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Materials & Techniques wove paper

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Subject Terms shepherd

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Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Joseph Mallord William Turner Mer de Glace, in the Valley of Chamonix
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
Edward Lear A Dry Halfeh Grass
Edward Lear, 1812–1888
A Dry Halfeh Grass
1867
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
Sir Walter Thomas Monnington Landscape with Shepherd
Sir Walter Thomas Monnington, 1902–1976
Landscape with Shepherd
undated
James Ward A Shepherd Boy
James Ward, 1769–1859
A Shepherd Boy
undated
Thomas Barker Landscape with Shepherd and Sheep
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
Welby Sherman Shepherd and Shepherdess by Moonlight
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
Hugh O'Neill Oxford from Boar's Hill
Hugh O'Neill, 1784–1824
Oxford from Boar's Hill
1811
John Renton A Mountain Landscape with a Shepherd
John Renton, 1774–c.1841
A Mountain Landscape with a Shepherd
undated
James Havard Thomas Shepherd Resting and Conversing
James Havard Thomas, 1854–1921
Shepherd Resting and Conversing
1897
Samuel Howitt A Park Landscape with Shepherd and Sheep
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
Walter Goodall Glencoe: A Shepherd Boy Crossing a Burn
Walter Goodall, 1830–1889
Glencoe: A Shepherd Boy Crossing a Burn
1857
Claude Hayes Moorland with Sheep and Shepherd
Claude Hayes, 1852–1922
Moorland with Sheep and Shepherd
undated
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
John Varley Classic Composition
John Varley, 1778–1842
Classic Composition
ca. 1800
Edward Radclyffe Outskirts of the Forest
Print made by Edward Radclyffe, 1809–1863
Outskirts of the Forest
undated
Edward Radclyffe Changing Pasture
Print made by Edward Radclyffe, 1809–1863
Changing Pasture
undated
Richard Parkes Bonington Road Workers, near Lillebonne
Richard Parkes Bonington, 1802–1828
Road Workers, near Lillebonne
undated
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
Robert Dixon West Tower, Wymondham Church
Robert Dixon, 1780–1815
West Tower, Wymondham Church
1810
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
Edward Calvert The Return Home
Print made by Edward Calvert, 1799–1883
The Return Home
1830
Richard Earlom The Exposition of Cyrus
Print made by Richard Earlom, 1743–1822
The Exposition of Cyrus
1781
Frederick Landseer Maur Griggs Stevenage
Print made by Frederick Landseer Maur Griggs, 1876–1938
Stevenage
1902
George Cooke Tooting Church
Print made by George Cooke, 1781–1834
Tooting Church
1827
David Cox The Junction of the Severn and the Wye with Chepstow in the Distance
David Cox, 1783–1859
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
William Woollett Celadon and Amelia
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
Welby Sherman The Shepherd
Engraved by Welby Sherman, active 1827
The Shepherd
between 1827 and 1836
James Caldwall Ham Court, the Seat of John Martin, Esq.
Print made by James Caldwall, 1739–1819
Ham Court, the Seat of John Martin, Esq
undated
David Lucas Hadleigh Castle, Large Plate
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
David Lucas Old Sarum
Print made by David Lucas, 1802–1881
Old Sarum
1829 to 1830
George Richmond The Shepherd
Print made by George Richmond, 1809–1896
The Shepherd
1827
Richard Earlom A Landscape
Print made by Richard Earlom, 1743–1822
A Landscape
1817
Thomas Rowlandson Hengar Wood, St. Tudy, Cornwall
Thomas Rowlandson, 1756–1827
Hengar Wood, St. Tudy, Cornwall
undated
Thomas Girtin Rocca del Papa, with Monte Cavo
Thomas Girtin, 1775–1802
Rocca del Papa, with Monte Cavo
ca. 1796
Richard Principle Leitch Landscape with Ruined Castle on the Esk
Richard Principle Leitch, 1844–1875
Landscape with Ruined Castle on the Esk
1874
David Allan Patie and Peggy
Print made by David Allan, 1744–1796
Patie and Peggy
1808
Arthur James Stark A Shepherd with Flock Beneath a Large Tree
Arthur James Stark, 1831–1902
A Shepherd with Flock Beneath a Large Tree
undated
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
Robert Havell Crofton
Robert Havell, 1769–1832
Crofton
1813
David Allan Bauldy, Symon and Sir William Worthy
Print made by David Allan, 1744–1796
Bauldy, Symon and Sir William Worthy
1808
David Allan Sir William Worthy's Blessing
Print made by David Allan, 1744–1796
Sir William Worthy's Blessing
1808
Anthony Devis Landscape with trees
Anthony Devis, 1729–1817
Landscape with trees
1801
David Cox Shepherding the Flock, Windy Day
David Cox, 1783–1859
Shepherding the Flock, Windy Day
1848
Anthony Devis Landscape with Shepherd and Sheep
Anthony Devis, 1729–1817
Landscape with Shepherd and Sheep
undated
Thomas Gainsborough Landscape with Cows
imitator of Thomas Gainsborough, 1727–1788
Landscape with Cows
undated
Francis Oliver Finch The Shepherd - Evening
Francis Oliver Finch, 1802–1862
The Shepherd - Evening
1845
Arnold Fawcus First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job
Published by Arnold Fawcus, 1917–1979
First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job
1972