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Materials & Techniques stipple engraving
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101
- The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
- 1745
102
- Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
- 1745
103
- The Huguenot: Eve of St. Bartholomew's Day, 1572
- 1857
104
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
105
- Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
- 1797
106
- Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
- 1797
107
- Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
- 1797
108
- The Death of Arcite
- 1790
109
- Tom Jones Assisting Molly Seagrim
- 1782
110
- Sylvia
- 1786
111
- An Alcove
- 1834
112
- A Voyage of Discovery
- 1834
113
- An Arabesque
- 1834
114
- An Arabesque
- 1834
115
- Joseph Warton
- 1807
116
- Isaac Watts
- undated
117
- Thomas Percy, Bishop of Dromore
- undated
118
- Mrs. Robinson
- 1792
119
- Mrs Seaforth as, Tuccia - The Vestal Virgin
- 1798
120
- Edmund Spenser
- 1727
121
- Sir John Suckling
- 1744
122
- Dr. Joseph Warton
- undated
123
- Reflections on Clarissa Harlow
- 1785
124
- Shakespeare, Macbeth Act IV, Scene I
- 1802
125
- King Henry VI, Second Part, Act 3, Scene 3
- 1801
126
- The Fall of Agandecca
- 1783
127
- The Alto Relievo
- 1796
128
- John Hawkesworth
- 1806
129
- Prospero Disarming Ferdinand, Act I, Scene II
- 1793
130
- Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
- 1791
131
- King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
- 1789
132
- Shakespeare's Tempest Act IV Scene I. Prospero's Cell
- 1800
133
- Queen Katherine's Dream
- 1788
134
- John Henderson as Iago
- before 1786
135
- Miss Anna Brunton
- 1785
136
- Tancred and Clorinda
- 1785
137
- Griselda Returning to her Father
- after 1785
138
- Celadon and Amelia
- 1782
139
- The Death of Cora
- 1788
140
- Alcander and Nerina
- 1784
141
- Adelaide
- 1798
142
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
143
- Ticket: Anacreontic Society Meeting
- 1779
144
- Joseph Andrews
- 1781
145
- The Shepherdess of the Alps
- 1776
146
- The Hours
- 1788
147
- Lodona
- 1792
148
- The Freeing of Amoret
- 1792
149
- The Deserted Village
- 1795
150
- Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
- 1745
151
- Chryseis Restored To Her Father
- 1786
152
- Death of Dido
153
- Jupiter and Io
- 1784
154
- Tancred and Erminia
- 1784
155
- Vede di Mezzo il Fiume un Cavaliero..
- 1773
156
- Lo Corse ad Abbracciare, e a Sargli Sesta..
- 1773
157
- Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
- ca.1785
158
- King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
- 1779
159
- Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
- 1782
160
- Shakespeare's Tomb
- 1782
161
- The Birth of Shakespeare
- 1782
162
- King Lear, Act 4, Scene VII
- 1794
163
- Troilus and Cressida, Act 4, Scene II
- 1794
164
- Ophelia vide Hamlet, Act 4, Scene VII
- 1794
165
- As You Like It, Act IV, Orlando and Oliver
- 1788
166
- Coriolanus, Act 5, Scene III
- 1783
167
- Sappho Embracing Love
- 1783
168
- Cordelia
- 1784
169
- Angelica And Medora
- 1787
170
- King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
- 1801
171
- Twelfth Night, Act V, Scene I: The Street
- 1803
172
- Twelfth Night, Act III, Scene IV: Olivia's House
- 1803
173
- Jane Shore
- 1790
174
- Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
- 1793
175
- King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
- 1792
176
- Mrs. Abington as Thalia
- ca. 1783
177
- Jane Shore
- 1790
178
- Gualtherus and Griselda
- 1784
179
- Alphonso and Aciloe
- 1788
180
- Sophia and Olivia
- 1784
181
- Ticket: For The Benefit Of Mad' Banti
- 1795
182
- Concert Ticket: Benefit Night of Luigi Borghi
- 1780
183
- Concert Ticket For The Benefit of Madame Banti
- 1795
184
- Ticket: Anacreontic Society Meeting
- 1773
185
- Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
- 1745
186
- Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
- 1745
187
- "This is fairy gold, boy, and will prove so"
- 1804
188
- Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
- 1789
189
- William Cavendish, first Duke of Newcastle-upon-Tyne
- undated
190
- William Cavendish, Duke of Newcastle
- 1836
191
- Mrs. W. West as Cordelia
- 1820
192
- How a Great Daily Organ is Turned Out
- 1990
193
- William Cavendish of Newcastle
- 1739
194
- In Horne's House
- 1982
195
- William Cavendish, Duke of Newcastle
- 1739
196
- Sir Kenelm Digby
- 1748
197
- William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North
- 1713
198
- Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
- 1793
199
- Reverend William Mason
- undated
200
- Samuel Johnson
- 1791