"Mark your divorce young sir, whom son I dare not call"
1804
7
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
8
Print made by Thomas Macklin, active 1779–1793
Fallstaff Playing the Prince, The Prince Playing the King
1796
9
Peter Simon, 1750–1810
Taming Of The Shrew, Act III, Scene II
1795
10
Peltro W. Tomkins, 1760–1840
The Three Witches
1786
11
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
12
William Greatbach, Born 1802
Falstaff and his Friends
ca. 1868
13
Edward Scriven, 1775–1841
George Colman, The Elder
1813
14
Francesco Bartolozzi, 1728–1815
Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
1787
15
Samuel Freeman, 1773–1857
David Garrick Esq
1807
16
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
17
John Keyse Sherwin, c.1751–1790
Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
1791
18
Francesco Bartolozzi, 1728–1815
The Cottagers
1794
19
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
20
Francesco Bartolozzi, 1728–1815
Morte de Clorinda
1785
21
Francesco Bartolozzi, 1728–1815
Rinaldo et Armida
1785
22
Francesco Bartolozzi, 1728–1815
Alexander and Nerina
1784
23
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
24
Francesco Bartolozzi, 1728–1815
The Snuff Box, Calais
1799
25
Francesco Bartolozzi, 1728–1815
Hercules and Omphale
26
Francesco Bartolozzi, 1728–1815
Lauretta
1776
27
Francesco Bartolozzi, 1728–1815
The Dead Ass, Nampont
1799
28
Francesco Bartolozzi, 1728–1815
Selim of the Shepherd's Moral
1788
29
Francesco Bartolozzi, 1728–1815
My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
30
Francesco Bartolozzi, 1728–1815
Orlando Rescues Olympia From The Orca In The Island Ebuda
1768
31
Francesco Bartolozzi, 1728–1815
Vortigern And Rowena
1788
32
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
33
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
34
Francesco Bartolozzi, 1728–1815
Stava Ella Nel Sepolcro; e Quivi Attrita..
1773
35
Francesco Bartolozzi, 1728–1815
E d'Uccider se Stesso in Pensier Venne..
1773
36
Francesco Bartolozzi, 1728–1815
Angelica, e Medoro in Varj Modi..
1773
37
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
38
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
39
Francesco Bartolozzi, 1728–1815
Title page: L'Amico' de Fanciulli, Vol. III
1788
40
Francesco Bartolozzi, 1728–1815
Title page: Depicting Cupid, Venus, and Juno
1782
41
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
42
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
43
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
44
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
45
Francesco Bartolozzi, 1728–1815
Anthony and Cleopatra, Act 3, Scene II
1794
46
Francesco Bartolozzi, 1728–1815
Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
undated
47
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
48
Francesco Bartolozzi, 1728–1815
Macbeth, Act I, Scene II
1784
49
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
50
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
51
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
52
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
53
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
54
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
55
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
56
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
57
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
58
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
59
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
60
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
61
George Vertue, 1684–1756
Ralph Cudworth
undated
62
George Vertue, 1684–1756
Sir Philip Sidney
1741
63
Thomas Watson, 1743–1781
Elizabeth Ann Sheridan (née Linley) as St. Cecilia
1779
64
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
65
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
66
Print made by Caroline Watson, 1760–1814
Elizabeth Carter
1808
67
Print made by Francesco Bartolozzi, 1728–1815
The Cottagers
1794
68
Print made by Francis Haward, 1759–1797
Mrs. Siddons, in the Character of the Tragic Muse
1787
69
Print made by Francis Haward, 1759–1797
Cymon and Iphigenia
1797
70
Print made by John Ogborne the Elder, 1755–1795
Mrs. Jordan in the Character of the Romp
1788
71
Print made by Thomas Watson, 1743–1781
Miss Elizabeth Beauclerc as 'Una'
1782
72
James Hardy, active 1770s
Joseph Baretti
1794
73
Francesco Bartolozzi, 1728–1815
Reverend Hugh Blair, D.D
1801
74
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
75
Francesco Bartolozzi, 1728–1815
Cecilia
1783
76
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
77
Francesco Bartolozzi, 1728–1815
July
1789
78
Francesco Bartolozzi, 1728–1815
October
1793
79
Print made by Francesco Bartolozzi, 1728–1815
Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
1774
80
Francesco Bartolozzi, 1728–1815
February
1793
81
Francesco Bartolozzi, 1728–1815
April
1790
82
Francesco Bartolozzi, 1728–1815
May
1793
83
Francesco Bartolozzi, 1728–1815
September
1793
84
Francesco Bartolozzi, 1728–1815
June
1789
85
Francesco Bartolozzi, 1728–1815
August
1793
86
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
87
Francesco Bartolozzi, 1728–1815
Palamon and Arcite
1790
88
Print made by Caroline Watson, 1760–1814
The Tempest, Act V, Scene I
1795
89
Peter Simon, 1750–1810
Taming of the Shrew, Act II Scene II
1795
90
Francesco Bartolozzi, 1728–1815
Fonrose
1798
91
Francesco Bartolozzi, 1728–1815
Maria of Moulines
1784
92
Peter Simon, 1750–1810
The Interview of Tom Jones and Sophia, After the Reconciliation
1789
93
Francesco Bartolozzi, 1728–1815
The Death of Alcestis
1796
94
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
95
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
96
Francesco Bartolozzi, 1728–1815
Adelaide
1798
97
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
98
Francesco Bartolozzi, 1728–1815
Fonrose
1798
99
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
100
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..