Materials & Techniques: watercolor / Collection: Prints and Drawings / Height [cm]: 45

1. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'Death! great proprietor of all! 'tis thine' (Page 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'But for the blessing wrestle not with heaven' (Page 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Stained Glass Window of St. Catherine from Heston Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 × 10 3/4 inches (45.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Fish from the Red Sea

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 x 13 1/2 inches (45.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Loch Coruisk, Isle of Skye, Dawn

Creator:: George Fennell Robson, 1788–1833
Date:: between 1826 and 1832
Materials & Techniques:: Watercolor, gouache, scraping out and gum on thick, moderately textured, cream wove paper mounted on card
Dimensions:: Sheet: 17 3/4 x 25 3/4 inches (45.1 x 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Bothwell Castle, from the South

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1777
Materials & Techniques:: Watercolor, gouache, and graphite on thin, slightly textured, cream wove paper mounted on panel
Dimensions:: Sheet: 17 1/2 x 24 7/8 inches (44.5 x 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Design for a Church. Elevation of West Front

Creator:: attributed to Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, crean laid paper
Dimensions:: Sheet: 17 1/2 x 13 1/8 inches (44.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. St. Agnes (after Domenichino)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 × 12 1/8 inches (44.8 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Artist and his Family

Creator:: Adam Buck, 1759–1833
Date:: 1813
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite, with gum arabic and scraping on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 9/16 × 16 11/16 inches (44.6 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Study for the Proclamation of Don Carlos

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1834 and 1838
Materials & Techniques:: Watercolor, gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 10 3/8 inches (44.5 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Netley Abbey, the East Window

Creator:: John Samuel Hayward, 1778–1822
Date:: 1804
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 17 3/4 × 11 3/8 inches (45.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Walenstadt, from Weesen, Switzerland

Creator:: William Callow, 1812–1908
Date:: 1842
Materials & Techniques:: Watercolor with pen in brown ink, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 9/16 x 25 7/16 inches (44.6 x 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Palace of the Deib Rajan at Tassisudon

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 20 1/8 × 30 1/4 inches (51.1 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Greenwich Hospital

Creator:: Richard Henry Nibbs, 1816–1893
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 24 7/8 inches (45.1 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Man of War Moored in Harbor, Mountains in the Background

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 21 × 27 1/16 inches (53.3 × 68.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

Creator:: William Alexander, 1767–1816
Date:: ca. 1799
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Red Parrot

Creator:: Sarah Stone, ca. 1760–1844
Date:: 1786
Materials & Techniques:: Watercolor and gouache on card on very thick, slightly textured, beige card
Dimensions:: Sheet: 17 7/8 x 13 7/8in. (45.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Pffeffen Bad/ Switzerland

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 7/8 × 12 3/16 inches (45.4 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Tomb of Dame Katherine Darcy from Isleworth Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 × 10 5/8 inches (45.4 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Children Dancing

Creator:: George Townly Stubbs, 1748–1815
Date:: 1798
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 14 7/8 inches (44.5 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Rocky River Scene with Sepoys

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 21 1/4 × 29 3/8 inches (54 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. View in St. Helena

Creator:: Samuel Davis, 1760–1819
Date:: 1806
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 21 1/16 × 29 3/8 inches (53.5 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Dutch Fishing Vessels by a Quay

Creator:: Clarkson Stanfield, 1793–1867
Date:: undated
Materials & Techniques:: Watercolor over graphite with scrapping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 3/4 inches (44.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Former Winter Capital of Bhutan at Punakha Dzong

Creator:: Samuel Davis, 1760–1819
Date:: 1783
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, graphite, with scratching out and sponging on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 20 1/8 × 29 3/4 inches (51.1 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A View of Rouen from the River

Creator:: Thomas Leeson Rowbotham, 1783–1853
Date:: undated
Materials & Techniques:: Watercolor, graphite and white gouache on thick, slightly textured cream wove paper
Dimensions:: Sheet: 17 1/2 × 19 1/4 inches (44.5 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: 1850
Materials & Techniques:: Black ink, graphite and watercolor on thin, smooth, beige wove paper
Dimensions:: Sheet: 17 5/8 × 25 3/4 inches (44.8 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

