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6101. Horse Fair in East Anglia

Horse Fair in East Anglia
Creator:
Sir Alfred J. Munnings, 1878–1959
Date:
1899
Materials & Techniques:
Watercolor and gouache, over graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 13 5/8 x 20 5/8 inches (34.6 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6102. Design for a Cartouche: Armour, Bugles, etc.

Design for a Cartouche: Armour, Bugles, etc.
Creator:
Ogilvie, Earl of Airlie
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 3/4 inches (10.5 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6103. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
Creator:
Charles Claude Pyne, 1802–1878
Date:
1872
Materials & Techniques:
Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6104. An Arabian Stallion Walking to Right

An Arabian Stallion Walking to Right
Creator:
William Sawrey Gilpin, 1762–1843
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6105. The Cornfield

The Cornfield
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 11 11/16 × 17 1/4 inches (29.7 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6106. Study for a Stage Set: a Fortress with Cannon and Buildings

Study for a Stage Set: a Fortress with Cannon and Buildings
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, blue laid paper
Dimensions:
Sheet: 7 1/2 x 16 1/2 inches (19.1 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6107. A Dutch Packet in a Rising Breeze

A Dutch Packet in a Rising Breeze
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 10 13/16 inches (19.7 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6108. The Banqueting House, Whitehall, from the River

The Banqueting House, Whitehall, from the River
Creator:
George Shepheard, ca. 1770–1842
Date:
ca. 1810
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 12 inches (23.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6109. St. Mildred's Poultry E.C. Removed for Street Widening

St. Mildred's Poultry E.C. Removed for Street Widening
Creator:
James Lawson Stewart, active 1883–died 1929
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6110. Study near Harlech Castle

Study near Harlech Castle
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 13 1/2 inches (19.7 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6111. An Arch at Holy Island, Northumberland

An Arch at Holy Island, Northumberland
Creator:
John Varley, 1778–1842
Date:
1809
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 9 1/2 inches (29.2 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6112. The First Fishmongers Hall

The First Fishmongers Hall
Creator:
James Lawson Stewart, active 1883–died 1929
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 7 5/16 × 10 1/4 inches (18.6 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6113. East India House

East India House
Creator:
Thomas Malton the Younger, 1748–1804
Date:
undated
Materials & Techniques:
Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 9/16 × 16 inches (31.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6114. Newgate

Newgate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Mount: 11 3/4 × 15 7/16 inches (29.8 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6115. St. Martin-in-the-Fields, Interior

St. Martin-in-the-Fields, Interior
Creator:
Thomas Malton the Younger, 1748–1804
Date:
undated
Materials & Techniques:
Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 13/16 × 15 3/4 inches (32.5 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6116. Vauxhall Stairs, from Millbank, July 5, 1797

Vauxhall Stairs, from Millbank, July 5, 1797
Creator:
Francis Towne, 1740–1816
Date:
1797
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 9/16 × 11 inches (24.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6117. Horse Guards, Whitehall

Horse Guards, Whitehall
Creator:
Thomas Malton the Younger, 1748–1804
Date:
undated
Materials & Techniques:
Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 1/8 × 15 5/8 inches (30.8 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6118. The Tower of London

The Tower of London
Creator:
David Roberts, 1796–1864
Date:
1864
Materials & Techniques:
Watercolor, pen and gray ink, graphite, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 11/16 × 13 5/8 inches (24.6 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6119. Leeds Castle, Kent

Leeds Castle, Kent
Creator:
Thomas Collier, 1840–1891
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 13 3/8 inches (22.9 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6120. A Yorkshire Farm

A Yorkshire Farm
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 8 5/16 × 12 1/4 inches (21.1 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6121. Langworth

Langworth
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1785
Materials & Techniques:
Watercolor, pen and black ink, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 8 inches (21.6 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6122. A Tug Vessel

A Tug Vessel
Creator:
George Jackson, active 1839–1844
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache, and scratching out on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/8 × 4 1/4 inches (8.6 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6123. Donkey Beside a Tree, Hampstead

Donkey Beside a Tree, Hampstead
Creator:
John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, smooth, beige wove paper
Dimensions:
Contemporary drawn border: 4 7/16 × 5 1/2 inches (11.3 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6124. Lookdown or Moonfish after Original by John White in the British Museum [Caribbean and Oceanic, No. 21]

Lookdown or Moonfish after Original by John White in the British Museum [Caribbean and Oceanic, No. 21]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 3/16 inches (18.4 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6125. Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]

Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen in brown ink and black ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 8 1/4 inches (21.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6126. Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]

Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 11/16 × 13 5/8 inches (27.1 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6127. Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]

Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 8 15/16 inches (32.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6128. Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]

Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 10 7/8 inches (23 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6129. Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]

Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Pen in brown ink, over graphite, with watercolor and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 8 7/16 inches (24.1 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6130. Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]

Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in brown ink and gray ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 7 1/8 inches (19.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6131. Scorpions, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 8]

Scorpions, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 8]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/16 × 7 1/16 inches (10.3 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6132. Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]

Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, pen and ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 8 5/16 inches (14.4 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6133. The Obelisk in the Garden at Versailles

The Obelisk in the Garden at Versailles
Creator:
Print made by unknown artist
Date:
between 1740 and 1757
Materials & Techniques:
Etching and engraving hand-coloured in watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6134. Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]

Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in black ink and blue ink, over graphite, with gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 9 3/8 inches (34.3 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6135. Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]

Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in black ink, over graphite with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 8 inches (16.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6136. Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]

Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 7 11/16 inches (15.4 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6137. Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]

Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 4 13/16 × 6 1/16 inches (12.2 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6138. Cooking Fish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 49 A]

Cooking Fish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 49 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 6 11/16 inches (14.6 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6139. Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]

Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6140. Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881
Creator:
Lionel Grimston Fawkes, 1849–1931
Date:
1881
Materials & Techniques:
Graphite and watercolor on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 8 3/8 inches (40 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6141. Portrait of a Lady

Portrait of a Lady
Creator:
James Scouler, 1741–1812
Date:
1781
Materials & Techniques:
Gouache and watercolor on ivory
Dimensions:
Image: 2 x 1 5/8 inches (5.1 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6142. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6143. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6144. "Doing the Thing: and the Thing Done:" Doing it Somehow

"Doing the Thing: and the Thing Done:" Doing it Somehow
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6145. "Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand

"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 3/16 inches (18.4 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6146. "Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One

"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6147. "Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards

"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 3/8 inches (18.7 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6148. "Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass

"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 5/16 inches (18.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6149. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6150. "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition

"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 10 7/16 inches (18.6 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6151. "Some Do and Some Don't: It is All a Notion:" Getting Home

"Some Do and Some Don't: It is All a Notion:" Getting Home
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1820 and 1821
Materials & Techniques:
Graphite, watercolor and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6152. "Some Do and Some Don't: It is All a Notion:" Getting a Dive

"Some Do and Some Don't: It is All a Notion:" Getting a Dive
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6153. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 10 11/16 inches (19.4 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6154. Morning Ride

Morning Ride
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1823
Materials & Techniques:
Graphite and watercolor on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 1/2 inches (18.3 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6155. Three Cart-Horses in Traces

Three Cart-Horses in Traces
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 x 9 7/8 inches (11.7 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6156. Chestnut Mare and Foal

Chestnut Mare and Foal
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and brown ink on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6157. Man With a Horse Harnessed to a Roller

Man With a Horse Harnessed to a Roller
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 3/16 × 8 9/16 inches (15.7 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6158. A Young Man with a Horse, with Studies of Hounds and Dead Hare

A Young Man with a Horse, with Studies of Hounds and Dead Hare
Creator:
John Hoppner, 1758–1810
Date:
ca. 1785
Materials & Techniques:
Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6159. Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"

Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 10 11/16 × 10 1/16 inches (27.1 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6160. Two Hounds Attacking a Stag at Bay

Two Hounds Attacking a Stag at Bay
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink, over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/16 × 7 3/16 inches (13.2 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6161. The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
Creator:
Possibly Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in gray ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 6 3/16 × 8 5/16 inches (15.7 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6162. A Frog Confronting a Circle of Animals

A Frog Confronting a Circle of Animals
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink, and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/16 × 7 3/16 inches (13.2 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6163. An Eagle Perched on a Rock; Lion, Fox, Two Hounds and a Rooster (possibly for "Aesop's Fables")

An Eagle Perched on a Rock; Lion, Fox, Two Hounds and a Rooster (possibly for "Aesop's Fables")
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in brown ink, and traces of graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 3/16 inches (13 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6164. Coursing: Setting Out

Coursing: Setting Out
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Watercolor, with pen, in black ink, gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6165. A Raven and Two Swans

A Raven and Two Swans
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/16 × 7 1/4 inches (13.2 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6166. Going to Cover

