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Materials & Techniques watercolor

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Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Edward Lear Harb. Gozo
Edward Lear, 1812–1888
Harb. Gozo
1866
Edward Lear Mqabba, Qrendi
Edward Lear, 1812–1888
Mqabba, Qrendi
1866
Edward Lear Albenga
Edward Lear, 1812–1888
Albenga
1864
Edward Lear Corfu
Edward Lear, 1812–1888
Corfu
ca. 1856
Edward Lear Nice from the Genoa Road
Edward Lear, 1812–1888
Nice from the Genoa Road
1865
Edward Lear A Dry Halfeh Grass
Edward Lear, 1812–1888
A Dry Halfeh Grass
1867
Edward Lear Pettenasco, Lago d'Orta
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
Edward Lear Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
Edward Lear Kurayim
Edward Lear, 1812–1888
Kurayim
1867
Edward Lear Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
Edward Lear On the Road, Two Hours from Tepelene, 19 April 1857
Edward Lear, 1812–1888
On the Road, Two Hours from Tepelene, 19 April 1857
1857
Edward Lear A View of the Pine Woods Above Cannes
Edward Lear, 1812–1888
A View of the Pine Woods Above Cannes
1869
Edward Lear Albania
Edward Lear, 1812–1888
Albania
between 1848 and 1849
Edward Lear Gozo, near Malta
Edward Lear, 1812–1888
Gozo, near Malta
1866
Charles Davidson Hoar Frost, Misty Morning: Glen Lyon
Charles Davidson, 1824–1902
Hoar Frost, Misty Morning: Glen Lyon
undated
Thomas Girtin Chalfont Lodge, Buckinghamshire
Thomas Girtin, 1775–1802
Chalfont Lodge, Buckinghamshire
undated
Thomas Girtin The Village of Kirkstall, Yorkshire
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
Thomas Girtin A Border Tower
Thomas Girtin, 1775–1802
A Border Tower
undated
Thomas Hearne The Poor House, Hadley, Hertfordshire
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
Thomas Hearne The Trees and River in the Park at Coleorton Hall, Leicestershire
Thomas Hearne, 1744–1817
The Trees and River in the Park at Coleorton Hall, Leicestershire
undated
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
Francis Wheatley Donnybrook Fair, 1782
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
Edward W. Fitch Back Water of the Bratford
Edward W. Fitch, active 1839–1867
Back Water of the Bratford
1864
Cornelius Varley Remains of Purton Hall, Staffordshire
Cornelius Varley, 1781–1873
Remains of Purton Hall, Staffordshire
1820
Henry Moore Showery June, Picardy
Henry Moore, 1831–1895
Showery June, Picardy
between 1870 and 1880
John Henry Mole View from Craig-y-Barns, Dunkeld, Looking South
John Henry Mole, 1814–1886
View from Craig-y-Barns, Dunkeld, Looking South
1855
unknown artist Mountainous Landscape with Cows
unknown artist
Mountainous Landscape with Cows
undated
John Linnell Figures on a Bank, Kensington Gravel Pits
John Linnell, 1792–1882
Figures on a Bank, Kensington Gravel Pits
1812
William Henry Hunt Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817
John Linnell Llanberis, North Wales
John Linnell, 1792–1882
Llanberis, North Wales
1813
Patrick Nasmyth Part of Regent's Park
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
Alexander Monro Classical Landscape
Alexander Monro, 1802–1844
Classical Landscape
undated
Henry Moore High Tor, Matlock
Henry Moore, 1831–1895
High Tor, Matlock
undated
unknown artist Mountainous Landscape
unknown artist
Mountainous Landscape
undated
T. E. Jeffers Barnes Common, June 1836
T. E. Jeffers, active 1836
Barnes Common, June 1836
1836
unknown artist Carew Castle South Wales
unknown artist
Carew Castle South Wales
undated
Peter Tillemans From Hampstead
Peter Tillemans, 1684–1734
From Hampstead
1730
Richard Westall Wanstead House
Richard Westall, 1765–1836
Wanstead House
undated
Charles Tomkins Swakeley House, Middlesex
Charles Tomkins, 1757–1823
Swakeley House, Middlesex
undated
Charles Tomkins Hanworth Park, Middlesex
Charles Tomkins, 1757–1823
Hanworth Park, Middlesex
undated
Charles Tomkins Reading Gate-Way
Charles Tomkins, 1757–1823
Reading Gate-Way
undated
unknown artist Roundway Park, Wiltshire: Exterior View
unknown artist
Roundway Park, Wiltshire: Exterior View
ca. 1840
Sir Robert Smirke the younger Windsor Castle, Berkshire
Sir Robert Smirke the younger, 1781–1867
Windsor Castle, Berkshire
ca. 1823
John Varley River Landscape
imitator of John Varley, 1778–1842
River Landscape
undated
John Linnell Horses in a Paddock
John Linnell, 1792–1882
Horses in a Paddock
1811
James Sowerby Meadow Pipit
James Sowerby, 1756–1822
Meadow Pipit
undated
James Sillett The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples
James Sillett, 1764–1840
The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples
1832
John Linnell Terraced Cottages with Fallen Trees
imitator of John Linnell, 1792–1882
Terraced Cottages with Fallen Trees
undated
Alexander Monro Boxhill from West Humble Lane
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
James Sowerby A House Sparrow
James Sowerby, 1756–1822
A House Sparrow
undated
James Sowerby Elephant with Rider
James Sowerby, 1756–1822
Elephant with Rider
undated
James Sowerby Quagga Zebra
James Sowerby, 1756–1822
Quagga Zebra
ca. 1824
George Denholm Armour Some Have Greatness Thrust Upon Them
George Denholm Armour, 1864–1949
Some Have Greatness Thrust Upon Them
undated
Robert Barnes Two Girls Under an Umbrella
Print made by Robert Barnes, 1840–1895
Two Girls Under an Umbrella
undated
Robert Barnes Boy Tying a Girl's Shoe
Print made by Robert Barnes, 1840–1895
Boy Tying a Girl's Shoe
undated
Henry Thomas Alken Grouse Shooting: The Wrong Sort
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
George Denholm Armour Insult to Injury
George Denholm Armour, 1864–1949
Insult to Injury
undated
Henry Thomas Alken Grouse Shooting: The Right Sort
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Right Sort
undated
Clarkson Stanfield Isle of Wight and Kent Sketchbook
Clarkson Stanfield, 1793–1867
Isle of Wight and Kent Sketchbook
1863
Anthony Cardon Credulity
Print made by Anthony Cardon, 1772–1813
Credulity
1796
John Linnell The Messengers Tell Job of the Misfortunes that Have Befallen Him
circle of John Linnell, 1792–1882
The Messengers Tell Job of the Misfortunes that Have Befallen Him
undated
John Varley Two Donkeys in a Landscape
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
Andrew Fyfe Eragrostis Tef
Andrew Fyfe, 1752–1824
Eragrostis Tef
1775
William Pars Temple of Venus and Rome from the Colosseum
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
Charles Warren The Eel Catcher
Charles Warren, 1767–1823
The Eel Catcher
undated
Thomas Streatfield Wanstead House, Essex
Thomas Streatfield, 1777–1848
Wanstead House, Essex
1807
unknown artist Roundway Park, Wiltshire: Exterior View
unknown artist
Roundway Park, Wiltshire: Exterior View
ca. 1840
Thomas Hearne The Back of a Farm House
Thomas Hearne, 1744–1817
The Back of a Farm House
undated
Joshua Cristall Tarbert Castle
Joshua Cristall, 1768–1847
Tarbert Castle
undated
Sir Alfred J. Munnings Horse Fair in East Anglia
Sir Alfred J. Munnings, 1878–1959
Horse Fair in East Anglia
1899