attributed to Joseph Mallord William Turner, 1775–1851
The Hurries: Coal Boats Loading, Whitehaven
ca. 1795
13
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
14
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
15
Print made by William Blake, 1757–1827
Pity
ca. 1795
16
Frederick Calvert, ca. 1785–ca. 1845
Ryde, Isle of Wight
undated
17
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
18
Henry Phillip Hope, active 1799–1818
Femme Greque
undated
19
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
20
John Thirtle, 1777–1839
Binham Priory
undated
21
Charles Heathcote Tatham, 1772–1842
Design for a Bookcase
undated
22
Dr. Thomas Monro, 1759–1833
Composition: Recollection of J.R. Cozen's of Nemi
between 1790 and 1820
23
Monro School
Fanali di Villa Franca
ca. 1795
24
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
25
Nicholas Pocock, 1740–1821
The Sailor's Departure
ca. 1795
26
Sir George Howland Beaumont seventh Baronet, 1753–1827
Tree
1790s
27
unknown artist
Solitude, The Reading Magdalene
undated
28
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
29
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
30
Sir Richard Westmacott, 1775–1856
The Good Samaritan
undated
31
Francis Nicholson, 1753–1844
London Bridge and The Monument
ca. 1795
32
Francis David Soiron, Born 1764
St. James's Park
1790
33
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
34
Attributed to William Alfred Delamotte, 1775–1863
Richmond Bridge
undated
35
Gangaram Chintaman Tambat, active 1790s
An Ox
undated
36
James Moore, 1762–1799
Unidentified Castle
undated
37
Thomas Malton, 1726–1801
Internal View of the Four per cent Reduced Annuity Office, at the Bank of England
1790
38
Thomas Malton, 1726–1801
Principal Front of the Bank of England
1790
39
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
40
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
41
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
42
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
43
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
44
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
45
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
46
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
47
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
48
Thomas Girtin, 1775–1802
Rye, Sussex
ca. 1795
49
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
50
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
51
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
52
Thomas Girtin, 1775–1802
Near Ramsgate, Kent
ca. 1795
53
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
54
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
55
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
56
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
57
Thomas Rowlandson, 1756–1827
Female Dancer with a Tambourine
between 1790 and 1795
58
Thomas Rowlandson, 1756–1827
The Duchess of Devonshire and the Countess of Bessborough
1790
59
Thomas Rowlandson, 1756–1827
The Opera Singers
between 1790 and 1795
60
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
61
unknown artist
Oliver Plunket
1790
62
Luigi Schiavonetti, 1765–1810
The Mask
1790
63
Print made by Francesco Bartolozzi, 1728–1815
Lord FitzGibbon
1790
64
Print made by unknown artist
The Welcome Home
1790
65
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
66
Jonathan Girtin, ca.1780–aft.1820
Coastal Scene
undated
67
unknown artist
A Forest Road
undated
68
John Webber, 1752–1793
Queen Charlotte's Sound, New Zealand
1790
69
Charles Heathcote Tatham, 1772–1842
Design for a Monument to the Duke of Wellington
undated
70
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
71
Frederick Calvert, ca. 1785–ca. 1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
72
Frederick Calvert, ca. 1785–ca. 1845
Carisbrook Castle, Isle of Wight
undated
73
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
74
Gangaram Chintaman Tambat, active 1790s
Elephant
undated
75
Attributed to Gangaram Chintaman Tambat, active 1790s
Praying Man
undated
76
unknown artist
Alpine Landscape with Figures and Bridge
undated
77
unknown artist
Mountain Scene, Mist Rising
undated
78
John Augustus Atkinson, 1775–1831
The Poet
undated
79
John Augustus Atkinson, 1775–1831
Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter
undated
80
unknown artist
Gloucester Cathedral
ca. 1795
81
John Beugo, 1759–1841
Adam Ferguson, L.L.D
1790
82
William Ward, 1766–1826
Jack in the Bilboes
1790
83
attributed to Thomas Girtin, 1775–1802
In the Farnese Gardens, Rome
ca. 1795
84
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
85
unknown artist
Fishing near a Waterfall
1790
86
Henry James Brocas, ca. 1790–1846
Rustic Studies
undated
87
Thomas Rowlandson, 1756–1827
Distress
1790 to 1795
88
William Anderson, 1757–1837
A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground
1790
89
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
90
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
91
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
92
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
93
Monro School
Near Sterzing, Tyrol
ca. 1795
94
William Alfred Delamotte, 1775–1863
A Bridge over the Arno (?)
undated
95
Edward Dayes, 1763–1804
Haweswater, Westmoreland
ca. 1795
96
William Alfred Delamotte, 1775–1863
Merton College, Oxford
undated
97
William Alfred Delamotte, 1775–1863
Christ Church, Canon's Garden, Oxford
undated
98
John Warwick Smith, 1749–1831
Ruins of Criccieth Castle and Part of the Town on the Bay on Cardigan. East View, Caernarfonshire