Headfort House, Ireland: Elevation of One End of the Parlor
between 1771 and 1775
11
Sir Robert Taylor, 1714–1788
Thames Ditton, Surrey: Design for Gothic Church
ca. 1776
12
Robert Adam, 1728–1792
Headfort House, Ireland: Ceiling of the Eating Parlor
between 1771 and 1775
13
James Sowerby, 1756–1822
A Vole
undated
14
James Sowerby, 1756–1822
Kinkajou
undated
15
James Sowerby, 1756–1822
Bird of Paradise and Verso: Sketch of a Flower
undated
16
James Sowerby, 1756–1822
A European Goldfinch
undated
17
James Sowerby, 1756–1822
A Bird
undated
18
James Sowerby, 1756–1822
A Three-fingered Sloth
undated
19
James Sowerby, 1756–1822
A mandrill
undated
20
James Sowerby, 1756–1822
A Bear
undated
21
James Sowerby, 1756–1822
A Dog
undated
22
James Sowerby, 1756–1822
A Bird's Egg
undated
23
James Sowerby, 1756–1822
A Bird's Egg
undated
24
James Sowerby, 1756–1822
A Bird's Egg
undated
25
James Sowerby, 1756–1822
Eurasian treecreeper
undated
26
James Sowerby, 1756–1822
European Green Woodpecker
undated
27
Thomas Rowlandson, 1756–1827
The Guards on the March for the Duke of York's Campaign in France
undated
28
John Roe of Warwick, active 1771–1812
Conway Castle, a View of the Interior
undated
29
James Sowerby, 1756–1822
Great Blue Turaco
undated
30
James Sowerby, 1756–1822
A Crane
undated
31
James Sowerby, 1756–1822
A House Sparrow
undated
32
James Sowerby, 1756–1822
A Finch (Siskin?)
undated
33
James Sowerby, 1756–1822
A Goose
undated
34
James Sowerby, 1756–1822
Elephant with Rider
undated
35
John Roe of Warwick, active 1771–1812
Church, Churchyard and Figures (The Graveyard)
undated
36
Samuel Howitt, 1756–1822
Horses and Wagon Outside a Cottage
undated
37
Samuel Howitt, 1756–1822
The Stone Gatherers
undated
38
Samuel Howitt, 1756–1822
Study of a Vampire Bat
undated
39
Samuel Howitt, 1756–1822
Valley Landscape with Sheep
undated
40
Samuel Howitt, 1756–1822
Lion Attacking a Stag
undated
41
Samuel Howitt, 1756–1822
A Lion Standing over a Wounded Leapard
undated
42
Samuel Howitt, 1756–1822
A Tiger Pierced with an Arrow
undated
43
Samuel Howitt, 1756–1822
A Boar and a Ram
undated
44
Samuel Howitt, 1756–1822
The Mischievous Dog
undated
45
Samuel Howitt, 1756–1822
The Dog and the Wolf
undated
46
Samuel Howitt, 1756–1822
A Monkey and a Fox
undated
47
Samuel Howitt, 1756–1822
A Bull Attacking a Dog
undated
48
Samuel Howitt, 1756–1822
Landscape with Hay Cart before a Cottage
undated
49
Samuel Howitt, 1756–1822
The Dog and The Shadow
undated
50
Samuel Howitt, 1756–1822
The Toll-house with a Coach Crossing the Bridge
undated
51
Samuel Howitt, 1756–1822
Scops Owl
undated
52
James Sowerby, 1756–1822
A Weasel
undated
53
James Sowerby, 1756–1822
A Coatimundi
undated
54
James Sowerby, 1756–1822
South American Porcupine
undated
55
James Sowerby, 1756–1822
Eurasian Sparrowhawk
undated
56
James Sowerby, 1756–1822
Golden-winged Cacique
undated
57
James Sowerby, 1756–1822
Meadow Pipit
undated
58
James Sowerby, 1756–1822
A European Goldfinch
undated
59
James Sowerby, 1756–1822
Bearded Titmouse
undated
60
James Sowerby, 1756–1822
