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Materials & Techniques stipple engraving

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Period 18th century

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Genre literary theme

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Hugh Downman Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
Peter Simon Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
Robert Thew King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
Francesco Bartolozzi Prospero Disarming Ferdinand, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Prospero Disarming Ferdinand, Act I, Scene II
1793
Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
James Parker The Fall of Agandecca
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
Benjamin Smith The Alto Relievo
Benjamin Smith, 1775–1833
The Alto Relievo
1796
Charles Gauthier Playter Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
Robert Thew King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
Thomas Gaugain Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
William Birch Mrs. Robinson
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
Peltro W. Tomkins Mrs Seaforth as, Tuccia - The Vestal Virgin
Peltro W. Tomkins, 1760–1840
Mrs Seaforth as, Tuccia - The Vestal Virgin
1798
Francesco Bartolozzi The Cottagers
Francesco Bartolozzi, 1728–1815
The Cottagers
1794
George Vertue Ralph Cudworth
George Vertue, 1684–1756
Ralph Cudworth
undated
Francesco Bartolozzi Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
Francesco Bartolozzi, 1728–1815
Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
1787
Peter Simon Taming of the Shrew, Act II Scene II
Peter Simon, 1750–1810
Taming of the Shrew, Act II Scene II
1795
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
Francesco Bartolozzi Tancred and Clorinda
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
Francesco Bartolozzi Gualtherus and Griselda
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
Francesco Bartolozzi Ticket: For The Benefit Of Mad' Banti
Francesco Bartolozzi, 1728–1815
Ticket: For The Benefit Of Mad' Banti
1795
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
Francesco Bartolozzi Jane Shore
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
Peter Simon Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
Francesco Bartolozzi Concert Ticket For The Benefit of Madame Banti
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
Francesco Bartolozzi Fonrose
Francesco Bartolozzi, 1728–1815
Fonrose
1798
Francesco Bartolozzi Adelaide
Francesco Bartolozzi, 1728–1815
Adelaide
1798
Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Francesco Bartolozzi Tom Jones Assisting Molly Seagrim
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
Thomas Watson Miss Elizabeth Beauclerc as 'Una'
Print made by Thomas Watson, 1743–1781
Miss Elizabeth Beauclerc as 'Una'
1782
Francesco Bartolozzi Ophelia: There Is Rue for You and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
Francesco Bartolozzi Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
Thomas Macklin Fallstaff Playing the Prince, The Prince Playing the King
Print made by Thomas Macklin, active 1779–1793
Fallstaff Playing the Prince, The Prince Playing the King
1796
Robert Dighton Hamlet in Scotland
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
William S. Leney Taming the Shrew, Act III, Scene II
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
Robert Mitchell Meadows Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
William Nutter Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
Peter Simon Taming Of The Shrew, Act III, Scene II
Peter Simon, 1750–1810
Taming Of The Shrew, Act III, Scene II
1795
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
Peltro W. Tomkins The Three Witches
Peltro W. Tomkins, 1760–1840
The Three Witches
1786
Francesco Bartolozzi Joseph Andrews
Francesco Bartolozzi, 1728–1815
Joseph Andrews
1781
Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
Francesco Bartolozzi Orlando Rescues Olympia From The Orca In The Island Ebuda
Francesco Bartolozzi, 1728–1815
Orlando Rescues Olympia From The Orca In The Island Ebuda
1768
Francesco Bartolozzi A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
Francesco Bartolozzi Lo Corse ad Abbracciare, e a Sargli Sesta...
Francesco Bartolozzi, 1728–1815
Lo Corse ad Abbracciare, e a Sargli Sesta..
1773
Francesco Bartolozzi ...Scuote, il Lembo Pieno; e Nella Torbida Onda...
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
Francesco Bartolozzi Vede di Mezzo il Fiume un Cavaliero...
Francesco Bartolozzi, 1728–1815
Vede di Mezzo il Fiume un Cavaliero..
1773
Francesco Bartolozzi Angelica, e Medoro in Varj Modi...
Francesco Bartolozzi, 1728–1815
Angelica, e Medoro in Varj Modi..
1773
Francesco Bartolozzi Stava Ella Nel Sepolcro; e Quivi Attrita...
Francesco Bartolozzi, 1728–1815
Stava Ella Nel Sepolcro; e Quivi Attrita..
1773
Francesco Bartolozzi Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
Francesco Bartolozzi Polyhemus, Playing The Panpipes For Galatea
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
Francesco Bartolozzi King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
Francesco Bartolozzi, 1728–1815
King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
1779
Francesco Bartolozzi Shakespeare's Tomb
Francesco Bartolozzi, 1728–1815
Shakespeare's Tomb
1782
Francesco Bartolozzi The Birth of Shakespeare
Francesco Bartolozzi, 1728–1815
The Birth of Shakespeare
1782
Francesco Bartolozzi Anthony and Cleopatra, Act 3, Scene II
Francesco Bartolozzi, 1728–1815
Anthony and Cleopatra, Act 3, Scene II
1794
Francesco Bartolozzi King Lear, Act 4, Scene VII
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
Francesco Bartolozzi Ophelia vide Hamlet, Act 4, Scene VII
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
Francesco Bartolozzi Troilus and Cressida, Act 4, Scene II
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
Francesco Bartolozzi Cecilia
Francesco Bartolozzi, 1728–1815
Cecilia
1783
Francesco Bartolozzi June
Francesco Bartolozzi, 1728–1815
June
1789
Francesco Bartolozzi July
Francesco Bartolozzi, 1728–1815
July
1789
Francesco Bartolozzi August
Francesco Bartolozzi, 1728–1815
August
1793
Francesco Bartolozzi April
Francesco Bartolozzi, 1728–1815
April
1790
Francesco Bartolozzi September
Francesco Bartolozzi, 1728–1815
September
1793
Francesco Bartolozzi October
Francesco Bartolozzi, 1728–1815
October
1793
Francesco Bartolozzi Palamon and Arcite
Francesco Bartolozzi, 1728–1815
Palamon and Arcite
1790
Francesco Bartolozzi Poetry And History, Presenting Painting, With Subjects For Her Pencil
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
Francesco Bartolozzi Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
Print made by Francesco Bartolozzi, 1728–1815
Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
1774
Francesco Bartolozzi Cordelia
Francesco Bartolozzi, 1728–1815
Cordelia
1784
Francesco Bartolozzi Sappho Embracing Love
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
Francesco Bartolozzi Angelica And Medora
Francesco Bartolozzi, 1728–1815
Angelica And Medora
1787
Francesco Bartolozzi Rinaldo et Armida
Francesco Bartolozzi, 1728–1815
Rinaldo et Armida
1785
Francesco Bartolozzi Morte de Clorinda
Francesco Bartolozzi, 1728–1815
Morte de Clorinda
1785
Francesco Bartolozzi Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
Francesco Bartolozzi E d'Uccider se Stesso in Pensier Venne...
Francesco Bartolozzi, 1728–1815
E d'Uccider se Stesso in Pensier Venne..
1773
Francesco Bartolozzi Title page: L'Amico' de Fanciulli, Vol. III
Francesco Bartolozzi, 1728–1815
Title page: L'Amico' de Fanciulli, Vol. III
1788
Francesco Bartolozzi Title page: Depicting Cupid, Venus, and Juno
Francesco Bartolozzi, 1728–1815
Title page: Depicting Cupid, Venus, and Juno
1782
Francesco Bartolozzi Illustration From Bell's Edition of The Poets of Great Britain
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
Francesco Bartolozzi Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
Francesco Bartolozzi Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
Francesco Bartolozzi Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
Francesco Bartolozzi As You Like It, Act IV, Orlando and Oliver
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
Francesco Bartolozzi I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
Francesco Bartolozzi May
Francesco Bartolozzi, 1728–1815
May
1793
Francesco Bartolozzi February
Francesco Bartolozzi, 1728–1815
February
1793
Francesco Bartolozzi Alexander and Nerina
Francesco Bartolozzi, 1728–1815
Alexander and Nerina
1784
James Gillray Sophia, Honour, and the Chambermaid
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
Francesco Bartolozzi Hercules and Omphale
Francesco Bartolozzi, 1728–1815
Hercules and Omphale
Francesco Bartolozzi The Shepherdess of the Alps
Francesco Bartolozzi, 1728–1815
The Shepherdess of the Alps
1776
Francesco Bartolozzi The Dead Ass, Nampont
Francesco Bartolozzi, 1728–1815
The Dead Ass, Nampont
1799
Francesco Bartolozzi Selim of the Shepherd's Moral
Francesco Bartolozzi, 1728–1815
Selim of the Shepherd's Moral
1788
Francesco Bartolozzi The Snuff Box, Calais
Francesco Bartolozzi, 1728–1815
The Snuff Box, Calais
1799
Francesco Bartolozzi Lauretta
Francesco Bartolozzi, 1728–1815
Lauretta
1776
Francesco Bartolozzi The Hours
Francesco Bartolozzi, 1728–1815
The Hours
1788