Materials & Techniques: stipple engraving / Subject Terms: trees

Print made by George Stubbs, 1724–1806

Labourers

1789

Print made by Francesco Bartolozzi, 1728–1815

Hon. Mr. Leicester Stanhope

1789

Print made by Joseph Grozer, ca. 1755–1798

Age of Innocence

ca. 1794

Print made by Francesco Bartolozzi, 1728–1815

Girl with a Kitten

1787

Print made by Thomas Cheesman, 1760–1834/35

Lady Hamilton as The Sempstress

1787

Print made by George Cruikshank, 1792–1878

Traveling in France -or, -Le départ de la diligence

1818

Print made by John Browne, 1741–1801

The Sportsman

1775

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Print made by Francesco Bartolozzi, 1728–1815

Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope

1789

Print made by Francesco Bartolozzi, 1728–1815

Peniston, William, and Frederick James Lamb: The Affectionate Brothers

1791

Print made by Samuel Cousins, 1801–1887

Miss Croker

1828

Print made by Samuel Cousins, 1801–1887

Lady Acland and Children

1826

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Print made by Samuel Cousins, 1801–1887

Mary Elizabeth, Countess Grey, with Her Two Children

1831

Print made by Charles Wilkin, 1750–1814

Here Poor Boy

1796

Print made by Thomas Cheesman, 1760–1834/35

Marchioness of Townshend and Child

1792

Richard Earlom, 1743–1822

Tiger Hunting in the East Indies

1802

Print made by Richard Earlom, 1743–1822

Alope

1787

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by William Byrne, 1743–1805

View of Leiston Abbey

1781

Print made by Francesco Bartolozzi, 1728–1815

Lavinia, Countess Spencer, Viscountess Althorp

1787

Print made by Francesco Bartolozzi, 1728–1815

Miss Gwatkin as 'Simplicity'

1789

Print made by Thomas Burke, 1749–1815

Lady Rushout and Daughter

1784

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

John Hassell, 1767–1825

View of Sion House from the Banks of the Thames

1799

Stephen Frederick Gooden, 1892–1955

The Satyrs

1937

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Abington as Thalia

1783

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1773

James Fittler, 1758–1835

Mail Coach

ca. 1787

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Print made by Francesco Bartolozzi, 1728–1815

Noon

undated

Print made by Anthony Cardon, 1772–1813

Credulity

1796

Print made by Francesco Bartolozzi, 1728–1815

Atalanta and Hippomanes

1763

Print made by Francesco Bartolozzi, 1728–1815

Cupid Disarmed by Venus

1804

Print made by Thomas Burke, 1749–1815

Cephalus and Procris

1783

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by Thomas Burke, 1749–1815

Content and Innocence

1797

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1779

Print made by John Condé, 1765–1794

Mrs. Fitzherbert

1792

Print made by Francesco Bartolozzi, 1728–1815

Georgiana, Countess Spencer

1782

Print made by Francesco Bartolozzi, 1728–1815

Georgiana, Countess Spencer

1783

Print made by Francesco Bartolozzi, 1728–1815

Tancred and Clorinda

1785

Print made by Francesco Bartolozzi, 1728–1815

Celadon and Amelia

1782

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Frederick James Havell, 1801–1840

Lincoln from the Castle

ca. 1836

Print made by Agostino Brunias, 1728–1796

A Cudgelling Match between English and French Negroes in the Island of Dominica

1779

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Abington as Thalia

ca. 1783

Print made by Francesco Bartolozzi, 1728–1815

Maria Cosway

1785

Print made by Francesco Bartolozzi, 1728–1815

Cleone

1784

Print made by Francesco Bartolozzi, 1728–1815

Virtuous Love

1793

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Games at Vauxhall: Playing at Cricket

ca. 1743

Print made by Henry Bonnart, 1642–1711

Mater Purissima

undated

Print made by Francesco de Grado, active 1693

Antonio Vandyck

ca. 1693

Print made by John Corner, 1788–1825

Sir Anthony van Dyck

1825

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by imitator of George Baxter, 1804–1867

Little Red Riding Hood

after 1856

Print made by Bradshaw & Blacklock, active ca.1850

Ben Nevis

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

The Farmer's Boy & The Rustic Angler

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock, active ca.1850

Returning from the Spring. Virginia

after 1850

after George Baxter, 1804–1867

Prince Albert

after 1855

after George Baxter, 1804–1867

The Death of Ananias

after 1855

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

after George Baxter, 1804–1867

Queen Victoria

ca. 1860

Bradshaw & Blacklock, active ca.1850

Set of Needle-Box Prints

after 1850

William Birch, 1755–1834

A View in Kew Gardens

1789

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by George Baxter, 1804–1867

The Great Exhibition: Exterior View from the Southwest

1851

Print made by Bradshaw & Blacklock, active ca.1850

Castles in England

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Cathedrals in England

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Rural Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Balmoral Castle

after 1850

after George Baxter, 1804–1867

Prince Albert

after 1855

Print made by Bradshaw & Blacklock, active ca.1850

Osborne House

after 1850

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

after George Baxter, 1804–1867

The Death of Ananias

after 1855

after George Baxter, 1804–1867

The Miraculous Draught of Fishes

after 1855

after George Baxter, 1804–1867

The Miraculous Draught of Fishes

after 1855

Print made by William Dickinson, 1746–1823

Mary Robinson

1785

Print made by Bradshaw & Blacklock, active ca.1850

Ben Nevis

after 1850

Stephen Frederick Gooden, 1892–1955

Gargoyle

1933

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Stanford, the Seat of Sir Edward Winnington, Baronet

undated

Print made by Francesco Bartolozzi, 1728–1815

Sheep-Sheering

1798

Print made by Bradshaw & Blacklock, active ca.1850

Constantinople

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Country Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Turkish Scenes

after 1850

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Materials & Techniques stipple engraving

Subject Terms trees

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