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Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperDate 1792
Remove constraint Date: 1792Period 18th century
Remove constraint Period: 18th centurySearch Results
1
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
2
- Man with Horse and Cart Entering a Quarry
- ca. 1797
3
- North East View of Grantham Church, Lincolnshire
- ca. 1797
4
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
5
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
6
- 'O treacherous conscience!' (Page 27)
- ca. 1797
7
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
8
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
9
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
10
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
11
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
12
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
13
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
14
- Night the Third. Narcissa; Title Page
- ca. 1797
15
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
16
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
17
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
18
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
19
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
20
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
21
- The Christian Triumph; Title Page
- ca. 1797
22
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
23
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
24
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
25
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
26
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
27
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
28
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
29
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
30
- 'The goddess bursts in thunder and in flame' (Page 95)
- ca. 1797
31
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
32
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
33
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
34
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
35
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
36
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
37
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
38
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
39
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
40
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
41
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
42
- The Witches' Cavern
- between 1792 and 1793
43
- Man Haranguing a Gatepost
- undated
44
- Industrious Jenny
- undated
45
- Scotsman with Sword; Modern Dress of a Highland Chieftan
- undated
46
- Krishna and Radha
- 1792 to 1795
47
- The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
- July 14, 1792
48
- A Sailing Canoe of Otaheite
- 1792
49
- The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
- 1792
50
- View in the Island of Pulo Condore
- 1792
51
- View in the Island of Pulo Condore
- 1792
52
- A Pier at Amsterdam (Version A)
- 1792
53
- The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
- 1792
54
- The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
- 1792
55
- A Sailing Canoe of Otaheite
- 1792
56
- Corsham Court, Wiltshire: Elevation of the North Front
- ca. 1797
57
- A Man Lifting a Trunk, Two studies on one sheet
- 1792
58
- The Guildhall, Exeter
- ca. 1797
59
- Uncle George in the Dress of a Highland Herdsman
- undated
60
- 'The Gamester,' Act V, Scene IV
- 1792
61
- Haymaking
- 1792
62
- "King Lear", Act V, Scene III
- 1792
63
- Jonathan Shipley, Bishop of St. Asaph
- 1792
64
- Funeral Card of Sir Joshua Reynolds
- 1792
65
- The Bank
- 1792
66
- Mrs. Lenox
- 1792
67
- Miss Price
- 1792
68
- The House of William Russell, Esq., Showell Green: English and French Text
- 1792
69
- Ticket for the Benefit of Mr. Dragonetti
- 1792
70
- Beddington
- 1792
71
- Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
- 1792
72
- William Lee, October 1, 1792
- 1792
73
- A Durbar Scene, Poona, October 3, 1792
- 1792
74
- A Raree Show
- between 1792 and 1793
75
- Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
- 1792
76
- Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
- 1792
77
- The Kill
- 1792
78
- Veransulean Pennisula
- August 7, 1792
79
- Palace Ruins, Pillar and Temple Gateway, Madurai, Tamil Nadu
- July 1792
80
- Tremal Naig's Choultry, Madura
- 1792
81
- Racing Scene
- 1792
82
- The Affectionate Daughter
- 1792
83
- Man Toasting Another Man . .
- undated
84
- Ticket for the Brandenbourg House Masquerade
- ca. 1797
85
- An Admiralty Yacht Running Inshore at Tenby
- 1792
86
- The Savoy in 1650
- 1792
87
- Christ Church, Blackfriars, London
- between 1792 and 1794
88
- The Elopement
- 1792
89
- Bristol: Sketch of Boats and Buildings
- ca. 1797
90
- Coupland Castle, Northumberland
- 1792
91
- Spynie Palace, Scotland
- 1792
92
- Village of Stonethwaite and Eagle Cragg, Borrowdale
- 1792
93
- View of Taplow and Maidenhead from Cliveden
- 1792
94
- Slate Quarry at Widecombe, Devon
- 1792
95
- Cookham on the Thames, Berkshire
- 1792
96
- Queen Philippa Interceding for the Brave citizens of Calais
- 1792
97
- John the Second Surrendering to Denis de Morbec
- 1792
98
- Illustration to Pilgrim's Progress
- 1792
99
- Elgin Cathedral, Moray
- 1792
100
- The Northern Boundary of St. Bride's Bay
- 1792