Materials & Techniques: stipple engraving / On-site Access: Accessible by appointment in the Study Room / Height [cm]: 7

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Materials & Techniques stipple engraving

On-site Access Accessible by appointment in the Study Room

Height [cm] 7

Print made by William Blake, 1757–1827

Thomas Hayley, the Disciple of John Flaxman, from a Medallion

1800

Print made by William Blake, 1757–1827

Thomas Hayley the Disciple of John Flaxman, from a Medallion

1800

Print made by Bradshaw & Blacklock, active ca.1850

Double Hairpin Set

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Rural Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Albanian Scenes

after 1850

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Oriental Scenes

after 1850

William Finden, 1787–1852

Children Swinging

1834

William Finden, 1787–1852

Shepherds

1834

William Camden Edwards, 1777–1855

Nicholas Hilliard

1826

Francesco Bartolozzi, 1728–1815

Ticket for the Brandenbourg House Masquerade

ca. 1797

Francesco Bartolozzi, 1728–1815

Visiting Card of Mrs. Parker

1785

Francesco Bartolozzi, 1728–1815

Ticket for the Hanover Square Grand Professional Concert

Print made by Francesco Bartolozzi, 1728–1815

Henryk Ludwik Lubomirski

1787

Bradshaw & Blacklock, active ca.1850

Scottish Scenes. Albanian Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Turkish Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Country Scenes

after 1850

Bradshaw & Blacklock, active ca.1850

Scottish Scenes. Albanian Scenes

after 1850

Stephen Frederick Gooden, 1892–1955

Gargoyle

1933

Bradshaw & Blacklock, active ca.1850

Greek set

after 1850

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