Eurasian skylark
undated
61
James Sowerby, 1756–1822
Eurasian skylark
undated
62
James Sowerby, 1756–1822
A Kangaroo with three kangaroos in the background
undated
63
James Sowerby, 1756–1822
Two Kangaroos with Details
undated
64
James Sowerby, 1756–1822
A Shrew
undated
65
James Sowerby, 1756–1822
A Dove
undated
66
Thomas Jones, 1742–1803
The Garden of the Villa Borghese
ca. 1776
67
James Sowerby, 1756–1822
Coal Fish
undated
68
unknown artist
View From the Courtyard of Lambeth Palace Towards Westminster Bridge and the Abbey
undated
69
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
70
Samuel Howitt, 1756–1822
A Raven and Two Swans
undated
71
Samuel Howitt, 1756–1822
A Frog Confronting a Circle of Animals
undated
72
Samuel Howitt, 1756–1822
An Owl, an Eagle, Two Falcons, a Vulture and Other Birds Perched in Trees
undated
73
Samuel Howitt, 1756–1822
Two Hounds Attacking a Stag at Bay
undated
74
Samuel Howitt, 1756–1822
A Boar, a Leopard, a Lion, a Tiger, a Wolf, a Ram, and Two Eagles
undated
75
Samuel Howitt, 1756–1822
The Check
undated
76
Samuel Howitt, 1756–1822
Going to Cover
undated
77
Samuel Howitt, 1756–1822
Going out of Kennel
undated
78
Samuel Howitt, 1756–1822
The Death
undated
79
unknown artist
Tattersall's Training School
1771
80
Samuel Alken, 1756–1815
After the Race: Owner or Trainer Riding and Conversing with Jockey on Trainer's Hack; at Right, a Racehouse Being Watered and Rugged after Racing (one of pair)
undated
81
Samuel Alken, 1756–1815
Groom with a Rearing Horse
undated
82
Samuel Alken, 1756–1815
Ferreting
undated
83
Samuel Alken, 1756–1815
Foxhunting: The Meet, With Hounds Coming Out of Kennel
undated
84
Samuel Alken, 1756–1815
Foxhunting: Rider and a Couple of Hounds Entering a Covert
undated
85
Samuel Alken, 1756–1815
Before the Start: Jockey on Racehorse Receiving Triner's Instructions (one of a pair)
undated
86
Samuel Alken, 1756–1815
Stag Hunting - The Meet: a Hind Released From a Van.
undated
87
Samuel Alken, 1756–1815
Foxhunting: Going to Draw Cover..
undated
88
Samuel Howitt, 1756–1822
Animals of the Cat Family, with a Bear and Foxes
undated
89
Samuel Howitt, 1756–1822
Return From the Chase, After a Fall
undated
90
Samuel Howitt, 1756–1822
Rider Leading a Second Horse, Leaving the Grounds of a Country House
undated
91
Samuel Howitt, 1756–1822
The Kill
undated
92
Samuel Howitt, 1756–1822
Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"
undated
93
Samuel Howitt, 1756–1822
An Eagle Perched on a Rock; Lion, Fox, Two Hounds and a Rooster (possibly for "Aesop's Fables")
undated
94
Samuel Howitt, 1756–1822
Foxhunting: The Death
undated
95
Samuel Howitt, 1756–1822
Foxhunting: The Chase
undated
96
Samuel Alken, 1756–1815
Treeing a Fox
undated
97
Samuel Alken, 1756–1815
Whipper-in With a Hound, the Field Ahead at Left
undated
98
Samuel Alken, 1756–1815
Stag Hunting - Full Cry: the Stag Hounds Tear Down a Slop at Right..
undated
99
Samuel Alken, 1756–1815
Spaniel Chasing a Hare
undated
100
Samuel Alken, 1756–1815
Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right..