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Materials & Techniques stipple engraving
Remove constraint Materials & Techniques: stipple engravingCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsSubject Terms children
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1
- Here Poor Boy
- 1796
2
- Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope
- 1789
3
- Lady Acland and Children
- 1826
4
- Two Bunches of Penny Primroses, Two Bunches a Penny
- 1793
5
- Milk below Maids
- 1793
6
- The West India Washer-Women
- 1779
7
- Bristol High Cross
- 1734
8
- Morning
- undated
9
- January
- 1788
10
- Intemperance
- undated
11
- View of Sion House from the Banks of the Thames
- 1799
12
- The Relief
- 1781
13
- Sunday Morning, A Cottage Family Going to Church
- 1795
14
- Mamma at Romps
- 1810
15
- The Great Exhibition: Exterior View from the Southwest
- 1851
16
- Pomare, Queen of Tahiti
- 1845
17
- Peniston, William, and Frederick James Lamb: The Affectionate Brothers
- 1791
18
- The Calmady Children
- 1835
19
- Mary Elizabeth, Countess Grey, with Her Two Children
- 1831
20
- Balmoral Castle
- after 1850
21
- Balmoral Castle
- after 1850
22
- George Pritchard, Her Britannic Majesty's Consul
- 1845
23
- Four Subjects
- after 1850
24
- Four Subjects
- after 1850
25
- Her Majesty Queen Victoria & Family
- ca. 1851
26
- Returning from the Spring. Virginia
- after 1850
27
- The Bride, Paul and Virginia, the Chalees Satoon, East India
- after 1850
28
- Gems of the Great Exhibition No. 4: The Foreign Department
- 1852 or 1854
29
- Double Hairpin Set
- after 1850
30
- Eight colour prints
- after 1850
31
- Eight Rural Subjects
- after 1850
32
- Lady Smith and Her Children: George Henry, Louisa, and Charlotte
- 1789
33
- Embassy of Hyderbeck to Calcutta
- 1800
34
- Noon
- undated
35
- November
- 1788
36
- Night
- undated
37
- The Virgin
- 1778
38
- King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
- 1789
39
- The Farmer's Boy & The Rustic Angler
- after 1850
40
- Four Subjects
- after 1850
41
- Four Subjects
- after 1850
42
- The Virgin and Child
- 1770
43
- The Virgin and Child
- 1770
44
- The Stone Bow, Lincoln
- 1836
45
- West Window of the Chapel, New College Oxford: The Virtues - Charity
- 1781
46
- Venus Childing Cupid
- 1784
47
- Venus Chiding Cupid
- 1784
48
- One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
- 1751
49
- Cupid Disarmed by Venus
- 1804
50
- Virtuous Love
- 1793
51
- The Daughters of Guercino
- 1772
52
- Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
- 1791
53
- One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
- 1751
54
- One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
- 1751
55
- One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
- 1751
56
- Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
- 1745
57
- One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
- 1751
58
- Peg Todd, as Head Nurse
- undated
59
- The Healing of the Lame Man
- after 1855
60
- The Healing of the Lame Man
- after 1855
61
- Ticket to Westminster Abbey
- before 1791
62
- Captain William Baillie
- between 1750 and 1810
63
- The Deserter
- 1784
64
- Turkish Scenes
- after 1850
65
- Scottish Scenes. Albanian Scenes
- after 1850
66
- Scottish Scenes. Albanian Scenes
- after 1850
67
- July
- 1789
68
- August
- 1793
69
- June
- 1789
70
- September
- 1793
71
- Princess Charlotte Augusta Matilda
- ca. 1797
72
- Sheep-Sheering
- 1798