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Collection
Prints and Drawings
122
Creator
Blake, William, 1757–1827
38
Edwards, Richard, active 1796–1797
38
Young, Edward, 1683–1765
38
Parish, Henry William, active 1792
10
Thirtle, John, 1777–1839
10
Girtin, Thomas, 1775–1802
9
Alexander, William, 1767–1816
5
Moore, James, 1762–1799
5
Smith, John, 1749–1831
4
Walker, George, active 1792–died 1795
4
Dayes, Edward, 1763–1804
3
Tambat, Gangaram Chintaman, active 1790s
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Woodward, George Moutard, ca. 1760–1809
3
Wright, John Massey, 1777–1866
3
Cruikshank, Isaac, 1764–1811
2
Dent, William, active 1784–1793
2
Fores, S. W., 1761–1838
2
Howitt, Samuel, 1756–1822
2
Mabon, Robert, died 1798
2
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Date
1791
759
1800
424
1796
358
1867
321
1772
243
1832
189
1752
181
1790
164
1794
162
1814
159
1797
157
1804
156
1799
152
1771
141
1795
135
1792
[remove]
122
1793
122
1789
112
1801
109
1775
108
1830
108
1745
103
1785
103
1825
103
1700
98
1784
96
1839
95
1802
94
1818
91
1780
87
1820
87
1835
87
1836
80
1827
78
0
72
1807
71
1805
70
1781
67
1798
66
1815
63
1812
62
1755
61
1787
61
1817
59
1855
59
1811
55
1808
54
1810
53
1774
52
1782
52
1834
52
1803
50
1828
50
1788
49
1765
48
1783
48
1819
48
1821
47
1840
46
1740
43
1768
43
1823
43
1861
43
1813
42
1778
41
1764
39
1826
37
1837
37
1777
36
1763
35
1770
34
1786
33
1809
33
1829
33
1806
32
1822
32
1841
31
1746
30
1748
30
1776
30
1831
30
1844
30
1761
29
1838
28
1843
28
1757
26
1762
26
1751
25
1753
25
1760
25
1816
25
1845
25
1863
25
1779
24
1848
24
1833
22
1850
20
1866
20
1842
19
1846
19
On-site Access
Accessible by appointment in the Study Room
122
Image Use
Free to Use
122
Image Available
Available
116
Unavailable
6
Classification
Drawings & Watercolors
72
Prints
46
Drawing & Watercolors-Architectural
2
Drawings & Watercolors-Miniatures
2
Creator Gender
male
121
female
1
Collective Title
Young's Night Thoughts
38
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
9
A Long String of Resolutions for the New Year
2
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
2
A Midsummer Night's Dream
1
The Winter's Tale
1
Views in the Province of Kiang Nan, China
1
Period
18th century
102
18th century-19th century
16
19th century
1
Materials & Techniques
watercolor
[remove]
122
wove paper
81
graphite
68
etching (printing process)
45
laid paper
39
line engraving
39
black ink
17
brown ink
16
pen
16
hand coloring
7
gouache
6
gray ink
5
gray wash
2
ivory
2
scratching out
2
black chalk
1
color printing
1
gum arabic
1
red ink
1
scraping
1
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
67
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
160
Work Type
watercolor
114
drawing
101
intaglio print
45
miniature
2
Genre
literary theme
39
landscape
34
architectural subject
20
genre subject
16
marine art
15
figure study
6
portrait
5
sporting art
4
cityscape
3
animal art
1
botanical subject
1
historical subject
1
military art
1
Subject Terms
literary theme
39
men
39
text
37
landscape
27
women
25
architectural subject
17
nudes
16
trees
16
clouds
13
marine art
13
genre subject
12
grass
9
angels
8
children
8
rocks (landforms)
8
man
7
mountains
7
wings
7
crowns
6
river
6
more
Subject Terms
»
Associated Places
United Kingdom
22
Europe
19
England
15
Asia
4
China
4
Scotland
4
Devon
3
India
3
Wales
3
Cumbria
2
Cymru
2
Kent
2
Lake District
2
Pembrokeshire
2
Rio de Janeiro
2
Roxburghshire
2
Aberdeenshire
1
Amsterdam
1
Banff
1
Bangalore
1
more
Associated Places
»
Associated People
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Shakespeare, William (1564–1616), playwright and poet
1
Udney, Martha (1761–1831), governess to Princess Charlotte
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
38
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
10
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
8
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
5
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
4
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
4
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
John Glover and the Colonial Picturesque (Art Gallery of South Australia, 2004-02-19 - 2004-04-12)
1
John Glover and the Colonial Picturesque (National Gallery of Australia, 2004-04-24 - 2004-07-18)
1
John Glover and the Colonial Picturesque (National Gallery of Victoria, 2004-08-13 - 2004-10-03)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
112
Yale Center for British Art, Paul Mellon Fund
4
Yale Center for British Art, Bequest of William S. Konecky
3
Yale Center for British Art, Gift of Godfrey Pearlson
2
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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1
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
2
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
3
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
4
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
5
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
6
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
7
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
8
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
9
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
10
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
11
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
12
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
13
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
14
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
15
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
16
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
17
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
18
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
19
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
20
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
21
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
22
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
23
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
24
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
25
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
26
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
27
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
28
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
29
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
30
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
31
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
32
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
33
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
34
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
35
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
36
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
37
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
38
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
39
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
40
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
41
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
42
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
43
John Thirtle, 1777–1839
Shore Scene with Sailing Ship at Quay
undated
44
George Walker, active 1792–died 1795
Industrious Jenny
undated
45
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
46
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
47
Andrew Robertson, 1777–1845
Lady Bective
undated
48
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
1792
49
Attributed to Gangaram Chintaman Tambat, active 1790s
View on the River Bhima at Deval Gaun, 28 Miles East of Poona
1792 to 1794
50
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
51
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
52
John Massey Wright, 1777–1866
Mrs. Martha Udney
undated
53
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
54
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
55
John Glover, 1767–1849
River with Fishermen
1792
56
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
57
John Bogle, 1746–1804
Robert Graham of Gartmore, later Cunninghame Graham
1792
58
Lieutenant James Hunter, died 1792
Tipu Sultan's Summer Palace
1792
59
John Thirtle, 1777–1839
Castle Acre Priory
undated
60
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
61
Janet Dick, active 1794–1806
An Indian Shrub with White Blossoms and Pointed Leaves
between 1792 and 1807
62
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
63
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
64
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
65
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
66
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Wrestling
1792
67
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
68
John Thirtle, 1777–1839
A Church Porch
undated
69
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
70
John Thirtle, 1777–1839
A View of Waltham Abbey, Herts, Essex
undated
71
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
72
John Thirtle, 1777–1839
Bridgnorth
undated
73
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
74
John Thirtle, 1777–1839
Young Girl Sitting on a Bank outside a Church
undated
75
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
76
John Massey Wright, 1777–1866
Pirates
undated
77
John Thirtle, 1777–1839
An Old Fisherman Repairing Nets with a Cottage in the Background
undated
78
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
79
Samuel Howitt, 1756–1822
The Kill
1792
80
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
81
Samuel Howitt, 1756–1822
Racing Scene
1792
82
George Walker, active 1792–died 1795
Man Toasting Another Man . .
undated
83
Nicholas Pocock, 1740–1821
An Admiralty Yacht Running Inshore at Tenby
1792
84
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
85
Thomas Rowlandson, 1756–1827
The Elopement
1792
86
Thomas Girtin, 1775–1802
Lyme Regis, Dorset
ca. 1797
87
Henry William Parish, active 1792
Off Rio de Janeiro
1792
88
John Warwick Smith, 1749–1831
Village of Stonethwaite and Eagle Cragg, Borrowdale
1792
89
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
90
William Day, 1764–1807
Hastings
1792
91
Edward Dayes, 1763–1804
Elgin Cathedral, Moray
1792
92
John Warwick Smith, 1749–1831
Ullswater, Looking toward Patterdale
1792
93
Print made by William Dent, active 1784–1793
Flying News or Seringapatam Taken by Strategem
1792
94
John Warwick Smith, 1749–1831
The Northern Boundary of St. Bride's Bay
1792
95
William Alexander, 1767–1816
Natives of Cochin Playing Shuttlecock in China
1792 to 1794
96
attributed to William Alexander, 1767–1816
A Young Chinese Scholar
1792 to 1794
97
William Alexander, 1767–1816
Mourning at a Tomb
between 1792 and 1794
98
William Alexander, 1767–1816
View in China: Figures with Pagoda and Mountain
1792 to 1794
99
Attributed to Agostino Aglio the elder, 1777–1857
Landscape with a Distant Ridge
undated
100
Thomas Girtin, 1775–1802
Estuary on the River Taw, Devon
ca. 1797
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