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Materials & Techniques sugar-lift
Remove constraint Materials & Techniques: sugar-liftCollection Prints and Drawings
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- Date:
- 1999
- Materials & Techniques:
- Sugarlift etching on 300gsm Velin Arches Blanc paper
- Dimensions:
- Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 1999
- Materials & Techniques:
- Color-printed sugarlift and open-bite etching, printed from four plates on 300gsm Velin Arches Blanc paper
- Dimensions:
- Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 1999
- Materials & Techniques:
- Color-printed sugarlift etching, printed from two plates on 300gsm Velin Arches Blanc paper
- Dimensions:
- Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 1999
- Materials & Techniques:
- Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
- Dimensions:
- Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 1999
- Materials & Techniques:
- Color-printed sugarlift etching, printed from two plates on 300gsm Velin Arches Blanc paper
- Dimensions:
- Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 1999
- Materials & Techniques:
- Color-printed sugarlift etching, printed from four plates on 300gsm Velin Arches Blanc paper
- Dimensions:
- Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 1999
- Materials & Techniques:
- Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
- Dimensions:
- Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 1999
- Materials & Techniques:
- Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
- Dimensions:
- Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 1999
- Materials & Techniques:
- Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
- Dimensions:
- Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
10. Brushworks No. 2
- Date:
- 1999
- Materials & Techniques:
- Color-printed sugarlift etching, printed à la poupée from one plate on 300gsm Velin Arches Blanc paper
- Dimensions:
- Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
11. Brushworks No. 5
- Date:
- 1999
- Materials & Techniques:
- Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
- Dimensions:
- Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
12. Plate 10
- Date:
- 1991
- Materials & Techniques:
- Etching, aquatint, sugar-lift, and spitbite on 350gsm Zerkall white wove paper
- Dimensions:
- Sheet: 22 1/2 x 21 1/4in. (57.2 x 54cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Charles Booth-Clibborn
13. XLIX
- Date:
- 1990
- Materials & Techniques:
- Initial faint hardground, aquatint to 7 states and creeping aquatint bite, openbite etching, burnishing, sugarlift, softground and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 2000
- Materials & Techniques:
- Etching with sugarlift, aquatint, drypoint, and engraving, with added watercolor on Stielers Hand-Atlas page mounted on Vélin d'Arches Blanc 280 gsm white wove paper
- Dimensions:
- Frame: 23 × 19 3/4 × 1 3/4 inches (58.4 × 50.2 × 4.4 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Arlene Warmbrunn Saxonhouse, Yale PhD, Political Science, 1972; and Gary Saxonhouse, Yale BA 1964, Yale PhD, Economics, 1971; and their family
15. IV
- Date:
- 1990
- Materials & Techniques:
- Aquatint, burnishing, sugarlift, openbite and softground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
16. VI
- Date:
- 1990
- Materials & Techniques:
- Softground etching with aquatint, hardground openbite, sugarlift, drypoint and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
17. XXIII
- Date:
- 1990
- Materials & Techniques:
- Aquatint, openbite etching and sugarlift on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
18. XXIX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, sugarlift, openbite and aquatint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
19. XXXVIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, sugarlift, spitbite, and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
20. XL
- Date:
- 1990
- Materials & Techniques:
- Sugarlift and softground etching, lavender oil on hardground, openbite, and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Plate: 7 1/8 × 5 1/8 inches (18.1 × 13 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
21. XLVIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, openbite, sugarlift, scraping and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
22. XIII
- Date:
- 1990
- Materials & Techniques:
- Sugarlift etching, openbite, scraping and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
23. XXXIII
- Date:
- 1990
- Materials & Techniques:
- Sugarlift etching in 3 stages, the first bitten in 2 stages on coarse grain aquatint, second bitten in 3 states on fine aquatint, third bitten once only, then two openbites through varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
24. L
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, burnishing, scraping, openbite over whole surface, openbite through litho crayon, drypoint, sugarlift, and deep, ten-hour hardground bite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund