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Materials & Techniques watercolor

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Samuel Palmer The Weald of Kent
Samuel Palmer, 1805–1881
The Weald of Kent
between 1833 and 1834
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Little Girl Found (Plate 22)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake Songs of Experience, Frontispiece (Plate 32)
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
William Blake A Little Girl Lost (Plate 44)
Print made by William Blake, 1757–1827
A Little Girl Lost (Plate 44)
1794
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake The Human Abstract (Plate 46)
Print made by William Blake, 1757–1827
The Human Abstract (Plate 46)
1794
William Blake My Pretty Rose Tree (Plate 47)
Print made by William Blake, 1757–1827
My Pretty Rose Tree (Plate 47)
1794
William Blake The Fly (Plate 48)
Print made by William Blake, 1757–1827
The Fly (Plate 48)
1794
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake The Clod & the Pebble (Plate 36)
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
William Blake Holy Thursday (Plate 38)
Print made by William Blake, 1757–1827
Holy Thursday (Plate 38)
1794
William Blake Earth's Answer (Plate 35)
Print made by William Blake, 1757–1827
Earth's Answer (Plate 35)
1794
William Blake A Poison Tree (Plate 41)
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake The Angel (Plate 40)
Print made by William Blake, 1757–1827
The Angel (Plate 40)
1794
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake Title Page, The First Book of Urizen (Plate 1)
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Laughing Song (Plate 28)
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake Title Page, The First Book of Urizen (Plate 1)
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake The Ecchoing Green (Plate 10)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake Night (Plate 16)
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake The Little Girl Found (Plate 6)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake A Cradle Song (Plate 18)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
Patrick Nasmyth Part of Regent's Park
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
George Morland Peasants Resting
George Morland, 1763–1804
Peasants Resting
1795
John Absolon Family Group
John Absolon, 1815–1895
Family Group
undated
William Henry Pyne Cottage and Foot Bridge
William Henry Pyne, 1769–1843
Cottage and Foot Bridge
1794
Thomas William Wood Birds of Paradise
Thomas William Wood, 1855–1872
Birds of Paradise
1862
William Henry Hunt A Fallen Oak
attributed to William Henry Hunt, 1790–1864
A Fallen Oak
ca. 1815
Joseph Barber Castle and Figures in a Landscape
Joseph Barber, 1757–1811
Castle and Figures in a Landscape
undated
Joseph Barber Autumn Trees by a Lake
Joseph Barber, 1757–1811
Autumn Trees by a Lake
undated
Joseph Powell In Borrowdale
Joseph Powell, 1780–1834
In Borrowdale
undated
Joseph Powell In Rydal Park
Joseph Powell, 1780–1834
In Rydal Park
undated
John Absolon Peasant Girls
attributed to John Absolon, 1815–1895
Peasant Girls
undated
Richard Dadd Still Life with Gooseberries, Raspberries, Red Currants, Spring Onions, a Gherkin and Foliage
Richard Dadd, 1817–1886
Still Life with Gooseberries, Raspberries, Red Currants, Spring Onions, a Gherkin and Foliage
1874
John Absolon Trees by a Pool
John Absolon, 1815–1895
Trees by a Pool
Undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
William Nelson Gardiner November
Print made by William Nelson Gardiner, 1766–1814
November
1788
John Linnell Old Olive Tree
John Linnell, 1792–1882
Old Olive Tree
undated
Samuel Davis River Scene and Bridge with Artist Sketching in Foreground
Samuel Davis, 1760–1819
River Scene and Bridge with Artist Sketching in Foreground
1777
Edwin Alexander Woody Nightshade
Edwin Alexander, 1870–1926
Woody Nightshade
1904
Rev. Charles Annesley The Devil's Bridge, Aberystwyth
Rev. Charles Annesley, 1787–1863
The Devil's Bridge, Aberystwyth
undated
John Absolon Group of Peasants with Musical Instruments
Attributed to John Absolon, 1815–1895
Group of Peasants with Musical Instruments
undated
unknown artist Ruins of a Monastery with Farmyard Animals
unknown artist
Ruins of a Monastery with Farmyard Animals
undated
Thomas Atwood Brambling
Thomas Atwood, active ca. 1761–1766
Brambling
undated
Thomas Atwood A Kingfisher
Thomas Atwood, active ca. 1761–1766
A Kingfisher
undated
Robert Hills Trees and Barns in Ashstead Park, Surrey
Robert Hills, 1769–1844
Trees and Barns in Ashstead Park, Surrey
undated
Robert Hills Beech Trees
Robert Hills, 1769–1844
Beech Trees
undated
Robert Hills A Gate Reflected in a Pool
Robert Hills, 1769–1844
A Gate Reflected in a Pool
1805
Robert Hills Woodland Shadow
Robert Hills, 1769–1844
Woodland Shadow
after 1801