Materials & Techniques: watercolor / Period: 18th century - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Materials & Techniques watercolor

Period 18th century

Joseph Mallord William Turner View of Ely Cathedral

Joseph Mallord William Turner, 1775–1851

View of Ely Cathedral

ca. 1796

Joseph Mallord William Turner Landscape with Barn

Joseph Mallord William Turner, 1775–1851

Landscape with Barn

ca. 1795

Joseph Mallord William Turner Christ Church Gate, Canterbury

Joseph Mallord William Turner, 1775–1851

Christ Church Gate, Canterbury

1793 to 1794

Joseph Mallord William Turner Fisherman's Cottage, Dover

Joseph Mallord William Turner, 1775–1851

Fisherman's Cottage, Dover

ca. 1790s

Joseph Mallord William Turner St. Augustine's Gate, Canterbury

Joseph Mallord William Turner, 1775–1851

St. Augustine's Gate, Canterbury

between 1792 and 1793

Joseph Mallord William Turner Interior of St. John's Palace, Eltham

Joseph Mallord William Turner, 1775–1851

Interior of St. John's Palace, Eltham

ca. 1793

Joseph Mallord William Turner St. Augustine's Gate, Canterbury

Joseph Mallord William Turner, 1775–1851

St. Augustine's Gate, Canterbury

ca. 1793

Joseph Mallord William Turner The Angler

Joseph Mallord William Turner, 1775–1851

The Angler

1794

Joseph Mallord William Turner Windsor

Joseph Mallord William Turner, 1775–1851

Windsor

ca. 1798

Joseph Mallord William Turner A Three Storied Georgian House in a Park

Joseph Mallord William Turner, 1775–1851

A Three Storied Georgian House in a Park

ca. 1795

Joseph Mallord William Turner A Great Tree

Joseph Mallord William Turner, 1775–1851

A Great Tree

ca. 1796

Joseph Mallord William Turner The Bridge over the River Rye at Helmsley, with the Castle Beyond

Joseph Mallord William Turner, 1775–1851

The Bridge over the River Rye at Helmsley, with the Castle Beyond

between 1798 and 1799

Joseph Mallord William Turner Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

Joseph Mallord William Turner, 1775–1851

Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

1793

Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry

Joseph Mallord William Turner, 1775–1851

Man with Horse and Cart Entering a Quarry

ca. 1797

Joseph Mallord William Turner Autumn Sowing of the Grain

Joseph Mallord William Turner, 1775–1851

Autumn Sowing of the Grain

ca. 1794

Joseph Mallord William Turner Newark-upon-Trent

Joseph Mallord William Turner, 1775–1851

Newark-upon-Trent

ca. 1796

Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire

Joseph Mallord William Turner, 1775–1851

North East View of Grantham Church, Lincolnshire

ca. 1797

Joseph Mallord William Turner Near Grindelwald

Joseph Mallord William Turner, 1775–1851

Near Grindelwald

ca. 1796

Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore

Joseph Mallord William Turner, 1775–1851

From the Isola Borromena, Lago Maggiore

ca. 1795

Joseph Mallord William Turner Landscape with Trees and Figures

Joseph Mallord William Turner, 1775–1851

Landscape with Trees and Figures

ca. 1796

Joseph Mallord William Turner Dent de Lion, near Margate

Joseph Mallord William Turner, 1775–1851

Dent de Lion, near Margate

ca. 1791

Joseph Mallord William Turner Villa d'Este

Joseph Mallord William Turner, 1775–1851

Villa d'Este

ca. 1796

Joseph Mallord William Turner Landscape with Waterfall

Joseph Mallord William Turner, 1775–1851

Landscape with Waterfall

ca. 1796

Joseph Mallord William Turner Villa Salviati on the Arno

Joseph Mallord William Turner, 1775–1851

Villa Salviati on the Arno

between 1796 and 1797

Joseph Mallord William Turner Sir William Hamilton's Villa

Joseph Mallord William Turner, 1775–1851

Sir William Hamilton's Villa

ca. 1795

Joseph Mallord William Turner Villa in a Valley near Vietri sul Mare

Joseph Mallord William Turner, 1775–1851

Villa in a Valley near Vietri sul Mare

ca. 1794

Joseph Mallord William Turner Santa Lucia, A Convent near Caserta

Joseph Mallord William Turner, 1775–1851

Santa Lucia, A Convent near Caserta

ca. 1795

William Blake Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece (Plate 1)

ca. 1788

William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Print made by William Blake, 1757–1827

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

1793

William Blake Title Page. America, A Prophecy (Plate 2)

Print made by William Blake, 1757–1827

Title Page. America, A Prophecy (Plate 2)

1793

William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)

Print made by William Blake, 1757–1827

"Silent as despairing love, and strong as jealousy..." (Plate 4)

1793

William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

Print made by William Blake, 1757–1827

"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

1793

William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

Print made by William Blake, 1757–1827

"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

1793

William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

Print made by William Blake, 1757–1827

"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

1793

William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)

Print made by William Blake, 1757–1827

"What time the thirteen Governors that England sent convene..." (Plate 15)

1793

William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Print made by William Blake, 1757–1827

Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

1793

William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

Print made by William Blake, 1757–1827

"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

1793

William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

Print made by William Blake, 1757–1827

"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

1793

William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

Print made by William Blake, 1757–1827

"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

1793

William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Print made by William Blake, 1757–1827

Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

1793

William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)

Print made by William Blake, 1757–1827

IV. "None could have other than natural or organic thoughts..." (Plate 6)

ca. 1788

William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

Print made by William Blake, 1757–1827

"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

1793

William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Print made by William Blake, 1757–1827

"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

1793

William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)

Print made by William Blake, 1757–1827

"Appear to the Americans upon the cloudy night..." (Plate 6)

1793

William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

1794

William Blake Los with the child Orc and Enitharmon (Plate 18)

Print made by William Blake, 1757–1827

Los with the child Orc and Enitharmon (Plate 18)

1794

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

1794

William Blake Praying Child and Howling Dog (Plate 25)

Print made by William Blake, 1757–1827

Praying Child and Howling Dog (Plate 25)

1794

William Blake "The Ox in the slaughter house moans..." (Plate 26)

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 26)

1794

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

1794

William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)

Print made by William Blake, 1757–1827

Chapter II, "Muster around the bleak desarts..." (Plate 6)

1794

William Blake Urizen Swims through Dark Waters (Plate 7)

Print made by William Blake, 1757–1827

Urizen Swims through Dark Waters (Plate 7)

1794

William Blake "In living creations appear'd..." (Plate 8)

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 8)

1794

William Blake Chapter III, "As the stars are apart from the earth..." (Plate 9)

Print made by William Blake, 1757–1827

Chapter III, "As the stars are apart from the earth..." (Plate 9)

1794

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake Frontispiece, The Ancient of Days (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece, The Ancient of Days (Plate 1)

1794

William Blake Title Page, Europe a Prophecy (Plate 2)

Print made by William Blake, 1757–1827

Title Page, Europe a Prophecy (Plate 2)

1794

William Blake Plague (Plate 13)

Print made by William Blake, 1757–1827

Plague (Plate 13)

1794

William Blake Title Page, The First Book of Urizen (Plate 1)

Print made by William Blake, 1757–1827

Title Page, The First Book of Urizen (Plate 1)

1794

William Blake "Los howld in a dismal stupor..." (Plate 10)

Print made by William Blake, 1757–1827

"Los howld in a dismal stupor..." (Plate 10)

1794

William Blake From a Globe of Blood Rises Enitharmon (Plate 11)

Print made by William Blake, 1757–1827

From a Globe of Blood Rises Enitharmon (Plate 11)

1794

William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)

Print made by William Blake, 1757–1827

Chapter IV, "Los smitten with astonishment..." (Plate 12)

1794

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

1794

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

1794

William Blake The First Book of Urizen, Plate 15 (Bentley 14)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 15 (Bentley 14)

1794

William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

Print made by William Blake, 1757–1827

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

1794

William Blake Los Falls through Fire (Plate 21)

Print made by William Blake, 1757–1827

Los Falls through Fire (Plate 21)

1794

William Blake The First Book of Urizen, Plate 28 (Bentley 27)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 28 (Bentley 27)

1794

William Blake Title Page, The First Book of Urizen (Plate 1)

Print made by William Blake, 1757–1827

Title Page, The First Book of Urizen (Plate 1)

1794

William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

Print made by William Blake, 1757–1827

Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

1794

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

1794

William Blake Chapter II, "Muster around the bleak desarts..." (Plate 4)

Print made by William Blake, 1757–1827

Chapter II, "Muster around the bleak desarts..." (Plate 4)

1794

William Blake Urizen Swims through Dark Waters (Plate 5)

Print made by William Blake, 1757–1827

Urizen Swims through Dark Waters (Plate 5)

1794

William Blake "In living creations appear'd..." (Plate 6)

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 6)

1794

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

1794

William Blake Fettered Urizen Weeping (Plate 12)

Print made by William Blake, 1757–1827

Fettered Urizen Weeping (Plate 12)

1794

William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

1794

William Blake Urizen (Plate 21)

Print made by William Blake, 1757–1827

Urizen (Plate 21)

1794

William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

Print made by William Blake, 1757–1827

Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

1794

William Blake Chapter IX, "They lived a period of years..." (Plate 25)

Print made by William Blake, 1757–1827

Chapter IX, "They lived a period of years..." (Plate 25)

1794

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Print made by William Blake, 1757–1827

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

1789

William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

Print made by William Blake, 1757–1827

II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake The Angel (Plate 40)

Print made by William Blake, 1757–1827

The Angel (Plate 40)

1794

William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)

Print made by William Blake, 1757–1827

Chapter V, "The globe of life blood trembled..." (Plate 15)

1794

William Blake "The Ox in the slaughter house moans..." (Plate 23)

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 23)

1794

William Blake Praying Child and Howling Dog (Plate 24)

Print made by William Blake, 1757–1827

Praying Child and Howling Dog (Plate 24)

1794

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake Night the Second. On Time, Death and Friendship; Title Page

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797