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Collection
Prints and Drawings
18
Creator
Blake, William, 1757–1827
14
Edwards, Richard, active 1796–1797
14
Young, Edward, 1683–1765
14
Girtin, Thomas, 1775–1802
2
Barnard, William Henry, 1767–1818
1
Howitt, Samuel, 1756–1822
1
Date
1791
621
1797
35
1792
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1827
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1784
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1684
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1893
1
1897
1
1909
1
1934
1
1939
1
2000
1
On-site Access
Accessible by appointment in the Study Room
18
Image Use
Free to Use
18
Image Available
Available
18
Classification
Prints
14
Drawings & Watercolors
4
Creator Gender
male
18
Collective Title
Young's Night Thoughts
14
Period
18th century
18
Materials & Techniques
watercolor
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18
wove paper
15
etching (printing process)
14
line engraving
14
laid paper
4
graphite
3
pen
3
brown ink
2
black chalk
1
black ink
1
gray ink
1
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43
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41
Work Type
watercolor
18
intaglio print
14
drawing
11
Genre
literary theme
14
landscape
3
architectural subject
1
marine art
1
sporting art
1
Subject Terms
literary theme
14
text
14
men
11
women
7
clouds
4
angels
3
crowns
3
nudes
3
pointing
3
vines
3
angel
2
children
2
dead
2
death
2
grass
2
horses (animals)
2
landscape
2
sky
2
sun
2
trees
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Subject Terms
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Associated Places
Dartmouth
1
Devon
1
England
1
Europe
1
Kingswear
1
United Kingdom
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
14
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
18
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Materials & Techniques
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Date
1792
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1
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
2
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
3
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
4
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
5
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
6
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
7
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
8
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
9
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
10
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
11
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
12
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
13
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
14
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
15
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
16
Samuel Howitt, 1756–1822
Racing Scene
1792
17
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
18
Thomas Girtin, 1775–1802
Country House
ca. 1797