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Collection
Prints and Drawings
30
Creator
Blake, William, 1757–1827
16
Girtin, Thomas, 1775–1802
4
Howitt, Samuel, 1756–1822
2
Alexander, William, 1767–1816
1
Buckler, John FSA, 1770–1851
1
Lewis, Frederick Christian the Elder, 1779–1856
1
Morland, George, 1763–1804
1
Porter, William Warren Rev., 1776–1804
1
Rowlandson, Thomas, 1756–1827
1
Sandby, Paul, 1731–1809
1
Stubbs, George, 1724–1806
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Date
1800
83
1772
64
1793
46
1789
42
1797
36
1799
34
1794
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30
1784
29
1775
28
1791
27
1790
26
1814
26
1830
26
1867
26
1795
23
1771
20
1783
19
1804
19
1827
19
1805
18
1788
16
1792
16
1820
16
1780
15
1787
15
1796
15
1810
14
1801
13
1807
13
1825
13
1774
12
1782
12
1785
12
1815
12
1836
12
1861
12
1740
11
1765
11
1778
11
1821
11
1746
10
1762
10
1786
10
1798
10
1802
10
1812
10
1817
10
1835
10
1700
9
1776
9
1755
8
1759
8
1816
8
1840
8
1748
7
1764
7
1781
7
1823
7
1808
6
1809
6
1811
6
1818
6
1831
6
1832
6
1834
6
1749
5
1757
5
1813
5
1819
5
1843
5
1844
5
1848
5
1855
5
1860
5
1866
5
1745
4
1753
4
1761
4
1803
4
1833
4
1839
4
1845
4
1847
4
1701
3
1715
3
1717
3
1742
3
1744
3
1754
3
1760
3
1766
3
1767
3
1770
3
1777
3
1806
3
1822
3
1829
3
1841
3
1846
3
1850
3
On-site Access
Accessible by appointment in the Study Room
30
Image Use
Free to Use
30
Image Available
Available
29
Unavailable
1
Classification
Prints
16
Drawings & Watercolors
14
Creator Gender
male
30
Collective Title
Songs of Innocence and of Experience, Copy F
9
The First Book of Urizen, Copy C
4
The First Book of Urizen, Copy A
3
Period
18th century
26
18th century-19th century
4
Materials & Techniques
watercolor
[remove]
30
wove paper
26
color printing
16
relief etching
16
graphite
11
brown ink
8
pen
8
black ink
5
laid paper
4
gouache
3
gray ink
3
ink
3
blue wash
1
gray wash
1
red ink
1
scraping
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
85
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
6
to
118
Work Type
watercolor
30
drawing
20
relief print
16
frontispiece
1
Genre
historical subject
10
landscape
9
literary theme
8
architectural subject
4
genre subject
3
religious and mythological subject
3
sporting art
3
animal art
1
botanical subject
1
marine art
1
still life
1
Subject Terms
trees
[remove]
30
text
15
branches
14
men
12
historical subject
11
landscape
10
women
10
leaf
9
vines
8
children
7
literary theme
7
infant
5
nudes
5
vegetation
5
architectural subject
4
clouds
4
dog (animal)
4
horses (animals)
4
baby
3
beard
3
more
Subject Terms
»
Associated Places
United Kingdom
7
Europe
6
England
5
Kent
2
Boxley
1
Cymru
1
Denbighshire
1
Essex
1
Glasgow
1
Glasgow Cathedral
1
Hampshire
1
Maidstone
1
Mote Park
1
Scotland
1
Southampton
1
Surrey
1
Valle Crucis Abbey
1
Wales
1
Wimbish
1
Associated People
George III (1738–1820), king of the United Kingdom of Great Britain and Ireland, and king of Hanover
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
13
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
13
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
7
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
5
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
4
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
J. M. W. Turner - The Foundations of Genius (The Taft Museum, 1986-09-18 - 1986-11-02)
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (National Gallery of Scotland, 2009-11-07 - 2010-02-07)
1
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (Nottingham Castle Museum and Art Gallery, 2009-07-25 - 2009-10-18)
1
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (Royal Academy of Arts, 2010-03-13 - 2010-06-13)
1
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
1
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
1
Thomas Rowlandson (Art Services Int'l) (The Baltimore Museum of Art, 1990-06-23 - 1990-08-05)
1
Thomas Rowlandson (Art Services Int'l) (The Frick Art Museum, 1990-04-21 - 1990-06-03)
1
Thomas Rowlandson (Art Services Int'l) (The Frick Collection, 1990-02-10 - 1990-04-08)
1
William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05)
1
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
28
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W
1
Yale Center for British Art, Paul Mellon Fund
1
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Materials & Techniques
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Date
1794
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trees
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1
Joseph Mallord William Turner, 1775–1851
The Angler
1794
2
Print made by William Blake, 1757–1827
The Fly (Plate 48)
1794
3
Print made by William Blake, 1757–1827
The Human Abstract (Plate 46)
1794
4
Print made by William Blake, 1757–1827
My Pretty Rose Tree (Plate 47)
1794
5
Print made by William Blake, 1757–1827
Holy Thursday (Plate 38)
1794
6
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
7
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
8
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
9
Print made by William Blake, 1757–1827
The Angel (Plate 40)
1794
10
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
11
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
12
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
13
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
14
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
15
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
16
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
17
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
18
Frederick Christian Lewis the Elder, 1779–1856
Trees and a Rocky Stream
undated
19
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
20
George Morland, 1763–1804
Landscape with Horses, Farmer and Dog
1794
21
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
22
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
23
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
24
Paul Sandby, 1731–1809
A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
1794
25
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
26
Thomas Girtin, 1775–1802
Valle Crucis Abbey, Denbighshire
ca. 1799
27
Thomas Girtin, 1775–1802
Chapel Church, Surrey
ca. 1799
28
Thomas Girtin, 1775–1802
Turver's Farm, Wimbish, Essex
ca. 1799
29
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
30
Rev. William Warren Porter, 1776–1804
Study of Trees
undated