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Joseph Mallord William Turner Autumn Sowing of the Grain
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
James Duffield Harding Lyons from Quayside on the Rhone
James Duffield Harding, 1798–1863
Lyons from Quayside on the Rhone
ca. 1824
Peter Lanyon Battleship
Peter Lanyon, 1918–1964
Battleship
ca. 1944
Rev. William Henry Barnard The River at Dusk, Oxford
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
William Henry Hunt Interior of the Belfry, Bushey Church
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817
James Wyatt Goodwood, West Sussex: Ceiling Design
James Wyatt, 1746–1813
Goodwood, West Sussex: Ceiling Design
undated
Godfrey Thomas Vigne Clifton Mount
Godfrey Thomas Vigne, 1801–1863
Clifton Mount
undated
Godfrey Thomas Vigne Tucumán, Argentina
Godfrey Thomas Vigne, 1801–1863
Tucumán, Argentina
1854
Giovanni Vendramini Knives, Scissars, and Razors to Grind
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissars, and Razors to Grind
1795
Luigi Balugani Najel
Luigi Balugani, 1737–1770
Najel
undated
Thomas Gaugain Turnips & Carrots ho
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
John Skinner Prout The Church of St. Laurent
John Skinner Prout, 1806–1876
The Church of St. Laurent
undated
James Sowerby A Bird
James Sowerby, 1756–1822
A Bird
undated
Gabriel Charton Paysanne de Cracouie; Paysan de Kalmieux
Print made by Gabriel Charton, active 1810
Paysanne de Cracouie; Paysan de Kalmieux
ca. 1810
George Pyne The Kitchen of an Oxford College
George Pyne, 1800–1884
The Kitchen of an Oxford College
1858
unknown artist Old House beside a Pool
unknown artist
Old House beside a Pool
ca. 1810
James Wyatt Cobham Hall, Kent: Drawings of Windows for Parlor Floor
James Wyatt, 1746–1813
Cobham Hall, Kent: Drawings of Windows for Parlor Floor
ca. 1790
Robert Bremmel Schnebbelie The Whittington Stone by Moonlight
Robert Bremmel Schnebbelie, active 1803–1849
The Whittington Stone by Moonlight
undated
John Thomas Serres Rochester
John Thomas Serres, 1759–1825
Rochester
undated
Giovanni Vendramini Fresh Gathered Peas, Young Hastings
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
Giovanni Vendramini Strawberrys, Scarlet Strawberries.
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberries
1795
Luigi Schiavonetti Sweet China Oranges, Sweet China
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
Giovanni Vendramini Old Chairs to Mend
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
Anthony Cardon A New Love Song, Only ha'Penny a Piece
Print made by Anthony Cardon, 1772–1813
A New Love Song, Only ha'Penny a Piece
1796
Samuel Hieronymus Grimm The Bishop's Palace, Bromley (A Country House)
Samuel Hieronymus Grimm, 1733–1794
The Bishop's Palace, Bromley (A Country House)
undated
David Cox Windsor Castle from the Brocas
attributed to David Cox, 1783–1859
Windsor Castle from the Brocas
early 19th century
François Louis Thomas Francia Harvesting
François Louis Thomas Francia, 1772–1839
Harvesting
undated
unknown artist Alpine Landscape with Figures and Bridge
unknown artist
Alpine Landscape with Figures and Bridge
undated
Edward Francis Burney View at Rympton
Edward Francis Burney, 1760–1848
View at Rympton
undated
Charles Hamilton Smith Views of Polar Regions
Charles Hamilton Smith, 1776–1859
Views of Polar Regions
undated
Henry Moore Porpoises, July 7, 1883
Henry Moore, 1831–1895
Porpoises, July 7, 1883
1883
unknown artist Chamaeler Chamaeleon
unknown artist
Chamaeler Chamaeleon
undated
William Frome Smallwood Coutances Cathedral
William Frome Smallwood, 1806–1834
Coutances Cathedral
undated
William Henry Pyne Old London, View from St. James Park Looking East
William Henry Pyne, 1769–1843
Old London, View from St. James Park Looking East
undated
Henry William Bunbury The Prince Regent and the Moneylenders
Henry William Bunbury, 1750–1811
The Prince Regent and the Moneylenders
undated
David Cox Eton from the Thames
attributed to David Cox, 1783–1859
Eton from the Thames
between 1800 and 1829
Isaac Weld Mt. St. Bernard (Switzerland)
Isaac Weld, 1774–1856
Mt. St. Bernard (Switzerland)
1816
Willey Reveley Views in the Levant: A Camel
Willey Reveley, 1760–1799
Views in the Levant: A Camel
ca. 1785
Paul Sandby Design for a Church. Elevation of West Front
attributed to Paul Sandby, 1731–1809
Design for a Church. Elevation of West Front
undated
unknown artist Bombie Mill, Bombie, Tongue of Bombie
unknown artist
Bombie Mill, Bombie, Tongue of Bombie
undated
William Parrott Notre Dame, Paris
William Parrott, 1813–ca. 1869
Notre Dame, Paris
1842
unknown artist Mountainous Landscape
unknown artist
Mountainous Landscape
undated
John Chessell Buckler Costessy Hall, Norfolk
John Chessell Buckler, 1793–1894
Costessy Hall, Norfolk
1831
Humphry Repton Sarsden House and Gardens, Oxfordshire: Bird's-eye View
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
William Callow View of Paris from Charenton
William Callow, 1812–1908
View of Paris from Charenton
1834
James Ward A Brown long-eared bat (Plecotus auritus)
James Ward, 1769–1859
A Brown long-eared bat (Plecotus auritus)
undated
Albert Fleetwood Varley Swan Lake, Craven Hill, Bayswater
Albert Fleetwood Varley, 1804–1876
Swan Lake, Craven Hill, Bayswater
undated
William James Muller Pines on Hampstead Heath
William James Muller, 1812–1845
Pines on Hampstead Heath
1842
William Hayes A Crane
William Hayes, active 1775–1794
A Crane
1791