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Materials & Techniques wove paper

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Date 1792

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William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
George Morland A Man Lifting a Trunk, Two studies on one sheet
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
George Walker Man Toasting Another Man . . .
George Walker, active 1792–died 1795
Man Toasting Another Man . .
undated
Thomas Girtin The Guildhall, Exeter
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
John Massey Wright Falstaff Disguised as Herne
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
Robert Mabon A Durbar Scene, Poona, October 3, 1792
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
Thomas Rowlandson A Pier at Amsterdam (Version A)
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
William Ellis The House of William Russell, Esq., Showell Green: English and French Text
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
Samuel Howitt Racing Scene
Samuel Howitt, 1756–1822
Racing Scene
1792
William Alexander Mourning at a Tomb
William Alexander, 1767–1816
Mourning at a Tomb
between 1792 and 1794
William Alexander Natives of Cochin Playing Shuttlecock in China
William Alexander, 1767–1816
Natives of Cochin Playing Shuttlecock in China
1792 to 1794
Thomas Girtin Cottage near Newcastle, Northumberland
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
William Alexander View in China: Figures with Pagoda and Mountain
William Alexander, 1767–1816
View in China: Figures with Pagoda and Mountain
1792 to 1794
W. Pyott The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792
John Warwick Smith The Northern Boundary of St. Bride's Bay
John Warwick Smith, 1749–1831
The Northern Boundary of St. Bride's Bay
1792
John Flaxman Illustration to Pilgrim's Progress
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792
John White Abbott Slate Quarry at Widecombe, Devon
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792