Materials & Techniques: stipple engraving / Work Type: intaglio print / Height [cm]: 30

John Jones, ca. 1745–1797

Lord Henry and Lady Charlotte Spencer

1790

Pieter S. van der Gunst, 1659–c. 1724

Sir Francis Walsingham

undated

John Jones, ca. 1745–1797

Sylvia

1791

Giovanni Vendramini, 1769–1839

The Right Honourable George Rose

1811

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1818-1823

Print made by Lucas Vorsterman I, 1595–1675

Deodatus Del Mont

ca. 1635

Print made by Wenceslaus Hollar, 1607–1677

Lucas et Cornelius de Wael

1646

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by Samuel Cousins, 1801–1887

Master Henry Thomas Hope

1836

Print made by Samuel Cousins, 1801–1887

Sunshine of Love

1837

Print made by John Jones, ca. 1745–1797

Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'

1790

Print made by Francis Haward, 1759–1797

The Infant Academy

1783

Print made by John Jones, ca. 1745–1797

Lady Gertrude Fitzpatrick as Sylvia

1791

Print made by John Condé, 1765–1794

Mrs. Fitzherbert

1792

Print made by George Cruikshank, 1792–1878

Traveling in France -or, -Le départ de la diligence

1818

Peter Simon, 1750–1810

Frances Isabella Keir Gordon

1789

Print made by Richard Earlom, 1743–1822

Alope

1787

Print made by Peter Simon, 1750–1810

Miss Francis Isabella Gordon

1789

Print made by Thomas Burke, 1749–1815

Honorable Harriet Rushout

undated

John Hassell, 1767–1825

View of Sion House from the Banks of the Thames

1799

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

Print made by Thomas Chambars, ca. 1724–1789

Robert van Voerst

1771

Print made by Robert Wallis, 1794–1878

1826

unknown artist

Portrait of Peter Paul Rubens

Between 1778 and 1834

Print made by Francesco Bartolozzi, 1728–1815

Venus Chiding Cupid

1784

Print made by Francesco Bartolozzi, 1728–1815

The Fair Alsatian

undated

Print made by Francesco Bartolozzi, 1728–1815

Medallions of F. Hutcheson and L. Natter

1780

Peltro W. Tomkins, 1760–1840

Three Actors in a Play

1785

Print made by Thomas Chambars, ca. 1724–1789

Sir Balthazar Gerbier

undated

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Print made by Anthony Cardon, 1772–1813

E. Edwards, Associate and Teacher of Perspective in the Royal Academy

1808

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

1762

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Print made by Isaac Cruikshank, 1764–1811

Young Ladies

1795

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by John Condé, 1765–1794

Mrs. Fitzherbert

1792

Print made by Agostino Brunias, 1728–1796

A Cudgelling Match between English and French Negroes in the Island of Dominica

1779

Print made by Anthony Cardon, 1772–1813

Credulity

1796

James Hardy, active 1770s

Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy

undated

Print made by William Nelson Gardiner, 1766–1814

November

1788

Print made by Thomas Chambars, ca. 1724–1789

Sir Balthazar Gerbier

undated

Alexander Bannerman, ca. 1730–1780

Daniel Mytens

1762

Print made by Samuel Freeman, 1773–1857

Sir Robert Ker Porter

undated

James Heath, 1757–1834

Mrs. Selwyn

undated

Alexander Bannerman, ca. 1730–1780

Henry Steenwyck

undated

Print made by unknown artist

William Cavendish, first Duke of Newcastle-upon-Tyne

undated

William Dickinson, 1746–1823

Charlotte at the Tomb of Werther

1785

William Dickinson, 1746–1823

Rosamund and the Fair Annett

1784

Print made by Lucas Vorsterman I, 1595–1675

Petrus Stevens

ca. 1635

Print made by Henry Hoppner Meyer, ca. 1782–1847

Mrs. Jerningham

1809

John Jones, ca. 1745–1797

Collina (Lady Gertrude Fitzpatrick)

1792

John Jones, ca. 1745–1797

Lady Anne Fitzpatrick as Sylvia

1791

Pieter S. van der Gunst, 1659–c. 1724

Lesley, Eveque de Rosse

1707

William Sharp, 1749–1824

John Philip Kemble

undated

Print made by P. Crotchet, active 1768

Grown Ladies Taught to Dance

1768

Print made by Francesco Bartolozzi, 1728–1815

September

1793

Print made by Francesco Bartolozzi, 1728–1815

August

1793

Print made by William Dickinson, 1746–1823

Propagation of a Lie (Center)

1794

Print made by William Dickinson, 1746–1823

Propagation of a Lie (Left)

1794

Print made by William Dickinson, 1746–1823

Propagation of a Lie (Right)

1794

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Materials & Techniques stipple engraving

Work Type intaglio print

Height [cm] 30

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Materials & Techniques stipple engraving

Work Type intaglio print

Height [cm] 30

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