Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
2
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
3
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
4
Francesco Bartolozzi, 1728–1815
Prospero Disarming Ferdinand, Act I, Scene II
1793
5
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
6
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
7
Benjamin Smith, 1775–1833
The Alto Relievo
1796
8
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
9
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
10
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
11
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
12
Peltro W. Tomkins, 1760–1840
Mrs Seaforth as, Tuccia - The Vestal Virgin
1798
13
Francesco Bartolozzi, 1728–1815
The Cottagers
1794
14
George Vertue, 1684–1756
Ralph Cudworth
undated
15
Francesco Bartolozzi, 1728–1815
Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
1787
16
Peter Simon, 1750–1810
Taming of the Shrew, Act II Scene II
1795
17
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
18
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
19
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
20
Francesco Bartolozzi, 1728–1815
Ticket: For The Benefit Of Mad' Banti
1795
21
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
22
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
23
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
24
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
25
Francesco Bartolozzi, 1728–1815
Fonrose
1798
26
Francesco Bartolozzi, 1728–1815
Adelaide
1798
27
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
28
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
29
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
30
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
31
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
32
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
33
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
34
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
35
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
36
Print made by Thomas Watson, 1743–1781
Miss Elizabeth Beauclerc as 'Una'
1782
37
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
38
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
39
Print made by Thomas Macklin, active 1779–1793
Fallstaff Playing the Prince, The Prince Playing the King
1796
40
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
41
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
42
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
43
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
44
Peter Simon, 1750–1810
Taming Of The Shrew, Act III, Scene II
1795
45
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
46
Peltro W. Tomkins, 1760–1840
The Three Witches
1786
47
Francesco Bartolozzi, 1728–1815
Joseph Andrews
1781
48
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
49
Francesco Bartolozzi, 1728–1815
Orlando Rescues Olympia From The Orca In The Island Ebuda
1768
50
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
51
Francesco Bartolozzi, 1728–1815
Lo Corse ad Abbracciare, e a Sargli Sesta..
1773
52
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
53
Francesco Bartolozzi, 1728–1815
Vede di Mezzo il Fiume un Cavaliero..
1773
54
Francesco Bartolozzi, 1728–1815
Angelica, e Medoro in Varj Modi..
1773
55
Francesco Bartolozzi, 1728–1815
Stava Ella Nel Sepolcro; e Quivi Attrita..
1773
56
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
57
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
58
Francesco Bartolozzi, 1728–1815
King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
1779
59
Francesco Bartolozzi, 1728–1815
Shakespeare's Tomb
1782
60
Francesco Bartolozzi, 1728–1815
The Birth of Shakespeare
1782
61
Francesco Bartolozzi, 1728–1815
Anthony and Cleopatra, Act 3, Scene II
1794
62
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
63
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
64
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
65
Francesco Bartolozzi, 1728–1815
Cecilia
1783
66
Francesco Bartolozzi, 1728–1815
June
1789
67
Francesco Bartolozzi, 1728–1815
July
1789
68
Francesco Bartolozzi, 1728–1815
August
1793
69
Francesco Bartolozzi, 1728–1815
April
1790
70
Francesco Bartolozzi, 1728–1815
September
1793
71
Francesco Bartolozzi, 1728–1815
October
1793
72
Francesco Bartolozzi, 1728–1815
Palamon and Arcite
1790
73
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
74
Print made by Francesco Bartolozzi, 1728–1815
Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
1774
75
Francesco Bartolozzi, 1728–1815
Cordelia
1784
76
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
77
Francesco Bartolozzi, 1728–1815
Angelica And Medora
1787
78
Francesco Bartolozzi, 1728–1815
Rinaldo et Armida
1785
79
Francesco Bartolozzi, 1728–1815
Morte de Clorinda
1785
80
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
81
Francesco Bartolozzi, 1728–1815
E d'Uccider se Stesso in Pensier Venne..
1773
82
Francesco Bartolozzi, 1728–1815
Title page: L'Amico' de Fanciulli, Vol. III
1788
83
Francesco Bartolozzi, 1728–1815
Title page: Depicting Cupid, Venus, and Juno
1782
84
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
85
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
86
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
87
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
88
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
89
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10