Materials & Techniques: stipple engraving / Credit Line: Yale Center for British Art, Paul Mellon Fund / Genre: historical subject

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Materials & Techniques stipple engraving

Credit Line Yale Center for British Art, Paul Mellon Fund

Genre historical subject

Print made by Francesco Bartolozzi, 1728–1815

Thais

1792

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by John Bell, 1811–1895

And This Was Caesar

between 1838 and 1850

Print made by Thomas Cheesman, 1760–1834/35

General Washington

1796

Print made by Thomas Cheesman, 1760–1834/35

General Washington

1796

Thomas Gaugain Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Print made by Thomas Gaugain, 1748–1812

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

1796

Print made by Anthony Cardon, 1772–1813

The Surrender of the Sons of Tippoo Sultaun

1802

Print made by Anthony Cardon, 1772–1813

The Assault and Taking of Seringapatam

1801

Print made by Niccoló Schiavonetti, 1771–1813

The Last Effort and Fall of Tippoo Sultaun

1802

Print made by Francesco Bartolozzi, 1728–1815

The Departure Of The Sons Of Tippoo From The Zenana

1793

Print made by Daniel Orme, 1766–1837

The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

1793

Print made by Luigi Schiavonetti, 1765–1810

The Body of Tippoo Sultan Recognised by his Family

1801

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