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Collection
Prints and Drawings
112
Creator
Blake, William, 1757–1827
49
CARTWRIGHT, Joseph, c.1789–1829
20
Girtin, Thomas, 1775–1802
10
Chinnery, George, 1774–1852
6
Unknown artist
4
Byron, Frederick George, 1764–1794
2
Cosway, Richard, 1742–1821
2
Rowlandson, Thomas, 1756–1827
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Webber, John, 1752–1793
2
Weld, Isaac, 1774–1856
2
Alexander, William, 1767–1816
1
Cozens, John Robert, 1752–1797
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
Davis, Samuel, 1760–1819
1
Day, William, 1764–1807
1
Dayes, Edward, 1763–1804
1
Downman, John, 1750–1824
1
Gore, Charles, 1729–1807
1
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Creator
»
Date
1791
759
1800
424
1796
358
1867
321
1772
243
1832
189
1752
181
1790
164
1794
162
1814
159
1797
157
1804
156
1799
152
1771
141
1795
135
1792
122
1793
122
1789
[remove]
112
1801
109
1775
108
1830
108
1745
103
1785
103
1825
103
1700
98
1784
96
1839
95
1802
94
1818
91
1780
87
1820
87
1835
87
1836
80
1827
78
0
72
1807
71
1805
70
1781
67
1798
66
1815
63
1812
62
1755
61
1787
61
1817
59
1855
59
1811
55
1808
54
1810
53
1774
52
1782
52
1834
52
1803
50
1828
50
1788
49
1765
48
1783
48
1819
48
1821
47
1840
46
1740
43
1768
43
1823
43
1861
43
1813
42
1778
41
1764
39
1826
37
1837
37
1777
36
1763
35
1770
34
1786
33
1809
33
1829
33
1806
32
1822
32
1841
31
1746
30
1748
30
1776
30
1831
30
1844
30
1761
29
1838
28
1843
28
1757
26
1762
26
1751
25
1753
25
1760
25
1816
25
1845
25
1863
25
1779
24
1848
24
1833
22
1850
20
1866
20
1842
19
1846
19
On-site Access
Accessible by appointment in the Study Room
112
Image Use
Free to Use
111
Under Certain Circumstances
1
Image Available
Available
111
Unavailable
1
Classification
Drawings & Watercolors
56
Prints
49
Drawings & Watercolors-Miniatures
4
Drawing & Watercolors-Architectural
3
Creator Gender
male
112
unknown
4
Collective Title
Songs of Innocence and of Experience, Copy F
17
Songs of Innocence, Copy G
17
The Book of Thel, Copy R
8
The Book of Thel, Copy B
7
Views in the South Seas 1776-1780
1
Period
18th century
73
18th century-19th century
36
19th century
2
Materials & Techniques
watercolor
[remove]
112
wove paper
92
graphite
50
relief etching
49
black ink
43
pen
36
ink
25
laid paper
22
brown ink
21
gray ink
16
gouache
6
gray wash
6
ivory
4
pens
3
black chalk
2
brown wash
2
wash
2
red chalk
1
red ink
1
scraping
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
53
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
78
Work Type
watercolor
110
drawing
101
relief print
49
miniature
3
frontispiece
2
Genre
literary theme
34
landscape
23
marine art
20
historical subject
15
architectural subject
13
military art
13
religious and mythological subject
12
genre subject
9
portrait
6
figure study
3
sporting art
3
animal art
1
cityscape
1
Subject Terms
text
47
trees
42
leaf
39
vines
37
children
36
literary theme
32
women
31
branches
30
men
27
landscape
22
historical subject
16
vegetation
16
architectural subject
13
mother
13
religious and mythological subject
13
flowers (plants)
12
nudes
11
woman
11
hills
10
grass
9
more
Subject Terms
»
Associated Places
Europe
13
United Kingdom
13
England
11
Campagna
2
City of Westminster
2
Devon
2
Italy
2
Kent
2
London
2
Aberconwy and Colwyn
1
Appleby
1
Berry Pomeroy Castle
1
Buckinghamshire
1
Campania
1
Campello sul Clitunno
1
Charenton-le-Pont
1
Cobham
1
Cobham Hall
1
Conway
1
Conway Castle
1
more
Associated Places
»
Associated People
Johnstone, James Hope-, third earl of Hopetoun and de jure fifth earl of Annandale and Hartfell (1741–1816), landowner and army officer
1
Sadler, Michael Thomas (1780–1835), social reformer and political economist
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
18
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
18
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
13
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
7
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
6
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
5
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
4
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
2
Past Time - Geology in European and American Art (Frances Lehman Loeb Art Center, 2018-09-21 - 2018-12-09)
2
Past Time - Geology in European and American Art (Herbert F. Johnson Museum of Art, 2019-02-16 - 2019-05-12)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Richard and Maria Cosway - Regency Artists of Taste and Fashion (National Portrait Gallery, 1996-11-17 - 1997-02-18)
2
Richard and Maria Cosway - Regency Artists of Taste and Fashion (Scottish National Portrait Gallery, 1995-08-11 - 1995-10-29)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
89
Yale Center for British Art, Yale Art Gallery Collection
20
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
1
Yale Center for British Art, Gift of Lowell Libson in honor of Kasha Jenkinson
1
Yale Center for British Art, Gift of William Lamson Warren, class of 1935
1
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Materials & Techniques
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Date
1789
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1
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
2
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
3
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
4
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
5
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
6
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
7
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
8
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
9
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
10
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
11
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
12
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
13
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
14
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
15
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
16
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
17
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
18
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
19
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
20
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
21
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
22
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
23
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
24
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
25
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
26
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
27
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
28
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
29
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
30
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
31
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
32
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
33
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
34
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
35
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
36
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
37
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
38
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
39
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
40
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
41
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
42
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
43
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
44
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
45
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
46
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
47
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
48
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
49
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
50
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
51
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
52
Charles Gore, 1729–1807
Konigstein
1789
53
Charles Heathcote Tatham, 1772–1842
Furniture Designs
undated
54
unknown artist
A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
1789
55
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
56
Charles Turner, 1774–1857
A Race Meeting (Weighing In)
undated
57
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
58
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
59
Thomas Girtin, 1775–1802
Ruins on the Coast
undated
60
Thomas Girtin, 1775–1802
Headland on the Coast of South Devon, Possibly Shaldon
undated
61
Thomas Girtin, 1775–1802
Chalfont Lodge, Buckinghamshire
undated
62
George Chinnery, 1774–1852
Portrait of a Gentleman Called Michael Thomas Sadler
undated
63
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Ld. Darnely's Bedchamber as a Proposed to be Altered
1789
64
John Webber, 1752–1793
Landscape in Derbyshire
1789
65
Paul Sandby, 1731–1809
Conway Castle
1789
66
Charles H. Schwanfelder, 1774–1837
Horsemen in a Landscape
undated
67
Thomas Daniell, 1749–1840
The Mosque at Juanpore Built by Sultan Hussain Sherki | Taken in December 1789
1789
68
Isaac Weld, 1774–1856
Vesuvius in Eruption
undated
69
Isaac Weld, 1774–1856
Vesuvius in Eruption
undated
70
Thomas Girtin, 1775–1802
A Border Tower
undated
71
Joseph Cartwright, c.1789–1829
Sixty-six Guns: Single Frigate
undated
72
Joseph Cartwright, c.1789–1829
Single Brigantine, Sails Furled
undated
73
Joseph Cartwright, c.1789–1829
Duke of Richmond: Sloops, Schooners, Rowboats
undated
74
Joseph Cartwright, c.1789–1829
A Grecian Polacker
undated
75
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig, Bow Forward
undated
76
Joseph Cartwright, c.1789–1829
Side View of Two Naval Jackets; Masters and Commanders
undated
77
Joseph Cartwright, c.1789–1829
Battle Scene: Battleships, Frigates and Corvettes; Sinking Boat and Rowboat
undated
78
Joseph Cartwright, c.1789–1829
Side View of Battleship Surrounded by Several Others in Heavy Seas
undated
79
Joseph Cartwright, c.1789–1829
Side View of Single Barque
undated
80
Joseph Cartwright, c.1789–1829
Single Brig (?) Another Sailing Vessel Against Outline of City on Background
undated
81
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig
undated
82
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig, Stern Forward
undated
83
Joseph Cartwright, c.1789–1829
Two Sloops of War, One Barque and One Schooner (?), Sterns Forward, in Heavy Seas; Several Sailing Vessels in Background
undated
84
Joseph Cartwright, c.1789–1829
Single Battleship, Stern Forward
undated
85
Joseph Cartwright, c.1789–1829
Barquentine and Frigate in Heavy Seas
undated
86
Joseph Cartwright, c.1789–1829
Single Corvette (?) with Three Figures in Naval Uniforms and Union Jack
undated
87
Joseph Cartwright, c.1789–1829
Single Corvette. Bow Forward
undated
88
Joseph Cartwright, c.1789–1829
Single Brig; Sketches of Separate Stern and Rubber
undated
89
Joseph Cartwright, c.1789–1829
Side View of Single Brig and Bow of Another
undated
90
Joseph Cartwright, c.1789–1829
Side View of Corvette
undated
91
Thomas Girtin, 1775–1802
Harrow-on-the-Hill, Middlesex
ca. 1794
92
attributed to Thomas Girtin, 1775–1802
Dover
undated
93
unknown artist
The Watermill Above the Bridge at Charenton
undated
94
unknown artist
Tempio di Clitumno, Rome, after Piranesi
undated
95
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
96
unknown artist
Berry Pomeroy Castle, Devon
undated
97
Thomas Rowlandson, 1756–1827
A Merchant's Office
1789
98
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
99
Thomas Rowlandson, 1756–1827
Three Clerical Scholars
1789
100
John Warwick Smith, 1749–1831
Approach to Belle Grange Park
1789
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