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Materials & Techniques watercolor
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1
- Villa d'Este
- ca. 1796
2
- Fruit trees, 3 April 1863
- 1863
3
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
4
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
5
- 'O treacherous conscience!' (Page 27)
- ca. 1797
6
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
7
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
8
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
9
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
10
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
11
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
12
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
13
- Night the Third. Narcissa; Title Page
- ca. 1797
14
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
15
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
16
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
17
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
18
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
19
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
20
- The Christian Triumph; Title Page
- ca. 1797
21
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
22
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
23
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
24
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
25
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
26
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
27
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
28
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
29
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
30
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
31
- A Doorway in the Acropolis, Athens
- 1838
32
- On a Man-o'-War
- between 1794 and 1799
33
- A Street Scene in Granada on the Day of the Bullfight
- 1833
34
- Beauvais
- ca. 1831
35
- A Dove
- undated
36
- Cremorne Gardens, Chelsea
- 1871
37
- Studies of a Suit of Armor
- 1875
38
- Design for Court of Edinburgh University
- 1779
39
- Bothwell Castle, Lanarkshire
- 1798
40
- Olivia Returns to Her Family
- undated
41
- A Grecian Polacker
- undated
42
- Duke of Richmond: Sloops, Schooners, Rowboats
- undated
43
- Castle at Dieppe, Normandy
- undated
44
- View Within the Southern Entrance of Gundecotta Pass (1 of 6)
- ca. 1792
45
- The Rustic Lover
- 1786
46
- Clare College, Cambridge
- 1841
47
- Interior of the Belfry, Bushey Church
- ca. 1822
48
- A Greek Girl Standing on a Balcony
- 1840
49
- Seated Turk
- between 1840 and 1841
50
- Man in Egyptian Dress
- undated
51
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
52
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
53
- The Bridge
- 1804
54
- The Huntsman
- undated
55
- Entrance Gate to Printers
- undated
56
- Shooting Party Setting Out
- 1789
![Rev. James Bulwer [One from] A Volume of Drawings and Prints](https://media.collections.yale.edu/thumbnail/ycba/28eae410-3711-454d-9ab8-e458f1422840)
57
- [One from] A Volume of Drawings and Prints
- undated
![Rev. James Bulwer [One from] A Volume of Drawings and Prints](https://media.collections.yale.edu/thumbnail/ycba/d7df8047-873d-4006-b1a7-d97ae7c408c1)
58
- [One from] A Volume of Drawings and Prints
- 1834
59
- The Claudian Aquaduct, Rome
- 1785
60
- Shooting Party Returning Home
- 1789
61
- View of Richmond Castle, Yorkshire
- undated
62
- House at Padworth
- 1937
63
- On Mt. Palatine
- 1764 to 1831
64
- A Peasant Girl Shading Her Eyes
- 1812
65
- Near Chiavenna in the Grisons
- ca. 1779
66
- Near Bossiney, Cornwall
- 1906
67
- Mill on the Avon, Pershore, Worcestershire
- undated
68
- Design for Wall Decoration with Neoclassical Panels
- undated
69
- St. Marks Square from the Doges Palace
- 1841
70
- The Lake of Albano and Castel Gandolfo
- between 1783 and 1785
71
- View at Lucerne: The Jesuits College
- undated
72
- A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
- undated
73
- Isola Madre, Lago Maggiore
- ca. 1781
74
- A Thames Wharf with Westminster Bridge in the Distance
- undated
75
- The Disobedient Prophet
- 1848, retouched 1863
76
- Durbar of the Nawab Mubarak al-Daula (1770-93) of Murshidabad
- between 1795 and 1810
77
- Watching the Lava, Bali
- undated
78
- Landscape Study of a River Valley with Cattle in the Foreground
- undated
79
- Queen Square, London
- 1786
80
- Taking Down Steady
- 1963
81
- Coming Home Alone
- 1963
82
- Castleton Caves, Peak District, Derbyshire
- ca. 1760
83
- The Southern Entrance of Gundecotta Pass (1 of 6)
- ca. 1792
84
- Lady Mary Dudley
- undated
85
- [One of] 25 drawings and prints for ceilings
- undated
86
- View Within the Northern Entrance of Gundecotta Pass (1 of 6)
- ca. 1792
87
- Design for a substantial villa. The `Forefront' and profile plan of the front elevation
- 1770
88
- Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
- undated
89
- Castleton Caves, Peak District, Derbyshire
- ca. 1760
90
- Adrian Hope's House I: Plan of Pipes
- undated
91
- Church of St. Peter and St. Paul, Sutton-by-Dover, Kent
- ca. 1850
92
- Mural Design for Sir Patrick Hastings
- 1934
93
- A Victorian House in a Garden
- ca. 1866
94
- A Corner Pub and Attached Hotel
- ca. 1928