Creator:: Henry Holland, 1745–1806
Date:: between 1783 and 1796
Materials & Techniques:: Pen and black ink, pen and brown ink, watercolor, and graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 17 7/8 × 36 11/16 inches (45.4 × 93.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Machinery for the Manufacture of Paper

Creator:: John Farey Jr., 1791–1851
Date:: ca. 1810
Materials & Techniques:: Watercolor, pen and black ink, graphite, and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 13/16 × 39 3/4 inches (45.2 × 101 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. St. Donat's Castle, Glamorganshire

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper pasted on thick, slightly textured, beige card
Dimensions:: Mount: 19 x 25 1/4 inches (48.3 x 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Headfort House, Ireland: Elevation of the Eating Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1775
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 x 24 1/2 inches (45.4 x 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Design for a Country House

Creator:: John Bounarotti Papworth, 1775–1847
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 23 3/4 inches (45.1 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. An Unidentified Country House: Elevation of the Garden Front

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 5/8 × 23 3/8 inches (44.8 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. An Unidentified Country House: Back Elevation

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 5/8 × 23 1/2 inches (44.8 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. An Unidentified Country House: Ground Floor Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 17 5/8 × 23 inches (44.8 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. An Unidentified Country House: Cellar Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 23 3/8 inches (44.8 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Hur Rangers Encamped at Colgong

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 26 9/16 inches (45.1 × 67.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Shipping Scene in the Harbor of Dunkerque

Creator:: Alfred Gomersal Vickers, 1810–1837
Date:: undated
Materials & Techniques:: Watercolor, graphite and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 23 1/2 inches (45.1 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. One of Eleven Designs for Houses and Shops

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/16 x 16 1/4 inches (53.8 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. One of Eleven Designs for Houses and Shops

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and black ink, gouache and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/16 x 14 15/16 inches (50.9 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Kill

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 26 inches (44.5 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Dragoman of Mr. Moore, English Consul at Beyrout

Creator:: Sir David Wilkie, 1785–1841
Date:: 1841
Materials & Techniques:: Graphite, black chalk and watercolor with gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 17 3/4 x 11 3/4 inches (45.1 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Spangled Cock

Creator:: Joseph Crawhall, 1861–1913
Date:: 1903
Materials & Techniques:: Watercolor heightened with gouache on linen mounted on panel
Dimensions:: Sheet: 17 11/16 x 23in. (44.9 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. An Unidentified Country House: Perspective

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 17 3/4 × 23 3/16 inches (45.1 × 58.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Summit of Cader Idris Mountain

Creator:: Edward Rooker, 1724–1774
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 24 inches (44.8 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Carnarvon Castle

Creator:: William Byrne, 1743–1805
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 24 1/4 inches (44.5 x 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Pembroke Town and Castle

Creator:: James Mason, 1710–1783
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 23 3/4 inches (44.8 x 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Great Bridge over the Taafe

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 24 5/8 inches (44.8 x 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Near Hackney

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 7/8 x 14 1/8 inches (45.4 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Cape of Good Hope

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 × 26 inches (49 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Landscape with Two Men and a Boat

Creator:: Charles Reginald Aston, 1832–1908
Date:: undated
Materials & Techniques:: Watercolor and white gouache with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Frame: 17 1/2 × 21 1/2 × 3/4 inches (44.5 × 54.6 × 1.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

90. Turnips & Carrots ho

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 13 3/4 inches (44.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Watching the Lava, Bali

Creator:: Hilda May Gordon, 1874–1972
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper
Dimensions:: Overall: 17 × 31 × 1 inches (43.2 × 78.7 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, John F. O'Brien Fund

92. The Exhibition Stare-Case, Somerset House

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1800
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Ascent of Vesuvius

Creator:: Henry Tresham, 1751–1814
Date:: 1785 to 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Design for a Gothic Church with Tower

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 7/8 × 12 3/4 inches (45.4 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Boats near a Dutch Folly Fort, Canton

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1785
Materials & Techniques:: Watercolor, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 9/16 × 25 1/8 inches (44.6 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Windermere During the Regatta

Creator:: David Cox, 1783–1859
Date:: 1832
Materials & Techniques:: Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Sankrydroog, Madras

Creator:: William Daniell, 1769–1837
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 17 5/8 x 21 1/8 inches (44.8 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Two Men with Telescope Looking Across A River

