<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques watercolor

Remove constraint Materials & Techniques: watercolor

Creator Gender male

Remove constraint Creator Gender: male

Height [cm] 41

Remove constraint Height [cm]: 41

Search Results

1. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. 'One radiant mark, – the death-bed of the just' (Page 41)

'One radiant mark, – the death-bed of the just' (Page 41)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Night the Third. Narcissa; Title Page

Night the Third. Narcissa; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. 'Where sense runs savage broke from reason's chain' (Page 46)

'Where sense runs savage broke from reason's chain' (Page 46)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. 'As if the sun could envy, check'd his beam' (Page 49)

'As if the sun could envy, check'd his beam' (Page 49)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. 'Till death, that mighty hunter, earths them all' (Page 70)

'Till death, that mighty hunter, earths them all' (Page 70)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. 'O treacherous conscience!' (Page 27)

'O treacherous conscience!' (Page 27)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. 'The present moment terminates our sight' (Page 13)

'The present moment terminates our sight' (Page 13)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. 'Emblem of that which shall awake the dead' (Page 19)

'Emblem of that which shall awake the dead' (Page 19)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. 'Tis greatly wise to talk with our past hours' (Page 31)

'Tis greatly wise to talk with our past hours' (Page 31)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. 'Teaching, we learn; and giving, we retain' (Page 35)

'Teaching, we learn; and giving, we retain' (Page 35)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. 'Love, and love only, is the loan for love' (Page 37)

'Love, and love only, is the loan for love' (Page 37)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. 'Angels should paint it, angels ever there' (Page 40)

'Angels should paint it, angels ever there' (Page 40)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. 'Disease invades the chastest temperence' (Page 10)

'Disease invades the chastest temperence' (Page 10)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. 'This King of Terrors is the Prince of Peace' (Page 63)

'This King of Terrors is the Prince of Peace' (Page 63)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. 'Oft bursts my song beyond the bounds of life' (Page 16)

'Oft bursts my song beyond the bounds of life' (Page 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. 'Love, and love only, is the loan for love' (Page 37)

'Love, and love only, is the loan for love' (Page 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. 'Emblem of that which shall awake the dead' (Page 19)

'Emblem of that which shall awake the dead' (Page 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. 'Behold him, when past by; what then is seen' (Page 25)

'Behold him, when past by; what then is seen' (Page 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. 'O treacherous conscience! while she seems to sleep" (Page 27)

'O treacherous conscience! while she seems to sleep" (Page 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. 'Tis greatly wise to talk with our past hours' (Page 31)

'Tis greatly wise to talk with our past hours' (Page 31)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. 'Like that, the dial speaks; and points to thee' (Page 33)

'Like that, the dial speaks; and points to thee' (Page 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. 'Teaching, we learn; and giving, we retain' (Page 35)

'Teaching, we learn; and giving, we retain' (Page 35)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. 'Angels should paint it, angels ever there' (Page 40)

'Angels should paint it, angels ever there' (Page 40)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. 'One radiant mark, – the death-bed of the just' (Page 41)

'One radiant mark, – the death-bed of the just' (Page 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Night the Third. Narcissa; Title Page

Night the Third. Narcissa; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. 'As if the sun could envy, check'd his beam' (Page 49)

'As if the sun could envy, check'd his beam' (Page 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. 'This King of Terrors is the Prince of Peace' (Page 63)

'This King of Terrors is the Prince of Peace' (Page 63)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. 'Death! great proprietor of all! 'tis thine' (Page 8)

'Death! great proprietor of all! 'tis thine' (Page 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. 'Disease invades the chastest temperence' (Page 10)

'Disease invades the chastest temperence' (Page 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. 'The present moment terminates our sight' (Page 13)

'The present moment terminates our sight' (Page 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Sealing the Stone and Setting a Watch

Sealing the Stone and Setting a Watch
Creator:
William Blake, 1757–1827
Date:
1800 to 1803
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:
Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

36. Pity

Pity
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color printed monotype, with watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:
Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Men of War Lying off Sheerness

Men of War Lying off Sheerness
Creator:
John Harris, 1770–1834
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 16 1/4 × 21 1/4 inches (41.3 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Battleship

Battleship
Creator:
Peter Lanyon, 1918–1964
Date:
ca. 1944
Materials & Techniques:
Watercolor and gouache on medium, moderately textured, white wove paper and medium, smooth, brown wove paper
Dimensions:
Sheet: 16 1/8 x 13 inches (41 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

41. St. Michael's Mount, Ultrecht

St. Michael's Mount, Ultrecht
Creator:
Louis Haghe, 1806–1885
Date:
1849
Materials & Techniques:
Watercolor, white gouache, graphite and gum arabic on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/8 × 12 3/8 inches (41 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Waterfall near Lynton

Waterfall near Lynton
Creator:
Robert Marris, 1750–1827
Date:
1780
Materials & Techniques:
Watercolor gouache, pen and black ink, black crayon, graphite, and scraping out on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 5/16 × 21 1/2 inches (41.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. A View at Terracina

A View at Terracina
Creator:
Jacob More, 1740–1793
Date:
1778
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper in contemporary laid paper insert with pen and black ink, and gray wash boader
Dimensions:
Mount: 16 x 21 1/2 inches (40.6 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Design for a National Savings Birthday Card

Design for a National Savings Birthday Card
Creator:
Sir William Russell Flint, 1880–1969
Date:
between 1938 and 1945
Materials & Techniques:
Watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 × 14 1/2 inches (40.6 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

45. Do You Want Any Matches?

Do You Want Any Matches?
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1794
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Knives, Scissars, and Razors to Grind

Knives, Scissars, and Razors to Grind
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Landscape, With view of coast and Palm trees in the Distance

Landscape, With view of coast and Palm trees in the Distance
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, black ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:
Mount: 16 5/16 × 9 5/16 inches (41.4 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Blue and White (Portrait of a Lady)

Blue and White (Portrait of a Lady)
Creator:
Ambrose McEvoy, 1878–1927
Date:
undated
Materials & Techniques:
Graphite and watercolor on Thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Elizabeth S. Tower

49. Turnips & Carrots ho

Turnips & Carrots ho
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 12 7/8 inches (41.3 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

50. The Great Bridge over the Taafe

The Great Bridge over the Taafe
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 24 5/8 inches (44.8 x 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Kilgarren Castle, South Wales

Kilgarren Castle, South Wales
Creator:
William Elliot, active 1774, died 1792
Date:
1765
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 x 24 3/4 inches (45.7 x 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Round & Sound, Five Pence a Pound, Duke Cherries

Round & Sound, Five Pence a Pound, Duke Cherries
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 13 3/8 inches (43.5 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Milk below Maids

Milk below Maids
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1793
Materials & Techniques:
Color printed etching, aquatint and stipple engraving with hand coloring in watercolor on medium, slightly textured cream wove paper
Dimensions:
Sheet: 16 1/4 × 12 1/2 inches (41.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Views of Polar Regions

Views of Polar Regions
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Elevation of a Proposed Design for King's College, Cambridge

Elevation of a Proposed Design for King's College, Cambridge
Creator:
William Wilkins, 1778–1839
Date:
ca. 1825
Materials & Techniques:
Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 16 × 39 inches (40.6 × 99.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Creator:
Christian von Mechel, 1737–1817
Date:
1792
Materials & Techniques:
Colored engraving on textured, moderately thick, cream laid paper
Dimensions:
Sheet: 19 3/8 × 25 3/4 inches (49.2 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. January

January
Creator:
Print made by William Nelson Gardiner, 1766–1814
Date:
1788
Materials & Techniques:
Stipple engraving and etching, with watercolor and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 13 1/4 inches (41.4 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Penmanmawr

Penmanmawr
Creator:
David Cox, 1783–1859
Date:
1855
Materials & Techniques:
Watercolor, gouache, with traces of graphite and black chalk on moderately thick, rough, cream wove paper
Dimensions:
Mount: 20 × 27 1/2 inches (50.8 × 69.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

59. Views in the Levant: The Columns of Augustus at Brundisium

Views in the Levant: The Columns of Augustus at Brundisium
Creator:
Willey Reveley, 1760–1799
Date:
1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/16 × 10 3/8 inches (41.4 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. View of Old Somerset House from the Thames

View of Old Somerset House from the Thames
Creator:
Canaletto, 1697–1768
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/4 x 28 7/8 inches (41.3 x 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. African Wildcat or Serval

African Wildcat or Serval
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Unidentified Fish

Unidentified Fish
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream laid paper
Dimensions:
Binding: 16 1/4 inches (41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Sterculia africana (Lour.) Fiori: finished drawing of stem with seed pods, some open showing seeds

Sterculia africana (Lour.) Fiori: finished drawing of stem with seed pods, some open showing seeds
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Jasminum dichotomun Vahl (African jasmine): finished drawing

Jasminum dichotomun Vahl (African jasmine): finished drawing
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 1/16 inches (40.5 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit

Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Woodfordia uniflora (A. Rich.) Koehne: finished drawing of flowering shoot

Woodfordia uniflora (A. Rich.) Koehne: finished drawing of flowering shoot
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Millettia ferruginea (Hochst.) Baker: finished drawing with a few details excluded

Millettia ferruginea (Hochst.) Baker: finished drawing with a few details excluded
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 1/8 inches (40.5 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Unidentified madogua (Dik-dik)

Unidentified madogua (Dik-dik)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Catha edulis Forssk. (Khath): finished drawing

Catha edulis Forssk. (Khath): finished drawing
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Rhus ? retinorrhoea Oliver: finished drawing

Rhus ? retinorrhoea Oliver: finished drawing
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Alge indeterminate species (Seaweed): finished drawing of habit of weed

Alge indeterminate species (Seaweed): finished drawing of habit of weed
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Hotel de Ville, Hague

Hotel de Ville, Hague
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1859
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/16 x 12 1/16 inches (40.8 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Launce Teaching His Dog Crab

Launce Teaching His Dog Crab
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, red chalk, black chalk, graphite, and gouache on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 5/16 x 20 3/8 inches (41.5 x 51.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

74. Falstaff Carrying Dead Hotspur

Falstaff Carrying Dead Hotspur
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gouache, and gum arabic on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 3/8 x 20 1/4 inches (41.6 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

75. Views of Spain, Volume I

Views of Spain, Volume I
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Rhamnus prinoides L'Herit. (African Buckthorn): finished drawing without details and with berries added

Rhamnus prinoides L'Herit. (African Buckthorn): finished drawing without details and with berries added
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Mimusops kummel A. DC. : finished drawing with some flowers

Mimusops kummel A. DC. : finished drawing with some flowers
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Mussaenda arcuata Lam. ex Poir. : finished drawing without details

Mussaenda arcuata Lam. ex Poir. : finished drawing without details
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Millettia ferruginea (Hochst) Baker: finished drawing

Millettia ferruginea (Hochst) Baker: finished drawing
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Acanthus Sennii Chiov. : finished drawing with added details

Acanthus Sennii Chiov. : finished drawing with added details
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Cucumis metuliferus Naud (Wild Cucumber): finished drawing

Cucumis metuliferus Naud (Wild Cucumber): finished drawing
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Gardenia ternifolia Schum.& Thonn. (Jovis-Tonantis): finished drawing with additional detail of fruit

Gardenia ternifolia Schum.& Thonn. (Jovis-Tonantis): finished drawing with additional detail of fruit
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Gardenia ternifolia Schum.& Thonn. (Wild Gardenia): finished drawing

Gardenia ternifolia Schum.& Thonn. (Wild Gardenia): finished drawing
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 3/8 inches (40.6 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Bostrychia carunculata (Wattled Ibis)

Bostrychia carunculata (Wattled Ibis)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Corvs crassirostris (Thick-Billed Raven)

Corvs crassirostris (Thick-Billed Raven)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Unidentified Madoqua (Dik-dik): study of head and skull

Unidentified Madoqua (Dik-dik): study of head and skull
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Unidentified Madoqua (Dik-dik): study of head and skull

Unidentified Madoqua (Dik-dik): study of head and skull
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Levens, Westmoreland, The Small Drawing Room

Levens, Westmoreland, The Small Drawing Room
Creator:
Joseph Nash, 1808–1878
Date:
1873
Materials & Techniques:
Watercolor, gouache, and pen, with black, ink, brown ink and red ink, with traces of graphite on thick, moderately textured, beige wove paper
Dimensions:
Mount: 16 × 22 inches (40.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Harlech Castle and Twgwyn Ferry

Harlech Castle and Twgwyn Ferry
Creator:
John Varley, 1778–1842
Date:
1804
Materials & Techniques:
Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/8 x 21 1/4 inches (41 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Pembroke Town and Castle

Pembroke Town and Castle
Creator:
James Mason, 1710–1783
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 23 3/4 inches (44.8 x 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Stag at Bay - Scene near Taplow, Berks.

Stag at Bay - Scene near Taplow, Berks.
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1801
Materials & Techniques:
Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. The Old Stables, Petworth

The Old Stables, Petworth
Creator:
John Melchior Barralet, active 1750–1787
Date:
1778
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 × 14 15/16 inches (28.4 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. "You're Not Going to Follow, Belle, Are You?"

"You're Not Going to Follow, Belle, Are You?"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. A Town House on the Thames

A Town House on the Thames
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige laid paper, with thin, slightly textured, blue laid paper border, mounted on linen backed with moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 x 40 1/8 inches (40.6 x 101.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

95. Highland Regiment in Camp

Highland Regiment in Camp
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/8 × 8 7/8 inches (41 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. The Road to the Lake

The Road to the Lake
Creator:
pupil of Francis Towne, 1740–1816
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 13 1/16 inches (40.5 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Sweet China Oranges, Sweet China

Sweet China Oranges, Sweet China
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1794
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Milk below Maids

Milk below Maids
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1793
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Strawberrys, Scarlet Strawberrys

Strawberrys, Scarlet Strawberrys
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 12 1/4 inches (41.3 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Turnips & Carrots ho

Turnips & Carrots ho
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 5/8 × 13 3/4 inches (44.8 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection