Landscape with Buildings: Possibly at Richmond, Surrey
undated
8028
Richard Banks Harraden, 1778–1862
Jesus College, Cambridge
ca. 1830
8029
Richard Banks Harraden, 1778–1862
St. Peter's College, Cambridge
ca. 1830
8030
Richard Banks Harraden, 1778–1862
Christ's College, Cambridge
ca. 1836
8031
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
8032
Attributed to Gideon Yates, active 1825–1837
Fishmonger's Hall and London Bridge
1832
8033
Robert Walker Macbeth, 1848–1910
Midnight
ca. 1886
8034
Thomas Malton, 1726–1801
The Great Courtyard of Carlton House
undated
8035
Edward Walhouse Mark, 1817–1895
The Ionic Order
undated
8036
David Simson, 1803–1874
Kilbride
1861
8037
David Simson, 1803–1874
At Stirling (view with stream)
1861
8038
David Simson, 1803–1874
At Stirling (view with tools in foreground)
1861
8039
David Simson, 1803–1874
At Haddon Hall (view of fireplace)
1861
8040
David Simson, 1803–1874
At Penshurst
between 1861and 1863
8041
unknown artist
Lady Slippers
undated
8042
unknown artist
Madeira Fisherman Jan 14/68
1868
8043
J. J. Rurie, active 1843
Queen's Prison June 1843
1843
8044
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
8045
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
8046
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
8047
Andrew Wilson, 1780–1848
Tivoli
1810
8048
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
8049
Attributed to Gideon Yates, active 1825–1837
The Building of London Bridge
undated
8050
James Bruce, 1730–1794
Fennecus verdus (Fennec)
undated
8051
Mrs. P. D. H. Page, 20th century
Mayflower and Meadow Brown Butterfly, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 45]
undated
8052
Mrs. P. D. H. Page, 20th century
Mammea Apple, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 12 A]
undated
8053
Mrs. P. D. H. Page, 20th century
Brown Booby, after the original by John White in the British Museum [Caribbean and Oceanic, No. 18]
undated
8054
Mrs. P. D. H. Page, 20th century
Grunt, after the original by John White in the British Museum [Caribbean and Oceanic, No. 24 A]
undated
8055
Mrs. P. D. H. Page, 20th century
Soldier-Fish, after the original by John White in the British Museum [Caribbean and Oceanic, No. 25 A]
undated
8056
James Gillray, 1756–1815
Half Natural
1799
8057
James Gillray, 1756–1815
Pen-etration
1799
8058
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
8059
Basil Nightingale, 1864–1940
A Hot Scent
1908
8060
Charles Johnson Payne "Snaffles", 1884–1967
The Galloping Major, The Cottesmore
1956
8061
Charles Johnson Payne "Snaffles", 1884–1967
The Bullfinch: `Black as yer hat on this side and glorious uncertainty on the other'
ca. 1913
8062
Joseph Crawhall, 1861–1913
The Drinking Pool
undated
8063
Mrs. P. D. H. Page, 20th century
Grape-vine, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 74]
undated
8064
Mrs. P. D. H. Page, 20th century
Apple, Aafter the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 75]
undated
8065
unknown artist
Master George Contemplating Jumping a Stream
ca. 1860
8066
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
8067
James Gillray, 1756–1815
Sketch of the Interior of St. Stephen's, as It Now Stands. -
1802
8068
James Gillray, 1756–1815
Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle
1802
8069
James Gillray, 1756–1815
Hope
1802
8070
James Gillray, 1756–1815
Be gone Dull Care, I Prithee Begone From Me!
1801
8071
James Gillray, 1756–1815
Despair
1802
8072
James Gillray, 1756–1815
Forming a Line on the Parade
1801
8073
George Housman Thomas, 1824–1868
Sketches of a Girl Reading, and Profile of a Soldier
undated
8074
James Gillray, 1756–1815
Prince Pitt
1788
8075
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
8076
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
8077
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
8078
Henry Thomas Alken, 1785–1851
The Beaufort Hunt: Crossing the River Avon
undated
8079
Edward W. Trendall, active 1816–1848
Grandstand on the Race Ground at Epsom
undated
8080
Charles Johnson Payne "Snaffles", 1884–1967
Gunners Book, Winchfield, Nov. 1909-1910
ca. 1910
8081
Charles Johnson Payne "Snaffles", 1884–1967
A Point-to-Point
undated
8082
Henry Thomas Alken, 1785–1851
The Quorn Hunt: The Meet at Ashby Pastures
undated
8083
Henry Thomas Alken, 1785–1851
The Quorn Hunt: Tally-Ho and Away
undated
8084
Henry Thomas Alken, 1785–1851
The Quorn Hunt: The Pace Begins to Tell
undated
8085
Henry Thomas Alken, 1785–1851
The Quorn Hunt: 'Snob is Beat'
undated
8086
Henry Thomas Alken, 1785–1851
The Quorn Hunt: Full Cry
undated
8087
Henry Thomas Alken, 1785–1851
The Quorn Hunt: The Whissendine Appears in View
undated
8088
Henry Thomas Alken, 1785–1851
The Quorn Hunt: The Death
undated
8089
Henry Thomas Alken, 1785–1851
The Beaufort Hunt: Finding (in a Bog)
undated
8090
Walter Parry Hodges, 1760–1845
The Quorn Hunt: Tally-Ho and Away!
1832
8091
unknown artist
Hinton St. George, Somerset: Ground Plan
undated
8092
unknown artist
Hinton St. George, Somerset: Design for a Vaulted Ceiling