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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
30
Creator
Ward, James, 1769–1859
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30
Date
1784
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30
1814
2
1793
1
1795
1
1796
1
1797
1
1800
1
1825
1
On-site Access
Accessible by appointment in the Study Room
30
Image Use
Free to Use
30
Image Available
Available
30
Classification
Drawings & Watercolors
30
Creator Gender
male
30
Period
18th century-19th century
30
Materials & Techniques
watercolor
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30
graphite
27
wove paper
17
laid paper
13
brown ink
7
gouache
2
pen
2
black chalk
1
oil paint
1
scratching out
1
varnish
1
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37
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Current results range from
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60
Work Type
drawing
30
watercolor
29
Genre
landscape
15
genre subject
5
animal art
3
still life
3
architectural subject
1
figure study
1
marine art
1
portrait
1
sporting art
1
Subject Terms
landscape
17
science
5
genre subject
4
animal art
3
cottage
3
hill
3
rocks (landforms)
3
sky
3
still life
3
study (visual work)
3
trees
3
boat
2
boy
2
castle
2
cliffs
2
figure study
2
figures
2
geology
2
horses (animals)
2
nature study
2
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Subject Terms
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Associated Places
Wales
4
Cymru
3
United Kingdom
3
Aberdulais
1
Cardiganshire
1
Exhibition History
James Ward (Yale Center for British Art, 2004-05-21 - 2004-08-22)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
30
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Materials & Techniques
watercolor
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Date
1784
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Creator
Ward, James, 1769–1859
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1
James Ward, 1769–1859
Study of a Plunging Eagle
undated
2
James Ward, 1769–1859
A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat
undated
3
attributed to James Ward, 1769–1859
Seashore and Cliffs, with a Horse and Cart and a Beached Boat on Shore
undated
4
attributed to James Ward, 1769–1859
A Cottage Wall and Window
undated
5
James Ward, 1769–1859
Farmyard and Horses
undated
6
James Ward, 1769–1859
Looking Upwards from Devil's Bridge, Cardiganshire, Wales
undated
7
James Ward, 1769–1859
Landscape with Cottages and Figures
undated
8
James Ward, 1769–1859
Aberdulais Mill, Glamorganshire
undated
9
James Ward, 1769–1859
Boy Carrying a Pail on His Head
undated
10
James Ward, 1769–1859
Sky Study
undated
11
James Ward, 1769–1859
Landscape with a Castle on a Hill
undated
12
James Ward, 1769–1859
Studies of Horses
undated
13
James Ward, 1769–1859
A Thatched Cottage and Trees at the Turn of a Country Road
undated
14
James Ward, 1769–1859
Study of a Hill Top and Sky
undated
15
James Ward, 1769–1859
Waterfall, North Wales
undated
16
James Ward, 1769–1859
A Brown long-eared bat (Plecotus auritus)
undated
17
James Ward, 1769–1859
Studies of Geese
undated
18
James Ward, 1769–1859
Study of a Tree
undated
19
James Ward, 1769–1859
A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)
undated
20
James Ward, 1769–1859
Dolbadarn Castle
undated
21
James Ward, 1769–1859
Sea Breaking on Stony Cliffs at Left
undated
22
James Ward, 1769–1859
Studies of Figures
undated
23
James Ward, 1769–1859
Scottish Peasant Women
undated
24
James Ward, 1769–1859
Cottage and Farm Buildings
undated
25
James Ward, 1769–1859
An Oat Cake
undated
26
James Ward, 1769–1859
The Artist's Son, Henry, Asleep
undated
27
James Ward, 1769–1859
A Rocky Hillside with Trees and Figures
undated
28
James Ward, 1769–1859
A Foliated Branch
undated
29
James Ward, 1769–1859
Study of a Coat and Breeches
undated
30
James Ward, 1769–1859
Henry James William Ward, Son of the Artist
undated