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The museum is reopening to the public in March 2025. We look forward to accepting orders for new collections photography at that time.
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Collection
Prints and Drawings
26
Creator
Girtin, Thomas, 1775–1802
5
Moore, James, 1762–1799
4
Boydell, John, 1720–1804
3
Boydell, Josiah, 1752–1817
3
Browne, John, 1741–1801
3
Ellis, William, 1747–1810
3
Smith, John, 1749–1831
3
Farington, Joseph, 1747–1821
2
Alexander, William, 1767–1816
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
Howitt, Samuel, 1756–1822
1
Johnson, Joseph, 1738–1809
1
Thirtle, John, 1777–1839
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
White Abbott, John, 1763–1851
1
Witton, P. H. Jr., Active 1792
1
Date
1791
660
1867
236
1800
164
1814
122
1764
87
1784
64
1772
55
1793
54
1841
54
1820
53
1799
51
1850
51
1836
47
1827
41
1857
38
1835
35
1805
34
1860
34
1818
32
1810
31
1830
31
1834
31
1790
30
1774
29
1808
28
1825
28
1797
27
1792
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26
1775
25
1812
25
1840
25
1861
25
1795
24
1817
23
1813
22
1821
22
1826
21
1829
20
1847
20
1855
20
1771
19
1802
19
1804
19
1833
19
1870
19
1789
18
1794
18
1796
18
1811
18
1815
18
1816
18
1854
17
2000
17
1782
16
1803
16
1837
16
1844
16
1863
16
1866
16
1801
15
1807
15
1809
15
1819
15
1838
15
1842
15
1759
14
1780
14
1822
14
1824
14
1831
14
1848
14
1925
14
1788
13
1798
13
1832
13
1853
13
1768
12
1787
12
1839
12
1880
12
1778
11
1783
11
1823
11
1843
11
1845
11
1856
11
1859
11
1865
11
1806
10
1851
10
1864
10
1890
10
1745
9
1828
9
1846
9
1858
9
1872
8
1896
8
1739
7
1740
7
On-site Access
Accessible by appointment in the Study Room
26
Image Use
Free to Use
26
Image Available
Available
25
Unavailable
1
Classification
Drawings & Watercolors
20
Prints
6
Creator Gender
male
26
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
4
Views in the Province of Kiang Nan, China
1
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
1
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
1
Period
18th century
22
18th century-19th century
4
Materials & Techniques
wove paper
[remove]
26
graphite
17
watercolor
11
black ink
5
brown ink
5
etching (printing process)
5
pen
5
gray wash
3
laid paper
3
line engraving
3
aquatint
2
gray ink
1
letterpress printing
1
scratching out
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
35
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
19
to
51
Work Type
drawing
20
watercolor
13
intaglio print
5
relief print
1
Genre
landscape
21
architectural subject
12
genre subject
9
cityscape
3
animal art
2
sporting art
1
Subject Terms
landscape
[remove]
26
trees
16
architectural subject
12
river
8
ruins
8
genre subject
7
man
7
men
6
buildings
5
hats
5
church
4
clouds
4
dog (animal)
4
hills
4
rocks (landforms)
4
cityscape
3
cottage
3
door
3
evening
3
fence
3
more
Subject Terms
»
Associated Places
England
16
United Kingdom
15
Europe
10
Northumberland
4
Devon
3
Greater London
3
Cymru
2
Wales
2
Warkworth Castle
2
Aberdeenshire
1
Asia
1
Bamburgh Castle
1
Banff
1
Beddington
1
Beddington Park
1
Berkshire
1
Birmingham
1
Borrowdale
1
Carew Manor
1
Carnarvonshire
1
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Travelling. J.M.W. Turner in Search of the Sublime and Picturesque (LWL - Museum für Kunst und Kultur, 2019-11-08 - 2020-01-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
24
Yale Center for British Art, Gift of Paul F. Walter
1
Yale Center for British Art, Paul Mellon Fund
1
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Materials & Techniques
wove paper
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Date
1792
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Subject Terms
landscape
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1
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
2
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
3
Samuel Howitt, 1756–1822
Racing Scene
1792
4
Thomas Daniell, 1749–1840
Veransulean Pennisula
August 7, 1792
5
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
6
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
7
Thomas Girtin, 1775–1802
View of Kingswear, from Dartmouth, Devon
ca. 1797
8
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
9
James Moore, 1762–1799
Bamburgh Castle, Northumberland
1792
10
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
11
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
12
William Ellis, 1747–1810
Beddington
1792
13
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
14
Print made by John Browne, 1741–1801
Evening
ca. 1797
15
Print made by John Browne, 1741–1801
Evening
ca. 1797
16
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
17
Thomas Girtin, 1775–1802
Findlater Castle, Banff
between 1792 and 1793
18
Thomas Girtin, 1775–1802
Sharpham, near Totnes, Devon
ca. 1797
19
James Moore, 1762–1799
The Abbey of St. Mary, Yorkshire, England
1792
20
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
21
Joseph Farington, 1747–1821
View of Taplow and Maidenhead from Cliveden
1792
22
John Warwick Smith, 1749–1831
The Northern Boundary of St. Bride's Bay
1792
23
John Warwick Smith, 1749–1831
Village of Stonethwaite and Eagle Cragg, Borrowdale
1792
24
William Alexander, 1767–1816
View in China: Figures with Pagoda and Mountain
1792 to 1794
25
Joseph Farington, 1747–1821
Cookham on the Thames, Berkshire
1792
26
Print made by William Ellis, 1747–1810
Clapham
1792