The Castle on the Hill
undated
78
John Jackson, 1778–1831
James Ward, R.A
undated
79
John Varley, 1778–1842
A Welsh Landscape a Lay-in'
undated
80
John Varley, 1778–1842
Two Pack Horses
undated
81
Thomas Daniell, 1749–1840
South East View of Fort George, Madras
January 1793
82
Thomas Daniell, 1749–1840
Bay with Sailing Ships
1793
83
John Varley, 1778–1842
Study of Trees
undated
84
John Varley, 1778–1842
Ouse Bridge, York
undated
85
John Varley, 1778–1842
Trees and Cottages at the Bend of a River
undated
86
John Varley, 1778–1842
Ludlow, Shropshire
undated
87
John Varley, 1778–1842
Landscape with a Distant Tower
undated
88
Capt. Thomas Hastings, 1778–1854
Sketch of a Tree with Buildings in the Park Beyond
undated
89
Capt. Thomas Hastings, 1778–1854
Sketch of a Shore Road near a Platform
undated
90
Capt. Thomas Hastings, 1778–1854
Shanklin Down, Isle of Wight
undated
91
Capt. Thomas Hastings, 1778–1854
Between Blackgang Chine and ..
undated
92
Capt. Thomas Hastings, 1778–1854
Sketch of a Landscape across the Water
undated
93
Capt. Thomas Hastings, 1778–1854
Cock Lane, Canterbury
undated
94
Capt. Thomas Hastings, 1778–1854
Sketch of a Ship in a Storm and Sketch of a Family Grouping by an Arch
undated
95
Capt. Thomas Hastings, 1778–1854
Sketch of a House along a Heathland Road
undated
96
Capt. Thomas Hastings, 1778–1854
Sketch of a Hillside Bastion, Isle of Wight
undated
97
Capt. Thomas Hastings, 1778–1854
East Cowes, Isle of Wight
undated
98
Capt. Thomas Hastings, 1778–1854
In the Fish Ponds near Hastings
undated
99
John Varley, 1778–1842
On the Thames
undated
100
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
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