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Materials & Techniques wove paper

Collection Prints and Drawings

Width [cm] 15

Vanessa Bell Young Boy in Blue Shirt

Vanessa Bell, 1879–1961

Young Boy in Blue Shirt

undated

Robert Polhill Bevan Under the Hammer

Robert Polhill Bevan, 1865–1925

Under the Hammer

between 1912 and 1913

Robert Polhill Bevan Huntsman and Hounds

Print made by Robert Polhill Bevan, 1865–1925

Huntsman and Hounds

1898-1899

Samuel Palmer Timber Wagon Crossing a Stream

Samuel Palmer, 1805–1881

Timber Wagon Crossing a Stream

undated

George Stubbs Plate VI, Human Body, Frontal View

Print made after George Stubbs, 1724–1806

Plate VI, Human Body, Frontal View

1804

George Stubbs Plate VIII, Human Body, Posterior View

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

William Blake Jerusalem, Tailpiece (Plate 100)

Print made by William Blake, 1757–1827

Jerusalem, Tailpiece (Plate 100)

1804 to 1820

William Blake Frontispiece, Europe. A Prophecy

Print made by William Blake, 1757–1827

Frontispiece, Europe. A Prophecy

ca. 1820

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

Print made by William Blake, 1757–1827

"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

1804 to 1820

William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Print made by William Blake, 1757–1827

"His Spectre divides & Los in fury compells it to divide..." (Plate 17)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "Highgates heights & Hampsteads..." (Plate 84)

Print made by William Blake, 1757–1827

"Highgates heights & Hampsteads..." (Plate 84)

1804 to 1820

William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

Print made by William Blake, 1757–1827

"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

1804 to 1820

William Blake "The Feminine separates from the Masculine..." (Plate 90)

Print made by William Blake, 1757–1827

"The Feminine separates from the Masculine..." (Plate 90)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Blake "Awake! Awake Jerusalem..." (Plate 97)

Print made by William Blake, 1757–1827

"Awake! Awake Jerusalem..." (Plate 97)

1804 to 1820

William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)

Print made by William Blake, 1757–1827

"Then each an Arrow flaming from his Quiver..." (Plate 98)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "When those who disregard all Mortal Things..." (Plate 55)

Print made by William Blake, 1757–1827

"When those who disregard all Mortal Things..." (Plate 55)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "Of the Mundane Shell which froze..." (Plate 64)

Print made by William Blake, 1757–1827

"Of the Mundane Shell which froze..." (Plate 64)

1804 to 1820

William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Print made by William Blake, 1757–1827

"By those who drink their blood & the blood of their Covenant..." (Plate 67)

1804 to 1820

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Print made by William Blake, 1757–1827

"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

1804 to 1820

William Blake "With one accord in love sublime..." (Plate 44)

Print made by William Blake, 1757–1827

"With one accord in love sublime..." (Plate 44)

1804 to 1820

William Blake "In beauty the Daughters of Albion divide..." (Plate 58)

Print made by William Blake, 1757–1827

"In beauty the Daughters of Albion divide..." (Plate 58)

1804 to 1820

William Blake "And formed into Four precious stones..." (Plate 59)

Print made by William Blake, 1757–1827

"And formed into Four precious stones..." (Plate 59)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "Repose on me till the morning of the Grave..." (Plate 62)

Print made by William Blake, 1757–1827

"Repose on me till the morning of the Grave..." (Plate 62)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake "O Skofield why art thou cruel?..." (Plate 68)

Print made by William Blake, 1757–1827

"O Skofield why art thou cruel?..." (Plate 68)

1804 to 1820

William Blake "Such are Cathedrons golden Halls..." (Plate 73)

Print made by William Blake, 1757–1827

"Such are Cathedrons golden Halls..." (Plate 73)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)

Print made by William Blake, 1757–1827

"I see thy Form O lovely mild Jerusalem..." (Plate 86)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

Print made by William Blake, 1757–1827

"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

1804 to 1820

William Blake "It is easier to forgive an enemy..." (Plate 91)

Print made by William Blake, 1757–1827

"It is easier to forgive an enemy..." (Plate 91)

1804 to 1820

William Blake "Turning his back to the Divine Vision..." (Plate 33)

Print made by William Blake, 1757–1827

"Turning his back to the Divine Vision..." (Plate 33)

1804 to 1820

William Blake "Elevate into the Region of Brotherhood..." (Plate 34)

Print made by William Blake, 1757–1827

"Elevate into the Region of Brotherhood..." (Plate 34)

1804 to 1820

William Blake "Reuben return'd to his place, in vain..." (Plate 36)

Print made by William Blake, 1757–1827

"Reuben return'd to his place, in vain..." (Plate 36)

1804 to 1820

William Blake "And the Two that escaped..." (Plate 30)

Print made by William Blake, 1757–1827

"And the Two that escaped..." (Plate 30)

1804 to 1820

William Blake "Albion thy fear has made me tremble..." (Plate 22)

Print made by William Blake, 1757–1827

"Albion thy fear has made me tremble..." (Plate 22)

1804 to 1820

William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Edward Lear, 1812–1888

Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

undated

Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Edward Lear, 1812–1888

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

Edward Lear Boats on the Nile

Edward Lear, 1812–1888

Boats on the Nile

1867

Edward Lear Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)

Edward Lear, 1812–1888

Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)

1867

Edward Lear Near Edfu

Edward Lear, 1812–1888

Near Edfu

1867

Edward Lear Edfu

Edward Lear, 1812–1888

Edfu

1867

Edward Lear Sunset on the Nile

Edward Lear, 1812–1888

Sunset on the Nile

1867

Edward Lear Silsilis

Edward Lear, 1812–1888

Silsilis

1854

Edward Lear Opposite Melaghara, 5:20 PM

Edward Lear, 1812–1888

Opposite Melaghara, 5:20 PM

undated

Edward Lear Gebel Sheikh Eredi

Edward Lear, 1812–1888

Gebel Sheikh Eredi

1867

Edward Lear Boat on the Nile

Edward Lear, 1812–1888

Boat on the Nile

January - March 1867

Edward Lear Near Dishna

Edward Lear, 1812–1888

Near Dishna

1867

Edward Lear Boat on the Nile

Edward Lear, 1812–1888

Boat on the Nile

January - March 1867

Edward Lear Philae

Edward Lear, 1812–1888

Philae

1867

Edward Lear Deir Kadige

Edward Lear, 1812–1888

Deir Kadige

1867

Edward Lear Haram el Ketab

Edward Lear, 1812–1888

Haram el Ketab

1867

Edward Lear Haram el Ketab

Edward Lear, 1812–1888

Haram el Ketab

1867

George Romney Figure Composition Study 21 with a Face

George Romney, 1734–1802

Figure Composition Study 21 with a Face

undated

George Romney Possibly "The Effects of Pride" or "Injustice"

George Romney, 1734–1802

Possibly "The Effects of Pride" or "Injustice"

undated

George Romney Temptation of Christ

George Romney, 1734–1802

Temptation of Christ

undated

George Romney The Temptation of Christ

George Romney, 1734–1802

The Temptation of Christ

undated

George Romney Fiends for the Temptation of Christ

George Romney, 1734–1802

Fiends for the Temptation of Christ

undated

George Romney Temptation of Christ

George Romney, 1734–1802

Temptation of Christ

undated

George Romney Figures

George Romney, 1734–1802

Figures

undated

George Romney Possibly Lapland Witches

George Romney, 1734–1802

Possibly Lapland Witches

undated

John Martin Burial of Sarah

John Martin, 1789–1854

Burial of Sarah

1833

John Martin The Rescue of Lot

John Martin, 1789–1854

The Rescue of Lot

1833

John Martin The Walls of Jericho

John Martin, 1789–1854

The Walls of Jericho

1834

unknown artist Battersea

unknown artist

Battersea

undated

Sir David Wilkie The Manse, Cults, Fife: The Artist's Old Home

Sir David Wilkie, 1785–1841

The Manse, Cults, Fife: The Artist's Old Home

undated

John Gendall Fulham Palace, Porter's Lodge

John Gendall, 1790–1865

Fulham Palace, Porter's Lodge

undated

John Glover Greenwich

John Glover, 1767–1849

Greenwich

undated

John Boyne Malvolio: Possibly a Self-Portrait in the Role

John Boyne, ca. 1750–1810

Malvolio: Possibly a Self-Portrait in the Role

undated

Thomas Miles Richardson Sr. A Highlander Seated

Thomas Miles Richardson Sr., 1784–1848

A Highlander Seated

undated

James Heath Inverary

Print made by James Heath, 1757–1834

Inverary

1805

James Heath Patterdale

James Heath, 1757–1834

Patterdale

1805

Henri Gaudier-Brzeska Study for a Mother and Child Grouping

Henri Gaudier-Brzeska, 1891–1915

Study for a Mother and Child Grouping

between 1910 and 1915

Henri Gaudier-Brzeska Study for a Mother and Child Grouping

Henri Gaudier-Brzeska, 1891–1915

Study for a Mother and Child Grouping

between 1910 and 1915

unknown artist Sketch of Boats

unknown artist

Sketch of Boats

undated

James Ward Head of a Man Wearing a Loose Scarf

James Ward, 1769–1859

Head of a Man Wearing a Loose Scarf

undated

George Augustus Sala Englishman in Inca Costume

George Augustus Sala, 1828–1895

Englishman in Inca Costume

undated

Luigi Schiavonetti The Meeting of a Family in Heaven

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808, published 1813

James Bruce Kefla Yasous with Horse and Ceremonial Equipment

James Bruce, 1730–1794

Kefla Yasous with Horse and Ceremonial Equipment

undated

James Heath Loch Lomond

Print made by James Heath, 1757–1834

Loch Lomond

1805

John Pye Temples of Paestum

Print made by John Pye, 1782–1874

Temples of Paestum

1830

Cornelis Apostool Here Nature List'ning Stood

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

James Heath "Hubert, let me not be bound!"

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

James Heath "Then go, bid the huntsmen wake them with their horns"

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802