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Collection
Prints and Drawings
83
Creator
Hills, Robert, 1769–1844
31
Ward, James, 1769–1859
24
Edridge, Henry, 1769–1821
9
Barker, Thomas, 1769–1847
5
Collings, Samuel, active 1784–1795
5
Daniell, William, 1769–1837
3
Pyne, William Henry, 1769–1843
3
La, Cave Peter, active 1769–1810
2
Gainsborough, Thomas, 1727–1788
1
Ibbetson, Julius Caesar, 1759–1817
1
Middleton, John, 1826–1856
1
Unknown artist
1
Date
1791
703
1800
335
1867
317
1802
228
1832
186
1772
180
1814
147
1794
146
1804
145
1797
140
1771
124
1799
105
1820
105
1801
101
1825
98
1793
95
1789
94
1818
91
1790
88
1792
85
1839
85
1830
84
1836
84
1784
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83
1835
79
1775
78
1817
78
1795
76
1796
74
0
69
1815
61
1807
58
1798
55
1827
55
1700
53
1745
53
1812
53
1805
52
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1834
49
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48
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48
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47
1774
46
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46
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46
1840
46
1811
45
1808
44
1823
42
1787
38
1861
37
1809
36
1813
36
1826
36
1768
33
1780
33
1782
32
1785
32
1837
32
1843
32
1764
31
1844
31
1857
31
1770
29
1816
29
1781
28
1831
28
1838
28
1841
27
1848
27
1829
26
1863
26
1806
25
1822
25
1833
25
1845
25
1851
25
1758
24
1777
23
1783
22
1850
21
1854
20
1866
20
1842
19
1874
19
1824
18
1759
17
1788
17
1864
17
1846
16
1761
15
1778
15
1755
14
1776
14
1786
14
1865
14
1920
14
1717
13
1740
13
On-site Access
Accessible by appointment in the Study Room
83
Image Use
Free to Use
82
Under Certain Circumstances
1
Image Available
Available
83
Classification
Drawings & Watercolors
83
Creator Gender
male
83
unknown
1
Period
18th century-19th century
74
18th century
6
19th century
2
Materials & Techniques
wove paper
[remove]
83
graphite
75
watercolor
63
brown ink
16
gray wash
16
brown wash
11
black ink
9
pen
7
gouache
5
pens
4
black chalk
2
gray ink
2
scraping
2
scratching out
2
brown chalk
1
ink blue
1
laid paper
1
oil paint
1
red ink
1
scraping out
1
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Materials & Techniques
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Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
4
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64
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
6
to
76
Work Type
watercolor
[remove]
83
drawing
72
Genre
landscape
37
genre subject
21
architectural subject
15
animal art
13
figure study
7
marine art
3
still life
3
cityscape
2
portrait
2
literary theme
1
sporting art
1
Subject Terms
landscape
34
trees
23
genre subject
19
architectural subject
16
animal art
13
fence
10
men
9
cows
6
figure study
6
horses (animals)
6
house
6
cattle
5
clouds
5
hills
5
science
5
cottage
4
farm
4
figures
4
forest
4
hat
4
more
Subject Terms
»
Associated Places
United Kingdom
15
England
12
Europe
10
Wales
4
Surrey
3
Berkshire
2
Cymru
2
Kent
2
Aberdulais
1
Albury
1
Althorp
1
Ashtead
1
Barvas
1
Belvoir
1
Belvoir Castle
1
Bushey
1
Dorking
1
Englefield
1
Eton
1
Harlech
1
more
Associated Places
»
Exhibition History
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
James Ward (Yale Center for British Art, 2004-05-21 - 2004-08-22)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
83
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Materials & Techniques
wove paper
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Date
1784
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watercolor
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1
Peter La Cave, active 1769–1810
Haymakers
undated
2
James Ward, 1769–1859
Sky Study
undated
3
William Daniell, 1769–1837
Druidical Stone at Strather, near Barvas, Isle of Lewis
undated
4
Robert Hills, 1769–1844
Reminiscence of Gainsborough
undated
5
Robert Hills, 1769–1844
Between Netley Heath and Albury
undated
6
Robert Hills, 1769–1844
Studies of Farmhouses by a Gate, Ploughing and Harrows
undated
7
Robert Hills, 1769–1844
Studies of a Turkey
undated
8
James Ward, 1769–1859
A Human Skeleton
undated
9
Thomas Barker, 1769–1847
Landscape with a Man Driving Sheep
undated
10
James Ward, 1769–1859
An Oat Cake
undated
11
James Ward, 1769–1859
Mountainous Landscape
undated
12
James Ward, 1769–1859
Harlech
undated
13
James Ward, 1769–1859
A Rocky Hillside with Trees and Figures
undated
14
unknown artist
The Edge of a Pool with Waterlilies
undated
15
Follower of Henry Edridge, 1769–1821
View of Harrow Church
undated
16
Thomas Barker, 1769–1847
Woodland Landscape
undated
17
Peter La Cave, active 1769–1810
Rustic Scene: man fishing, left; cottage with water-mill and horses right
undated
18
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
19
William Henry Pyne, 1769–1843
Poulterer's Shop
undated
20
Robert Hills, 1769–1844
A Woodcutter and Other Studies
undated
21
Robert Hills, 1769–1844
Budds Green, Kent
undated
22
Robert Hills, 1769–1844
Farm Laborers and Other Studies
undated
23
Robert Hills, 1769–1844
Carting Hops and Other Studies
undated
24
James Ward, 1769–1859
Studies of Geese
undated
25
James Ward, 1769–1859
Study of a Tree
undated
26
James Ward, 1769–1859
An Approaching Storm
undated
27
James Ward, 1769–1859
Boy Carrying a Pail on His Head
undated
28
James Ward, 1769–1859
Study of a Hill Top and Sky
undated
29
James Ward, 1769–1859
View Overlooking Fields to Distant Mountains, with a Cottage at Right
undated
30
James Ward, 1769–1859
Studies of Horses
undated
31
James Ward, 1769–1859
Waterfall, North Wales
undated
32
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
33
James Ward, 1769–1859
An Outhouse Wall
undated
34
James Ward, 1769–1859
Ruins of Richbro' Castle, Isle of Thanet
undated
35
James Ward, 1769–1859
A Brown long-eared bat (Plecotus auritus)
undated
36
attributed to Thomas Barker, 1769–1847
Man in a Blue Cloak
undated
37
Julius Caesar Ibbetson, 1759–1817
Cardiff from the South
ca. 1789
38
William Daniell, 1769–1837
Althorp House, Northamptonshire
undated
39
James Ward, 1769–1859
Landscape with Cottages and Figures
undated
40
James Ward, 1769–1859
Aberdulais Mill, Glamorganshire
undated
41
William Daniell, 1769–1837
Belvoir Castle, Rutland
undated
42
Robert Hills, 1769–1844
A Wagon With Hops and Two Sketches of Horses
undated
43
James Ward, 1769–1859
Farmyard and Horses
undated
44
attributed to James Ward, 1769–1859
A Cottage Wall and Window
undated
45
attributed to James Ward, 1769–1859
Seashore and Cliffs, with a Horse and Cart and a Beached Boat on Shore
undated
46
James Ward, 1769–1859
A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat
undated
47
Possibly William Henry Pyne, 1769–1843
The Horse Guards Parade
undated
48
James Ward, 1769–1859
Study of a Plunging Eagle
undated
49
Samuel Collings, active 1784–1795
Polite Amusement of Brute Beasts at the Lyceum
undated
50
Samuel Collings, active 1784–1795
Manning the Navy
undated
51
Samuel Collings, active 1784–1795
Morgan Offending the Delicate Organs of Captain Wiffle
undated
52
Samuel Collings, active 1784–1795
A Querulous Committee Meeting
undated
53
Samuel Collings, active 1784–1795
An Ampitheatrical Version of the Fall of Bastille
undated
54
Robert Hills, 1769–1844
Drove of Sheep and Cows
undated
55
Robert Hills, 1769–1844
The Wave
undated
56
Robert Hills, 1769–1844
Children With a Dog in Farmyard
undated
57
Robert Hills, 1769–1844
Farmyard with Horses Waiting
undated
58
Robert Hills, 1769–1844
Stags and Deer at Rest
undated
59
Robert Hills, 1769–1844
Looking Across the Maas from Rotterdam
undated
60
Attributed to Thomas Barker, 1769–1847
The Cottage Door
undated
61
Robert Hills, 1769–1844
An Oak in Englefield Park
undated
62
Henry Edridge, 1769–1821
On the Monnow, Monmouth
undated
63
Robert Hills, 1769–1844
The Wood
undated
64
Robert Hills, 1769–1844
Forest Pool
undated
65
Henry Edridge, 1769–1821
Part of a House and Garden
undated
66
Henry Edridge, 1769–1821
Boxhill from Westhumble Lane
undated
67
Henry Edridge, 1769–1821
A Winding River
undated
68
Henry Edridge, 1769–1821
Portrait of an Indian Prince
undated
69
Robert Hills, 1769–1844
Figure Studies: A Farm Worker, Mr. Samuel, the Drawing Master Reclining and Dozing, and a Slight Sketch of a Man in a Hat
undated
70
Robert Hills, 1769–1844
Three Donkeys
undated
71
Robert Hills, 1769–1844
Sketches of Cottages: Two Studies on one Sheet
undated
72
Robert Hills, 1769–1844
A Donkey and Foal
undated
73
Robert Hills, 1769–1844
Trees and Barns in Ashstead Park, Surrey
undated
74
Robert Hills, 1769–1844
A Farm at Harrow
undated
75
Robert Hills, 1769–1844
A Country Lane with Haystack and Gate
undated
76
Robert Hills, 1769–1844
A Farm at Eton
undated
77
Robert Hills, 1769–1844
A Woodland Glade
undated
78
Robert Hills, 1769–1844
Long-Horned Cattle
undated
79
Robert Hills, 1769–1844
Beech Trees
undated
80
Robert Hills, 1769–1844
A Cow Byre
undated
81
Henry Edridge, 1769–1821
Portrait of a Young Lady in a Turban
undated
82
Henry Edridge, 1769–1821
Little Bushey, Hertfordshire
undated
83
Henry Edridge, 1769–1821
Farm Buildings among Trees
undated