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Materials & Techniques wove paper

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Date 1792

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Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
George Romney The Witches' Cavern
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
George Walker Scotsman with Sword; Modern Dress of a Highland Chieftan
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
George Walker Industrious Jenny
George Walker, active 1792–died 1795
Industrious Jenny
undated
George Walker Uncle George in the Dress of a Highland Herdsman
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
George Morland A Man Lifting a Trunk, Two studies on one sheet
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
John Thirtle Near the Ferry going to Gott's, Leeds
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
John Thirtle A Church Porch
John Thirtle, 1777–1839
A Church Porch
undated
John Thirtle Fye Bridge, Norwich
John Thirtle, 1777–1839
Fye Bridge, Norwich
undated
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
John Massey Wright Pirates
John Massey Wright, 1777–1866
Pirates
undated
John Thirtle Richmond Castle, Yorkshire
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
John Massey Wright Falstaff Disguised as Herne
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
John Nash Corsham Court, Wiltshire: Elevation of the North Front
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
George Walker Man Haranguing a Gatepost
George Walker, active 1792–died 1795
Man Haranguing a Gatepost
undated
John Thirtle Shore Scene with Sailing Ship at Quay
John Thirtle, 1777–1839
Shore Scene with Sailing Ship at Quay
undated
Robert Mabon William Lee, October 1, 1792
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
Robert Mabon A Durbar Scene, Poona, October 3, 1792
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
James Wales Krishna and Radha
James Wales, 1746 or 1747–1795
Krishna and Radha
1792 to 1795
John Thirtle View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
Samuel Howitt Racing Scene
Samuel Howitt, 1756–1822
Racing Scene
1792
Thomas Daniell Palace Ruins, Pillar and Temple Gateway, Madurai, Tamil Nadu
Thomas Daniell, 1749–1840
Palace Ruins, Pillar and Temple Gateway, Madurai, Tamil Nadu
July 1792
Thomas Daniell Veransulean Pennisula
Thomas Daniell, 1749–1840
Veransulean Pennisula
August 7, 1792
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
unknown artist The Bank
unknown artist
The Bank
1792
Francesco Bartolozzi Ticket for the Brandenbourg House Masquerade
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
James Moore Arbroath Abbey, Scotland
James Moore, 1762–1799
Arbroath Abbey, Scotland
1792
James Moore Glamis Castle
James Moore, 1762–1799
Glamis Castle
1792
Thomas Girtin Cottage near Newcastle, Northumberland
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
James Moore Dunblane Cathedral, Scotland
James Moore, 1762–1799
Dunblane Cathedral, Scotland
1792
James Moore Abernethy Tower, Scotland
James Moore, 1762–1799
Abernethy Tower, Scotland
1792
James Moore Dunkeld Cathedral, Scotland
James Moore, 1762–1799
Dunkeld Cathedral, Scotland
1792
James Moore Deskford Castle, Scotland
James Moore, 1762–1799
Deskford Castle, Scotland
1792
James Moore Boyne Castle, Scotland
James Moore, 1762–1799
Boyne Castle, Scotland
1792
James Moore Elgin Cathedral, Scotland
James Moore, 1762–1799
Elgin Cathedral, Scotland
1792
James Moore Spynie Palace, Scotland
James Moore, 1762–1799
Spynie Palace, Scotland
1792
James Moore Cawdor Castle, Scotland
James Moore, 1762–1799
Cawdor Castle, Scotland
1792
James Moore Pluscarden Abbey, Scotland
James Moore, 1762–1799
Pluscarden Abbey, Scotland
1792
James Moore Castle Stuart, Scotland
James Moore, 1762–1799
Castle Stuart, Scotland
1792
James Moore Cawdor Castle, Scotland
James Moore, 1762–1799
Cawdor Castle, Scotland
1792
James Moore Kinloss Abbey, Scotland
James Moore, 1762–1799
Kinloss Abbey, Scotland
1792
James Moore Castle Stuart, Scotland
James Moore, 1762–1799
Castle Stuart, Scotland
1792
James Moore Cawdor Castle, Scotland
James Moore, 1762–1799
Cawdor Castle, Scotland
1792
James Moore Dumbarton Castle, Scotland
James Moore, 1762–1799
Dumbarton Castle, Scotland
1792
James Moore Lanercost Priory, England
James Moore, 1762–1799
Lanercost Priory, England
1792
Thomas Girtin View of Kingswear, from Dartmouth, Devon
Thomas Girtin, 1775–1802
View of Kingswear, from Dartmouth, Devon
ca. 1797
James Moore Ouse Bridge, York
James Moore, 1762–1799
Ouse Bridge, York
1792
James Moore Warkworth Castle, Northumberland
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
James Moore Bothal Castle, Northumberland
James Moore, 1762–1799
Bothal Castle, Northumberland
1792
James Moore Bamburgh Castle, Northumberland
James Moore, 1762–1799
Bamburgh Castle, Northumberland
1792
James Moore Warkworth Castle, Northumberland
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
James Moore Kelso Abbey, Scotland
James Moore, 1762–1799
Kelso Abbey, Scotland
1792
James Moore Jedburgh Abbey, Scotland
James Moore, 1762–1799
Jedburgh Abbey, Scotland
1792
James Moore Dryburgh Abbey, Scotland
James Moore, 1762–1799
Dryburgh Abbey, Scotland
1792
James Moore Melrose Abbey, Scotland
James Moore, 1762–1799
Melrose Abbey, Scotland
1792
James Moore Lindisfarne Priory, Holy Island, Northumberland
James Moore, 1762–1799
Lindisfarne Priory, Holy Island, Northumberland
1792
James Moore Melrose Abbey, Scotland
James Moore, 1762–1799
Melrose Abbey, Scotland
1792
James Moore Melrose Abbey, Scotland
James Moore, 1762–1799
Melrose Abbey, Scotland
1792
James Moore Linlithgow Palace, West Lothian, Scotland
James Moore, 1762–1799
Linlithgow Palace, West Lothian, Scotland
1792