Creator:: Samuel Davis, 1760–1819
Date:: 1777
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 17 5/8 × 23 1/16 inches (44.8 × 58.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Mountainous Scene with Buildings and River

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 17 11/16 × 23 1/8 inches (44.9 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Coastal English Settlement Surrounded by Mountains

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques watercolor

Collection Prints and Drawings

Height [cm] 45

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1. 'Emblem of that which shall awake the dead' (Page 19)

2. 'Measuring his motions by revolving spheres' (Page 26)

3. 'Teaching, we learn; and giving, we retain' (Page 35)

4. 'One radiant mark, – the death-bed of the just' (Page 41)

5. 'As if the sun could envy, check'd his beam' (Page 49)

6. 'This King of Terrors is the Prince of Peace' (Page 63)

7. 'What, though my soul fantastick measures trod' (Page 4)

8. 'Till death, that mighty hunter, earths them all' (Page 70)

9. 'Death! great proprietor of all! 'tis thine' (Page 8)

10. Night the First. On Life, Death and Immortality; Title Page

11. 'Oft bursts my song beyond the bounds of life' (Page 16)

12. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

13. 'We censure nature for a span too short' (Page 23)

14. 'Time, in advance, behind him hides his wings' (Page 24)

15. 'Behold him, when past by; what then is seen' (Page 25)

16. 'O treacherous conscience! while she seems to sleep" (Page 27)

17. 'Tis greatly wise to talk with our past hours' (Page 31)

18. 'Like that, the dial speaks; and points to thee' (Page 33)

19. 'Swift on his downy pinion flies from woe' (Page 1)

20. 'Love, and love only, is the loan for love' (Page 37)

21. 'Angels should paint it, angels ever there' (Page 40)

22. Night the Third. Narcissa; Title Page

23. 'The vale of death! that hush'd cimmerian vale' (Page 54)

24. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

25. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

26. The Christian Triumph; Title Page

27. 'His hand the good man fastens on the skies' (Page 86)

28. 'But for the blessing wrestle not with heaven' (Page 88)

29. 'Is lost in love! thou great Philanthropist' (Page 87)

30. 'That touch, with charm celestial heals the soul' (Page 90)

31. 'If angels tremble, 'tis at such a sight' (Page 93)

32. 'Till at Death's toll, whose restless iron tongue' (Page 7)

33. 'The present moment terminates our sight' (Page 13)

34. 'Its favours here are trials, not rewards' (Page 12)

35. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

36. 'The Sun beheld it – No, the shocking scene' (Page 75)

37. 'The thunder, if in that the Almighty dwells' (Page 80)

38. 'When faith is virtue, reason makes it so' (Page 92)

39. 'The goddess bursts in thunder and in flame' (Page 95)

40. 'Disease invades the chastest temperence' (Page 10)

41. 'The longest night though longer far, would fail' (Page 15)

42. Stained Glass Window of St. Catherine from Heston Church

43. A Fish from the Red Sea

44. Loch Coruisk, Isle of Skye, Dawn

45. Bothwell Castle, from the South

46. Design for a Church. Elevation of West Front

47. St. Agnes (after Domenichino)

48. The Artist and his Family

49. Study for the Proclamation of Don Carlos

50. Netley Abbey, the East Window

51. Walenstadt, from Weesen, Switzerland

52. The Palace of the Deib Rajan at Tassisudon

53. Greenwich Hospital

54. Man of War Moored in Harbor, Mountains in the Background

55. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

56. A Red Parrot

57. Pffeffen Bad/ Switzerland

58. Tomb of Dame Katherine Darcy from Isleworth Church

59. Children Dancing

60. Rocky River Scene with Sepoys

61. View in St. Helena

62. Dutch Fishing Vessels by a Quay

63. The Former Winter Capital of Bhutan at Punakha Dzong

64. A View of Rouen from the River

65. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

66. Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

67. Machinery for the Manufacture of Paper

68. St. Donat's Castle, Glamorganshire

69. Headfort House, Ireland: Elevation of the Eating Parlor

70. Design for a Country House

71. An Unidentified Country House: Elevation of the Garden Front

72. An Unidentified Country House: Back Elevation

73. An Unidentified Country House: Ground Floor Plan