Materials & Techniques: stipple engraving / Collection: Prints and Drawings / Genre: literary theme

William Finden, 1787–1852

An Alcove

1834

William Finden, 1787–1852

The Mask

1834

William Finden, 1787–1852

Children Swinging

1834

William Finden, 1787–1852

The Bird's Nest

1834

William Finden, 1787–1852

Lady Jane Grey

1834

William Finden, 1787–1852

Shepherds

1834

William Finden, 1787–1852

An Arabesque

1834

William Finden, 1787–1852

A Voyage of Discovery

1834

William Finden, 1787–1852

An Arabesque

1834

Print made by Hugh Downman, d. 1789

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

ca. 1787

Print made by Peter Simon, 1750–1810

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

1791

Print made by Robert Thew, 1758–1802

King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

1789

Francesco Bartolozzi, 1728–1815

Prospero Disarming Ferdinand, Act I, Scene II

1793

Print made by Thomas A. Woolnoth, 1785–1857

Mrs. W. West as Cordelia

1820

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

1797

Print made by James Parker, 1750–1805

The Fall of Agandecca

1783

Benjamin Smith, 1775–1833

The Alto Relievo

1796

Print made by imitator of George Baxter, 1804–1867

Little Red Riding Hood

after 1856

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

Thomas Ryder, 1746–1810

Twelfth Night, Act III, Scene IV: Olivia's House

1803

Print made by Charles Gauthier Playter, died 1809

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .

1793

Print made by Robert Thew, 1758–1802

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

1792

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

1797

Print made by William Birch, 1755–1834

Mrs. Robinson

1792

Peltro W. Tomkins, 1760–1840

Mrs Seaforth as, Tuccia - The Vestal Virgin

1798

Francesco Bartolozzi, 1728–1815

The Cottagers

1794

Niccoló Schiavonetti, 1771–1813

John Hawkesworth

1806

Niccoló Schiavonetti, 1771–1813

Joseph Warton

1807

Edward Scriven, 1775–1841

George Colman, The Elder

1813

George Vertue, 1684–1756

Ralph Cudworth

undated

Print made by Caroline Watson, 1760–1814

Elizabeth Carter

1808

William Greatbach, Born 1802

Falstaff and his Friends

ca. 1868

Francesco Bartolozzi, 1728–1815

Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire

1787

Peter Simon, 1750–1810

Taming of the Shrew, Act II Scene II

1795

Print made by Francesco Bartolozzi, 1728–1815

John Henderson as Iago

before 1786

Print made by Francesco Bartolozzi, 1728–1815

Tancred and Clorinda

1785

Print made by Francesco Bartolozzi, 1728–1815

Gualtherus and Griselda

1784

Francesco Bartolozzi, 1728–1815

Ticket: For The Benefit Of Mad' Banti

1795

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1779

Francesco Bartolozzi, 1728–1815

Jane Shore

1790

Peter Simon, 1750–1810

Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

1789

Francesco Bartolozzi, 1728–1815

Concert Ticket For The Benefit of Madame Banti

1795

Francesco Bartolozzi, 1728–1815

Fonrose

1798

Francesco Bartolozzi, 1728–1815

Adelaide

1798

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804

Print made by Francesco Bartolozzi, 1728–1815

John Henderson as Iago

1786

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Abington as Thalia

1783

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1773

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

Print made by Thomas Watson, 1743–1781

Miss Elizabeth Beauclerc as 'Una'

1782

Print made by William Bromley, 1769–1842

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

1811

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There Is Rue for You and Here's Some for Me

1784

Francesco Bartolozzi, 1728–1815

Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V

1789

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

Print made by Thomas Macklin, active 1779–1793

Fallstaff Playing the Prince, The Prince Playing the King

1796

Print made by Robert Dighton, 1752–1814

Hamlet in Scotland

1794

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

William S. Leney, 1769–1831

Taming the Shrew, Act III, Scene II

1793

Robert Mitchell Meadows, Died before 1812

Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

1794

William Nutter, 1754–1802

Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

1789

Peter Simon, 1750–1810

Taming Of The Shrew, Act III, Scene II

1795

Benjamin Smith, 1775–1833

"Tempest", Act I, Scene I

1797

Peltro W. Tomkins, 1760–1840

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

1792

Peltro W. Tomkins, 1760–1840

The Three Witches

1786

Francesco Bartolozzi, 1728–1815

Joseph Andrews

1781

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745