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Collection
Prints and Drawings
47
Creator
Ibbetson, Julius Caesar, 1759–1817
18
Serres, John Thomas, 1759–1825
16
Monro, Thomas Dr., 1759–1833
9
Hills, Robert, 1769–1844
2
Cosway, Maria Hadfield, 1759–1838
1
Linnell, John, 1729–1796
1
Monro, School
1
Renton, John, 1774–c.1841
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Date
1796
321
1771
318
1772
206
1795
169
1784
159
1749
144
1799
132
1764
116
1775
97
1793
68
1768
64
1748
63
1789
58
1790
51
1774
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47
1797
39
1770
35
1791
27
1781
26
1787
26
1785
24
1782
23
1786
23
1759
22
1700
21
1798
21
1780
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1778
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1794
19
1765
17
1750
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1777
16
1783
16
1792
16
1758
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1767
15
1788
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1800
14
1755
12
1756
11
1762
11
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11
1773
11
1779
10
1739
8
1740
8
1744
8
1757
8
1760
8
1763
8
1801
7
1807
7
1746
6
1827
6
1747
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1814
5
1769
4
1776
4
1808
4
1745
3
1753
3
1761
3
1804
3
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3
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3
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3
1825
3
1830
3
1898
3
1736
2
1737
2
1805
2
1806
2
1811
2
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2
1815
2
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2
1821
2
1834
2
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2
1863
2
1674
1
1738
1
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1
1754
1
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1
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1
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1
1832
1
1835
1
1838
1
1840
1
1857
1
1895
1
On-site Access
Accessible by appointment in the Study Room
47
Image Use
Free to Use
47
Image Available
Available
47
Classification
Drawings & Watercolors
47
Creator Gender
male
46
female
1
Collective Title
History of the Acorn
10
Period
18th century-19th century
[remove]
47
Materials & Techniques
wove paper
[remove]
47
watercolor
33
graphite
25
black ink
14
gray wash
9
black chalk
7
black wash
2
brown ink
2
gray ink
2
pen
2
charcoal
1
gouache
1
scratching out
1
white chalk
1
Height [cm]
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Current results range from
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30
Width [cm]
Width [cm] range begin
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Current results range from
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64
Work Type
drawing
46
watercolor
40
Genre
landscape
27
genre subject
11
figure study
3
animal art
2
sporting art
2
botanical subject
1
literary theme
1
marine art
1
military art
1
portrait
1
religious and mythological subject
1
Subject Terms
landscape
26
sea
16
cliffs
13
coast
11
trees
11
genre subject
10
hills
10
men
9
horse (animal)
4
rocks (landforms)
4
women
4
workers
4
beach
3
bushes
3
children
3
figure study
3
forest
3
woman
3
animal art
2
building
2
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Subject Terms
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Associated Places
United Kingdom
5
England
4
Europe
4
Gibraltar
2
Cader Idris
1
Cornwall
1
Dorset
1
Dover
1
Dover castle
1
Falmouth
1
Isle of Wight
1
Italy
1
Kent
1
Swanage
1
Swanage Bay
1
Ventnor
1
Wales
1
Exhibition History
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
45
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection
1
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Materials & Techniques
wove paper
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Date
1774
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Period
18th century-19th century
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1
Dr. Thomas Monro, 1759–1833
The Edge of the Lake
undated
2
John Thomas Serres, 1759–1825
Gibraltar, South West by West
undated
3
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
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4
John Thomas Serres, 1759–1825
St. Maws Castle, Falmouth, East South East
undated
5
John Thomas Serres, 1759–1825
Ram Head, North by West (2 miles distance)
undated
6
John Thomas Serres, 1759–1825
Dunmose, West by North (one of five drawings on one mount)
undated
7
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
undated
8
John Thomas Serres, 1759–1825
Dover Castle, North East, 1/2 North (one of five drawings on one mount)
undated
9
John Thomas Serres, 1759–1825
The South Foreland (one of three drawings on one mount)
undated
10
John Thomas Serres, 1759–1825
The North Foreland (one of three drawings on one mount)
undated
11
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
undated
12
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
13
John Thomas Serres, 1759–1825
The Needles Bearing East (one of five drawings on one mount)
undated
14
Dr. Thomas Monro, 1759–1833
Composition: Marshland Landscape
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15
Dr. Thomas Monro, 1759–1833
Composition of Rocks and Pine Trees
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16
Dr. Thomas Monro, 1759–1833
Composition: The Edge of a Wood
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17
Dr. Thomas Monro, 1759–1833
Seashore with Sand Dunes
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18
Dr. Thomas Monro, 1759–1833
Composition: Italian Seascape Effect
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19
Dr. Thomas Monro, 1759–1833
Composition inspired by Richard Wilson's Paintings of Cader Idris
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20
Dr. Thomas Monro, 1759–1833
Cottage amongst Trees
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21
John Thomas Serres, 1759–1825
Plymouth Roads
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22
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
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23
John Thomas Serres, 1759–1825
Old Harry, Swanage Bay
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24
John Thomas Serres, 1759–1825
The Start, West North West
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25
Julius Caesar Ibbetson, 1759–1817
Study of a Woman Seated on a Horse
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26
Julius Caesar Ibbetson, 1759–1817
Woodcutter and His Family
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27
Julius Caesar Ibbetson, 1759–1817
Sailors Carousing and Frying Watches
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28
Julius Caesar Ibbetson, 1759–1817
Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
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29
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
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30
Attributed to John Renton, 1774–c.1841
Lake and Mountains
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31
Julius Caesar Ibbetson, 1759–1817
Crossing the Line Ceremony on Board the Ship, "Vestal"
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32
Julius Caesar Ibbetson, 1759–1817
Acorn Strength
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33
Julius Caesar Ibbetson, 1759–1817
Blazing on the Hearth, The Father Recounting the History to His Children
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34
Julius Caesar Ibbetson, 1759–1817
Galloping Rider With Whip Under His Arm
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35
Julius Caesar Ibbetson, 1759–1817
Rider on a Galloping Horse
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36
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
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37
Julius Caesar Ibbetson, 1759–1817
Cutting Mistletoe from it by the Druids
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38
Julius Caesar Ibbetson, 1759–1817
Shelter for Cattle
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39
Julius Caesar Ibbetson, 1759–1817
Split with Wedge and Beetel
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40
Julius Caesar Ibbetson, 1759–1817
Making into Charcoal
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41
Julius Caesar Ibbetson, 1759–1817
Sawed into Planks
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42
Julius Caesar Ibbetson, 1759–1817
Squared
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43
Julius Caesar Ibbetson, 1759–1817
Washing with Ashes
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44
Dr. Thomas Monro, 1759–1833
Landscape
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45
Maria Hadfield Cosway, 1759–1838
Study of Two Women
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46
attributed to Robert Hills, 1769–1844
Landscape with Trees
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47
Robert Hills, 1769–1844
The Shearing
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