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Materials & Techniques watercolor

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1. Christ Appearing to the Apostles after the Resurrection

Christ Appearing to the Apostles after the Resurrection
Creator:
Print made by William Blake, 1757–1827
Date:
1795 to 1805
Materials & Techniques:
Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:
Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

2. Interior of Milan Cathedral

Interior of Milan Cathedral
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/2 × 13 1/2 inches (49.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking

Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 10 3/4 inches (36.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church

Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church

Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church

Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, white gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 10 3/8 inches (30.5 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Stoning of Saint Stephen

The Stoning of Saint Stephen
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1822
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A Group of Women at Mass

A Group of Women at Mass
Creator:
Sir David Wilkie, 1785–1841
Date:
undated
Materials & Techniques:
Watercolor with black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 6 inches (19.4 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, Fund

10. Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church

Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church

Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 10 3/4 inches (34.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Brass Plate Monument for John Stockton, West Wickham Church

Brass Plate Monument for John Stockton, West Wickham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Vision of God

The Vision of God
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 5 inches (9.2 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Job's Sacrifice

Job's Sacrifice
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Job Accepting Charity

Job Accepting Charity
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 3/4 inches (8.9 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Interior of the Lower Basilica of St. Francis of Assisi

The Interior of the Lower Basilica of St. Francis of Assisi
Creator:
Thomas Hartley Cromek, 1809–1873
Date:
1839
Materials & Techniques:
Watercolor and gouache with gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 11/16 x 19 7/16 inches (34.7 x 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

17. Job and His Family

Job and His Family
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Mourning at a Tomb

Mourning at a Tomb
Creator:
William Alexander, 1767–1816
Date:
between 1792 and 1794
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 6 1/2 inches (21.6 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Sketch for the Passions: Pride

Sketch for the Passions: Pride
Creator:
Richard Dadd, 1817–1886
Date:
ca. 1854
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/8 inches (36.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job

No cover image available
Creator:
Published by Arnold Fawcus, 1917–1979
Date:
1972
Materials & Techniques:
Collotype with hand coloring in watercolor on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 1/4 inches (14 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection