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Materials & Techniques tracing paper

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Work Type drawing

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Augustus Welby Northmore Pugin Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
Augustus Welby Northmore Pugin, 1812–1852
Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
undated
Augustus Welby Northmore Pugin Elevation of a Baptismal Font
Augustus Welby Northmore Pugin, 1812–1852
Elevation of a Baptismal Font
undated
Giles Hussey Study of classical sculpture of Faun with Pipes
Giles Hussey, 1710–1788
Study of classical sculpture of Faun with Pipes
between 1730 and 1768
Giles Hussey Study of classical sculpture or reclining figure
Giles Hussey, 1710–1788
Study of classical sculpture or reclining figure
between 1730 and 1768
Giles Hussey Study of classical scultpure of Laocoon
Giles Hussey, 1710–1788
Study of classical scultpure of Laocoon
between 1730 and 1768
Augustus Welby Northmore Pugin Design for a Gothic Staff
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Staff
undated
Augustus Welby Northmore Pugin Design for a Gothic Wall Lamp
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Wall Lamp
undated
Giles Hussey Study of Classical figure holding broken sword
Giles Hussey, 1710–1788
Study of Classical figure holding broken sword
between 1730 and 1768
David Cox Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours
David Cox, 1783–1859
Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours
ca. 1813
Robert Polhill Bevan Hay Carts, Cumberland Market (sketch)
Robert Polhill Bevan, 1865–1925
Hay Carts, Cumberland Market (sketch)
ca. 1915
Giles Hussey Two Studies of classical sculpture of Farnese Hercules
Giles Hussey, 1710–1788
Two Studies of classical sculpture of Farnese Hercules
between 1730 and 1768
Giles Hussey Study of classical scultpure of Castor and Pollux
Giles Hussey, 1710–1788
Study of classical scultpure of Castor and Pollux
between 1730 and 1768
Giles Hussey Study of classical sculpture of Apollo Sauroctonur and Nymph with a shell
Giles Hussey, 1710–1788
Study of classical sculpture of Apollo Sauroctonur and Nymph with a shell
between 1730 and 1768
Henry Phillip Hope Adrian Hope's House I: Dining Room - Plan and Wall Elevations
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
undated
Henry Phillip Hope Adrian Hope's House I: Elevation of Library Cabinet
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
undated
Henry Phillip Hope Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
Giles Hussey Study of classical figure of man
Giles Hussey, 1710–1788
Study of classical figure of man
between 1730 and 1768
unknown artist Tracing of Man Reading
unknown artist
Tracing of Man Reading
undated
Hugh Cairncross Designs for Ardgowan House, A Volume
Hugh Cairncross, died 1808
Designs for Ardgowan House, A Volume
1797
Henry Phillip Hope Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
Henry Phillip Hope Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
undated
Henry Phillip Hope Adrian Hope's House II: Drawing Room - Plan and Elevations
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
Henry Phillip Hope Adrian Hope's House II: Gallery - Plan and Elevations
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated