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Materials & Techniques wove paper

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms grass

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Search Results

Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
Robert Polhill Bevan The Flying Pack
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
Edward Lear Wady Feiran, Peninsula of Mt. Sinai
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
Edward Lear A View of the Pine Woods Above Cannes
Edward Lear, 1812–1888
A View of the Pine Woods Above Cannes
1869
Edward Lear Albania
Edward Lear, 1812–1888
Albania
between 1848 and 1849
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Henry Hunt Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817
John Linnell Terraced Cottages with Fallen Trees
imitator of John Linnell, 1792–1882
Terraced Cottages with Fallen Trees
undated
John Varley Two Donkeys in a Landscape
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
Samuel Prout Bolton Abbey
Samuel Prout, 1783–1852
Bolton Abbey
undated
unknown artist Mountainous Landscape with Cows
unknown artist
Mountainous Landscape with Cows
undated
unknown artist Mountainous Landscape
unknown artist
Mountainous Landscape
undated
unknown artist Deer and Dog
unknown artist
Deer and Dog
undated
Thomas Streatfield Wanstead House, Essex
Thomas Streatfield, 1777–1848
Wanstead House, Essex
1807
Charles Tomkins Swakeley House, Middlesex
Charles Tomkins, 1757–1823
Swakeley House, Middlesex
undated
unknown artist Roundway Park, Wiltshire: Exterior View
unknown artist
Roundway Park, Wiltshire: Exterior View
ca. 1840
Cornelius Varley Hartwell, Buckinghamshire
Cornelius Varley, 1781–1873
Hartwell, Buckinghamshire
1833
George Richmond Study of a Tree on a Grassy Bank
George Richmond, 1809–1896
Study of a Tree on a Grassy Bank
1866
Thomas Hearne Gundulf's Tower, Rochester Cathedral, Kent
Thomas Hearne, 1744–1817
Gundulf's Tower, Rochester Cathedral, Kent
undated
John Linnell Figures on a Bank, Kensington Gravel Pits
John Linnell, 1792–1882
Figures on a Bank, Kensington Gravel Pits
1812
John Varley River Landscape
imitator of John Varley, 1778–1842
River Landscape
undated
Cornelius Varley Study of Boats with Horses and Carts
Cornelius Varley, 1781–1873
Study of Boats with Horses and Carts
undated
Henry Moore Showery June, Picardy
Henry Moore, 1831–1895
Showery June, Picardy
between 1870 and 1880
Charles Warren The Eel Catcher
Charles Warren, 1767–1823
The Eel Catcher
undated
Henry Moore High Tor, Matlock
Henry Moore, 1831–1895
High Tor, Matlock
undated
Thomas Hearne The Trees and River in the Park at Coleorton Hall, Leicestershire
Thomas Hearne, 1744–1817
The Trees and River in the Park at Coleorton Hall, Leicestershire
undated
Thomas Hearne The Poor House, Hadley, Hertfordshire
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
Thomas Hearne Trees in Ashtead Park, Surrey
Thomas Hearne, 1744–1817
Trees in Ashtead Park, Surrey
undated
James Duffield Harding Willows by a Stream, Horse and Cart Crossing Bridge
James Duffield Harding, 1798–1863
Willows by a Stream, Horse and Cart Crossing Bridge
undated
Thomas Hearne The Back of a Farm House
Thomas Hearne, 1744–1817
The Back of a Farm House
undated
Patrick Nasmyth Part of Regent's Park
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
Alexander Monro Boxhill from West Humble Lane
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
T. E. Jeffers Barnes Common, June 1836
T. E. Jeffers, active 1836
Barnes Common, June 1836
1836
Charles Tomkins Hanworth Park, Middlesex
Charles Tomkins, 1757–1823
Hanworth Park, Middlesex
undated
unknown artist Roundway Park, Wiltshire: Exterior View
unknown artist
Roundway Park, Wiltshire: Exterior View
ca. 1840
Sir George Howland Beaumont seventh Baronet Lane with Figures, May 1802
Sir George Howland Beaumont seventh Baronet, 1753–1827
Lane with Figures, May 1802
1802
Cornelius Varley Remains of Purton Hall, Staffordshire
Cornelius Varley, 1781–1873
Remains of Purton Hall, Staffordshire
1820
James Sowerby Meadow Pipit
James Sowerby, 1756–1822
Meadow Pipit
undated
James Sowerby A House Sparrow
James Sowerby, 1756–1822
A House Sparrow
undated
James Sowerby Elephant with Rider
James Sowerby, 1756–1822
Elephant with Rider
undated
James Sowerby Quagga Zebra
James Sowerby, 1756–1822
Quagga Zebra
ca. 1824
James Sillett The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples
James Sillett, 1764–1840
The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples
1832
James Sowerby A Quail
James Sowerby, 1756–1822
A Quail
undated
Thomas Rowlandson A Stage Coach Outside of the Entrance of an Inn
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
Robert Pollard Bottom Fishing Near Totten Mill
Robert Pollard, 1755–1838
Bottom Fishing Near Totten Mill
undated
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing it Somehow
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Fall
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
James Pollard Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
James Pollard, 1792–1867
Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
undated
Henry Thomas Alken Wild Duck Shooting
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
Henry William Bunbury Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
Henry William Bunbury, 1750–1811
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
undated
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
Henry Thomas Alken Rider on a Brown Horse About to Jump a Rail Fence to the Right
Henry Thomas Alken, 1785–1851
Rider on a Brown Horse About to Jump a Rail Fence to the Right
undated
Henry William Bunbury The Siege of Namur
Print made by Henry William Bunbury, 1750–1811
The Siege of Namur
between 1773 and 1817
John Crome Road Scene, Trowse Hall, near Norwich
Print made by John Crome, 1768–1821
Road Scene, Trowse Hall, near Norwich
1813
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
Thomas Girtin Bolton Abbey, Yorkshire
Thomas Girtin, 1775–1802
Bolton Abbey, Yorkshire
ca. 1801
Thomas Girtin Glasgow Cathedral
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
Thomas Girtin London from Highgate Hill
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
unknown artist The Watermill Above the Bridge at Charenton
unknown artist
The Watermill Above the Bridge at Charenton
undated
Thomas Girtin A Devonshire Farm
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
Thomas Girtin Warkworth Castle, Northumberland
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1796