Going to Cover
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6167. Going out of Kennel

Going out of Kennel
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6168. The Death

The Death
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 7/16 × 11 3/4 inches (24 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6169. Full Cry

Full Cry
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6170. Woodcock Shooting

Woodcock Shooting
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 13/16 × 8 inches (14.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6171. A Woodcock

A Woodcock
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 6 3/8 inches (21.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6172. A Terrier Sitting, Looking Up to Right

A Terrier Sitting, Looking Up to Right
Creator:
William Henry Hunt, 1790–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 9/16 × 4 7/8 inches (11.6 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6173. The Sporting Undergraduate

The Sporting Undergraduate
Creator:
Henry William Bunbury, 1750–1811
Date:
1772
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 3 1/8 inches (9.5 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6174. A Crowded Race Meeting

A Crowded Race Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6175. A Coach with Royal Coat of Arms

A Coach with Royal Coat of Arms
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1764
Materials & Techniques:
Watercolor, pen and black ink, graphite and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 4 9/16 × 7 1/16 inches (11.6 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6176. The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 8 1/2 × 11 11/16 inches (21.6 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6177. A Shepherd with Flock Beneath a Large Tree

A Shepherd with Flock Beneath a Large Tree
Creator:
Arthur James Stark, 1831–1902
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on thick, slightly textured, cream wove paper, mounted on board
Dimensions:
Contemporary drawn border: 5 7/8 × 13 1/4 inches (14.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6178. Trooping the Colour

Trooping the Colour
Creator:
Paul Maze, 1887–1979
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 12 3/4 inches (19.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6179. Four Hooded Falcons

Four Hooded Falcons
Creator:
Attributed to John Frederick Tayler, 1802–1889
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 11 1/8 inches (16.8 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6180. A Saddle Horse of the Duke of Devonshire

A Saddle Horse of the Duke of Devonshire
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Mount: 6 × 7 5/8 inches (15.2 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6181. The Duke of Somerset on Horseback

The Duke of Somerset on Horseback
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/16 × 6 1/2 inches (13.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6182. A Match at Newmarket

A Match at Newmarket
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 9/16 × 7 3/8 inches (9 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6183. Dosing a Racehorse

Dosing a Racehorse
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 12 1/8 × 12 15/16 inches (30.8 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6184. "Hark": Startled Horse and Alert Rider

"Hark": Startled Horse and Alert Rider
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor, and white gouache on medium, slightly textured, gray wove paper
Dimensions:
Contemporary drawn border: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6185. "You're Not Going to Follow, Belle, Are You?"

"You're Not Going to Follow, Belle, Are You?"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6186. The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "

The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6187. The Royal Horse Guards (The Blues)

The Royal Horse Guards (The Blues)
Creator:
Paul Maze, 1887–1979
Date:
undated
Materials & Techniques:
Watercolor on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6188. A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"

A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Watercolor, pen and blue ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 9 3/4 × 13 11/16 inches (24.8 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6189. Full Cry

Full Cry
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 10 5/8 inches (22.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6190. The Death

The Death
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6191. Two Riders Jumping a Wooden Fence

Two Riders Jumping a Wooden Fence
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 13 1/4 inches (23.7 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6192. Gone Away

Gone Away
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 10 11/16 inches (22.1 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6193. A Groom Leading a Bay Horse

A Groom Leading a Bay Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 13 5/16 inches (25.2 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6194. 'Rather Too Slow'

'Rather Too Slow'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 13 1/8 inches (23.7 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6195. Ultima, One of Lord Maynard's Mares

Ultima, One of Lord Maynard's Mares
Creator:
William Henry Davis, active 1803–1849
Date:
1815
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 7/8 × 18 1/16 inches (35.2 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6196. Rider Holding on to a Gray Horse After a Fall

Rider Holding on to a Gray Horse After a Fall
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 9/16 inches (23.2 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6197. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6198. Rider on a Brown Horse About to Jump a Rail Fence to the Right

Rider on a Brown Horse About to Jump a Rail Fence to the Right
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 × 12 3/16 inches (23 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6199. Five Horses near a Brook

Five Horses near a Brook
Creator:
John Frederick Herring, 1795–1865
Date:
1850
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/16 × 11 9/16 inches (25.6 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6200. Animals of the Cat Family, with a Bear and Foxes

Animals of the Cat Family, with a Bear and Foxes
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 9 3/16 × 18 3/4 inches (23.3 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection