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Materials & Techniques watercolor

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William Blake Frontispiece. Albion's Angel (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake Title Page. America, A Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
William Blake Frontispiece, The Ancient of Days (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
William Blake A Prophecy. "The deep of winter came..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "Now comes the night of Enitharmons joy!..." (Plate 7)
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
Peter DeWint The Harvesters
attributed to Peter DeWint, 1784–1849
The Harvesters
undated
John Frederick Lewis The Torre de Comares, Alhambra, 1835
John Frederick Lewis, 1804–1876
The Torre de Comares, Alhambra, 1835
1835
Thomas Hearne The Gateway of Lancaster Castle
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
Samuel Hieronymus Grimm East Side of Mr. Hare's New House
Samuel Hieronymus Grimm, 1733–1794
East Side of Mr. Hare's New House
1783
Samuel Hieronymus Grimm North East View of Mr. Hare's New House
Samuel Hieronymus Grimm, 1733–1794
North East View of Mr. Hare's New House
1783
James Ward Study of a Cossack: Gregory Yellowstuff
James Ward, 1769–1859
Study of a Cossack: Gregory Yellowstuff
1814
Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
James Pollard The Meat Market
James Pollard, 1792–1867
The Meat Market
undated
James Pollard The Poultry Market
James Pollard, 1792–1867
The Poultry Market
undated
John Varley View of New Street, near London Bridge
John Varley, 1778–1842
View of New Street, near London Bridge
undated
Michael "Angelo" Rooker Abbot's Kitchen, Glastonbury
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
George Fennell Robson The Murder of Banquo
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
Samuel Prout The Porch, Reims Cathedral
Samuel Prout, 1783–1852
The Porch, Reims Cathedral
ca. 1840
Andreas Geiger Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
Andreas Geiger, 1765–1856
Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
undated
Dominic Serres Shipping in the Solent off Calshot Castle
Dominic Serres, 1722–1793
Shipping in the Solent off Calshot Castle
between 1760 and 1793
Henry Thomas Alken Grouse Shooting: The Wrong Sort
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
Hablot Knight Browne "Hark": Startled Horse and Alert Rider
Hablot Knight Browne, 1815–1882
"Hark": Startled Horse and Alert Rider
undated
Henry Thomas Alken Two Riders Taking a Double Fence
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
Henry Thomas Alken The Death
Possibly Henry Thomas Alken, 1785–1851
The Death
undated
Henry Thomas Alken Full Cry
Possibly Henry Thomas Alken, 1785–1851
Full Cry
undated
Louis Philippe Boitard Dosing a Racehorse
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
Henry Thomas Alken Drawing Covert
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
Henry Thomas Alken Gone Away
Possibly Henry Thomas Alken, 1785–1851
Gone Away
undated
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Fall
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Dive
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting into a Bog
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
Thomas Rowlandson How to Vault in the Saddle
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
Samuel Scott Men Loading a Boat with Barrels
Samuel Scott, 1701/2–1772
Men Loading a Boat with Barrels
undated
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Home
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
Charles Cooper Henderson A Hay Wagon Drawn by Four Horses
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
unknown artist Commemorative Portrait of a Racehorse called Othello
unknown artist
Commemorative Portrait of a Racehorse called Othello
undated
François Louis Thomas Francia The Pont de la Concorde and Tuileries Palace from the Cours la Reine
François Louis Thomas Francia, 1772–1839
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
1823